Michael Moore's view on what happened to the United States after September 11; and how the Bush Administration allegedly used the tragic event to push forward its agenda for unjust wars in Afghanistan and Iraq.
The story of how an eccentric French shop-keeper and amateur film-maker attempted to locate and befriend Banksy, only to have the artist turn the camera back on its owner. The film contains... See full summary »
The United States of America is notorious for its astronomical number of people killed by firearms for a developed nation without a civil war. With his signature sense of angry humor, activist filmmaker Michael Moore sets out to explore the roots of this bloodshed. In doing so, he learns that the conventional answers of easy availability of guns, violent national history, violent entertainment and even poverty are inadequate to explain this violence when other cultures share those same factors without the equivalent carnage. In order to arrive at a possible explanation, Michael Moore takes on a deeper examination of America's culture of fear, bigotry and violence in a nation with widespread gun ownership. Furthermore, he seeks to investigate and confront the powerful elite political and corporate interests fanning this culture for their own unscrupulous gain. Written by
Kenneth Chisholm (firstname.lastname@example.org)
After Charlton Heston abruptly ended the interview, Michael Moore and his film crew walked down Heston's driveway to find themselves temporarily trapped as the gate closed. Fearing that Heston may have called someone to try and confiscate the interview footage, Moore had his cameraman pass the film through the bars of the gate to staffers waiting outside. Moore then told the staffers to depart immediately with the film. Moore and his crew eventually left Heston's estate without incident. See more »
The film claims that that Eric Harris and Dylan Klebold attended a bowling class on the morning of the massacre. This is incorrect as testified in a judicial review. See more »