Ten (2002)

Calificación de los usuarios:

7.3/10   

Director:

Abbas Kiarostami

Guionista:

Abbas Kiarostami (writer)

Fecha de Lanzamiento:

18 septiembre 2002 (Belgium)

Género:

Drama

Plot:

Ten sequences examine the emotional lives of women at significant junctures.

Plot Keywords:

Prayer | Mother Son Relationship | One Word Title | Iran | Sister Sister Relationship

Premios:

1 nomination

Comentarios de los usuarios:

intriguing, exploratory and honest

Reparto

Mania Akbari	...	Driver
Amin Maher	...	Amin
listado alfabético del resto del reparto:
Kamran Adl
Roya Arabshahi
Amene Moradi
Mandana Sharbaf
Katayoun Taleizadeh

También conocida como:

10 (International: English title) (alternative spelling)
Ten (France)
Untitled Abbas Kiarostami 2002 (France) (working title)
Diez (Argentina) (cable TV title) [es]

Duración:

France:91 min (Cannes Film Festival) | Germany:94 min | UK:92 min | USA:94 min | Portugal:90 min | Argentina:94 min

País:

France | Iran | USA

Idioma:

Persian

Color:

Color

Relación de Aspecto:

1.66 : 1

Sonido:

DTS

Clasificación:

Switzerland:12 (canton of Zurich) | Argentina:Atp | Australia:PG | France:U | Germany:12 | Hong Kong:I | Sweden:Btl | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | UK:12

Locaciones de Filmación:

Tehran, Iran

Compañía:

Abbas Kiarostami Productions

Trivialidades:

Chosen by "Les Cahiers du cinéma" (France) as one of the 10 best pictures of 2002 (#01, with "Choses secrètes")

Citas:

Prostitute: [to a Married woman] You are wholesailers. We are retailers.

Conexiones de Película:

Referenced in 10 on Ten (2004)

Banda de Sonido:

Walking In The Air

intriguing, exploratory and honest

Ten is an intriguing movie. Kiarostami explores the abilities of digital camera by mounting it at just two fixed angles on the dashboard of a car, showing us almost only the driver's and the passenger's faces. Such a stationary structure surprises by its moving content, which takes shape as the movie unfolds.

The driver is a young Iranian divorcée, recently remarried, whose conversations with a son, sisters, a young and an old woman makes up the ten episodes of the movie.

The performance taken from the kid is astonishingly natural, and other characters also appear to be just playing their everyday lives. Kiarostami opens an eye through the little gap of its two fixed digital cameras on the mundane facts of the Iran's capital life as experienced by a typical middle-class woman. The plots are so natural no one can find a better way of experiencing the knotted, contradictory complexity of such a woman's life in Iran from outside. The flow is of the scenes is smooth and the dialogues are, at least to the Iranian audience, courageous and funny, though familiar at the same time. It's a movie worth watching more than once.