- 9 wins & 8 nominations.
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Complete, Cast awaiting verification
Angela Bettis | ... |
May Dove Canady
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Jeremy Sisto | ... |
Adam Stubbs
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Anna Faris | ... |
Polly
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James Duval | ... |
Blank
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Nichole Hiltz | ... |
Ambrosia
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Kevin Gage | ... |
Papa Canady
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Merle Kennedy | ... |
Mama Canady
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Chandler Riley Hecht | ... |
Young May
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Rachel David | ... |
Petey
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Nora Zehetner | ... |
Hoop
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Will Estes | ... |
Chris, Adam's Roommate
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Roxanne Day | ... |
Buckle
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Samantha Adams | ... |
Lucille
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Brittney Lee Harvey | ... |
Diedre
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Connor Matheus | ... |
Kindergarten Boy
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Mike McKee | ... |
Dr. Wolf, Optometrist
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Ken Davitian | ... |
Foreign Doctor
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Bret Roberts | ... |
Distraught Man in the Veterinarian Office
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Traci Burr | ... |
Short Girl
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Jude McVay | ... |
Zombie
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Tricia Kelly | ... |
Amy
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Norwood Cheek | ... |
Guy on Bench
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Jesse Hlubik | ... |
Jack in 'Jack and Jill'
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Jennifer Grant | ... |
Jill in 'Jack and Jill'
(as Jennifer Lyn Grant)
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Rest of cast listed alphabetically: | |||
Meredith Hines | ... |
Woman at restaurant
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Jammes Luckett | ... |
'Frox' Child Singer (uncredited) (voice)
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Lucky McKee | ... |
Guy Making Out in Elevator (uncredited)
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John Veague | ... |
Man (uncredited)
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Directed by
Lucky McKee |
Written by
Lucky McKee | ... | (written by) |
Produced by
Eric Koskin | ... | executive producer |
Richard Middleton | ... | co-producer |
Scott Sturgeon | ... | producer |
Marius Vaysberg | ... | producer (as Marius Balchunas) |
John Veague | ... | executive producer |
Music by
Jammes Luckett | ... | (as Jaye Barnes Luckett) |
Cinematography by
Steve Yedlin | ... | director of photography |
Editing by
Debra Goldfield | ||
Rian Johnson | ||
Chris Sivertson |
Editorial Department
Saul Escobedo | ... | color timer |
Kevin Ford | ... | additional editor |
Kirsty Kalkhoven | ... | assistant editor |
Gloria Vela | ... | assistant editor |
Casting By
Shannon Makhanian |
Production Design by
Leslie Keel |
Art Direction by
Charlie Gonzales |
Set Decoration by
Lorri Jakubuv |
Costume Design by
Mariano Díaz | ||
Marcelo Pequeño |
Makeup Department
Tanja Hrast | ... | assistant makeup artist |
Eva Lohse | ... | key makeup artist / special makeup effects artist |
Zach Passero | ... | makeup artist: "Jack and Jill" film |
Wendy Southard | ... | key hair stylist (as Wendy Boscon) |
Katalin Urszuly | ... | key makeup artist (as Katy Urszuly) |
Elizabeth Villamarin | ... | assistant makeup artist |
Randy Westgate | ... | special makeup effects artist |
Production Management
Richard Middleton | ... | unit production manager |
Susan Wichmann | ... | post-production supervisor |
Second Unit Director or Assistant Director
Brad Arnold | ... | first assistant director |
Larry D. Katz | ... | second second assistant director |
W. Alex Korp | ... | second assistant director |
Scott Macleod | ... | second second assistant director |
Fei Wong | ... | additional second assistant director |
Art Department
Ryan Galiher | ... | swing gang (as Ryan Nifong) |
Lorri Jakubuv | ... | lead person |
Conrad Lumas | ... | swing gang |
Scott Nifong | ... | property master |
