Monsieur N. (2003)

Calificación de los usuarios:

6.6/10   

Director:

Antoine de Caunes

Guionista:

René Manzor (writer)

Fecha de Lanzamiento:

12 febrero 2003 (France)

Género:

Biografía | Drama | Misterio

Frase comercial:

Le plus grand mystère de notre histoire tient en une seule lettre

Plot Keywords:

Prisoner | Flashback Sequence | Napoleon Bonaparte | Love Quadrangle | Jailer

Premios:

4 nominations

Comentarios de los usuarios:

a new perspective

Reparto

Philippe Torreton	...	Napoléon Bonaparte
Richard E. Grant	...	Hudson Lowe
Jay Rodan	...	Basil Heathcote
Elsa Zylberstein	...	Albine de Montholon
Roschdy Zem	...	Marshal Bertrand
Bruno Putzulu	...	Cipriani
Stéphane Freiss	...	Gen. Montholon
Frédéric Pierrot	...	Gen. Gourgaud
Siobhan Hewlett	...	Betsy Balcombe
Peter Sullivan	...	Thomas Reade
Stanley Townsend	...	Dr. O'Meara
Igor Skreblin	...	Ali
Blanche de Saint-Phalle	...	Fanny Bertrand
Jake Nightingale	...	Carpenter
Bernard Bloch	...	Von Holgendorp

También conocida como:

Napoleón: La última batalla (Argentina) (DVD title) [es]

Duración:

120 min

País:

France | UK

Idioma:

Francés | Inglés | Corsican

Color:

Color

Relación de Aspecto:

2.35 : 1

Sonido:

Dolby Digital | DTS

Clasificación:

Australia:M | Iceland:LH | Argentina:16 | Brazil:12 | France:U | Singapore:NC-16 | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | UK:12A | USA:Unrated

Locaciones de Filmación:

Paris, France

Compañía:

Canal+

Conexiones de Película:

Apareció en Monsieur N, l'aventure du tournage (2003) (V)

a new perspective

funny, almost saddening how the one who tells the story first makes it their own at the truth's expense. a brilliant piece of motion picture artistry yet the undeniable undertones of English supremacy left a bad taste in my mouth. true to the genius of napoleon, but one has to question whether it was the intellectual workings of a genius' mind we were bearing witness to or the one who unwittingly outwits the genius, even though by the dumbest of luck. the mind is the most unforgiving of captures and physical captivity is a mere detail if compared to it. that is what i came out of the movie in awe of. the story has been recycled and repetitively told much to the detriment of it's truth and purity; and even though it has been airbrushed to do away with the blemishes, one can not help but feel that the newly-created veneer of English supremacy was the gremlin in their propaganda machine.

i highly recommend the movie, intriguing to the final scene.