Ronald Price | ... | set dresser |
Kristen Rajterowski | ... | set dresser |
Thomas Schaffer | ... | set dresser (as Thomas J. Schaeffer) |
Johnny Singler | ... | swing gang |
Justin Stone | ... | set dresser |
Jammes Luckett | ... | art department assistant (uncredited) / quilt seamstress (uncredited) |
Sound Department
Robert Backus | ... | boom operator |
Stacy Carson | ... | background effects editor / foley artist |
James Dehr | ... | production sound recordist |
Brian Drown | ... | post-production sound engineer |
James Fielden | ... | re-recording lead mixer |
Patrick Hutchings | ... | post-production sound coordinator |
Erick Jolley | ... | dialog editor / foley editor / foley recordist / post-production sound supervisor / re-recording second engineer / sound designer |
Justin Kohler | ... | adr editor / adr recordist / background effects editor (as Juston Kohler) |
Jason Scott | ... | dialogue conforming editor |
Doug Taylor | ... | dialog editor |
Ian Taylor | ... | background effects editor |
Special Effects by
Scott Nifong | ... | special effects |
Ric San Nicholas | ... | special effects |
Virgil Sanchez | ... | special effects |
Camera and Electrical Department
Tommy Adams | ... | key grip |
Justin Akers | ... | company grip |
Edgar Arellano | ... | company grip |
Dennis Babchuck | ... | company grip (as Denny Babchuck) |
Susannah Bridges | ... | second assistant camera |
Jamel Byrd | ... | company grip |
Mark L. Christensen | ... | electrician (as Mark Christensen) |
William Christie | ... | company grip |
Sheryll Coulon | ... | still photographer (as Sheryl Coulon) |
Jon Delaney | ... | company grip (as Jon J.D. Delaney) |
Jonathan Edelman | ... | electrician |
Paul Fanning | ... | electrician |
Christian Fayette | ... | electrician |
Alice Gu | ... | additional first assistant camera |
Jacob Hedman | ... | company grip |
Richard Herring | ... | company grip |
Mique Hwang | ... | best boy electric |
Dennis A. King | ... | company grip |
Jerome Roi Maufas | ... | electrician |
Danya Mosgofian | ... | electrician |
Jaron Presant | ... | director of photography: second unit / gaffer |
Ann Rabin | ... | first assistant camera |
Wendy Schmidt | ... | best boy grip |
Randy Shropshire | ... | still photographer |
Mario Signore | ... | additional first assistant camera |
Kristy Walker | ... | second assistant camera (as Kristy Ann Mann) |
Michael Weeks | ... | key grip |
Wade Whitley | ... | additional first assistant camera |
Gavin Wynn | ... | camera loader |
Casting Department
Jennifer Goldstein | ... | casting associate |
Costume and Wardrobe Department
Paula Fabio | ... | costume supervisor |
Chay Santini | ... | set costumer |
Location Management
Meredith Cruse | ... | location manager |
Music Department
Jammes Luckett | ... | music supervisor (as Jaye Barnes Luckett) |
Lucky McKee | ... | music supervisor |
Script and Continuity Department
Beth Multer | ... | script supervisor |
Transportation Department
Tony Barattini | ... | transportation captain |
Bruce Comtois | ... | driver |
Hector M. Gonzalez | ... | driver (as Hector Gonzalez) |
Geno Hart | ... | transportation coordinator |
Larry Levine | ... | transportation captain |
Additional Crew
Jeremy Bratt | ... | set production assistant |
George Carerro | ... | set security |
Braulio Chavez Jr. | ... | set security |
Braulio Chavez | ... | security supervisor |
Raul Contreras | ... | caterer |
Tanner Crane | ... | key set production assistant |
Casey Dunmore | ... | technical assistant |
Patrick Espinola | ... | set security |
Carina Feldman | ... | opening titles: DNA Studio |
Jennifer Grant | ... | office production assistant |
Lori Griegg | ... | caterer: Lori's Kitchen (as Lori Grigg) |
Francisco Hernández | ... | set production assistant (as Francisco Hernandez) |
Bryan Kalfus | ... | key set production assistant |
James Lewis | ... | publicist |
Ben Maraniss | ... | office production assistant |
Kam Miller | ... | assistant to producers |
Paolo Mina | ... | set security |
Ron Newell | ... | police officer |
Joe Piasecki | ... | set production assistant |
Sean Piper | ... | set production assistant |
Mark Pogachefsky | ... | publicist |
Lynn Raines | ... | studio teacher |
Scott Salyer | ... | set production assistant |
Julie Sanders | ... | dispatcher |
Mel Scholl | ... | police officer |
Michael Sidisin Jr. | ... | craft service |
Chris Sivertson | ... | film clip: "Jack and Jill" |
Gwendolyn Stallings | ... | set production assistant |
Richard Vargas | ... | set security |
Susan Wichmann | ... | delivery supervisor |
Myles Zakheim | ... | contact lenses: Optometrix (as Dr. Myles Zakheim) |
Stephen Niver | ... | Production Consultant (uncredited) |
Thanks
Tom Anderson | ... | special thanks |
Sarah Clossey | ... | special thanks |
Syd Cole | ... | special thanks |
Sean Elliott | ... | special thanks |
John Furia | ... | special thanks |
Rubén García | ... | special thanks (as Ruben Garcia) |
Gerald Jones | ... | special thanks |
Brian Kibbie | ... | special thanks |
Jennifer Kuwabara | ... | special thanks |
Mike McKee | ... | special thanks |
Larry Michalski | ... | special thanks |
Ray Morfino | ... | special thanks |
Ryan Revel | ... | special thanks |
Glenn Robbins | ... | special thanks |
Lena Roklin | ... | special thanks |
Megan Silverman | ... | special thanks |
Production Companies
Distributors
- Lionsgate Films (2003) (United States) (theatrical)
- Art Port (Japan) (theatrical)
- Zootrope Films (2004) (France) (theatrical)
- DeAPlaneta (2002) (Spain)
- Flashstar Home Vídeo (2004) (Brazil) (DVD)
- Flashstar Home Vídeo (2004) (Brazil) (VHS)
- H.O.M. Vision (2003) (Netherlands) (DVD) (VHS)
- Lions Gate Films Home Entertainment (2003) (United States) (DVD)
- Lions Gate Films Home Entertainment (2003) (United States) (VHS)
- Media Cooperation One (MC-One) (2003) (Germany) (DVD)
- NSM Records (2019) (Germany) (Blu-ray)
- NSM Records (2019) (Germany) (DVD)
- PFA Films (2006) (Italy)
- Pluto TV (2023) (United States) (video)
- RTL Entertainment (2009) (Netherlands) (tv) (RTL8)
- The Horror Channel (2016) (United Kingdom) (tv)
Special Effects
Other Companies
- Cannes Film Festival (festival)
- Cineworks (grip and lighting equipment)
- DNA Studio (titles)
- Debe Waisman Casting (extras casting)
- Endeavor Agency (special thanks)
- J.L. Fisher (dollies provided by)
- Lori's Kitchen (catering)
- MPRM Communications (publicity)
- Magic Film and Video Works (avid services)
- Magic Film and Video Works (negative cutting)
- Optometrix (contact lenses)
- Pikesville Productions (avid services provided by)
- SAG-AFTRA (special thanks)
- Sundance Film Festival (festival)
- T&T Optical Effects Company (titles and opticals)
- The Bakery Studios (sound post-production)
- The Filmmaker's Resource (production services)
- Visual Icon (exclusive clip and still licensing)
Storyline
Plot Summary |
When May was a child, she was a lonely girl with a lazy eye and without any friends except a strange, homemade doll kept in a glass case given by her mother on her birthday. May becomes a lonely, weird young woman, working in an animal hospital and assisting the veterinarian in surgeries and sewing operated animals most of the time. Her lesbian colleague Polly has a sort of attraction for her. When the shy May meets the mechanic Adam Stubbs, she loves his hands and has a crush on him. They date, but the bizarre behavior of May one night pushes Adam away from her. Alone, May has a brief affair with Polly, but she feels rejected again when her colleague meets Ambrosia. When her doll is accidentally broken, the deranged May decides to build a friend for her, using the best parts her acquaintances can offer. Written by Claudio Carvalho, Rio de Janeiro, Brazil |
Plot Keywords | |
Taglines | There Are No Good Wholes...Just Parts. See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
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Additional Details
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Filming Locations |
Box Office
Budget | $500,000 (estimated) |
Opening Weekend United States | $9,070, 06 Jun 2003 |
Did You Know?
Trivia | The teenage girl who asks May "got any cold ones in there" is dressed up as a zombie cheerleader in the exact same costume and makeup from Lucky McKee's very first movie, All Cheerleaders Die (2001). See more » |
Goofs | Young May's bad eye seems to be on the left. Adult May's bad eye is on the right. May has amblyopia or "lazy eye." Although it appears that her "bad" eye changes from the left one as a child to the right one as an adult, amblyopia is treated by putting a patch over the good eye. Because her left eye has the patch over it when she is a child, May's good eye is always on the left. See more » |
Movie Connections | Featured in Top 10 Scary Movie Dolls (2014). See more » |
Soundtracks | Deviation on a Theme See more » |
Crazy Credits | No animals were harmed in the making of this film. All scenes involving injured, maimed, bloodied or deceased animals were accomplished through the magic of taxidermy and/or prosthetic appliances. See more » |
Quotes |
May:
So many pretty parts and no pretty wholes. See more » |