Wallace & Gromit: The Curse of the Were-Rabbit (2005)
The Curse of the Were-Rabbit (original title)Reference View | Change View
- G
- 1h 25min
- Animation, Adventure
- 07 Oct 2005 (USA)
- Movie
- Won 1 Oscar. Another 40 wins & 25 nominations.
- See more »
Photos and Videos
Cast verified as complete
Peter Sallis | ... |
Wallace / Hutch (voice)
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Ralph Fiennes | ... |
Victor Quartermaine (voice)
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Helena Bonham Carter | ... |
Lady Campanula Tottington (voice)
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Peter Kay | ... |
PC Mackintosh (voice)
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Nicholas Smith | ... |
Reverend Clement Hedges (voice)
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Liz Smith | ... |
Mrs. Mulch (voice)
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John Thomson | ... |
Mr. Windfall (voice)
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Mark Gatiss | ... |
Miss Blight (voice)
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Vincent Ebrahim | ... |
Mr. Caliche (voice)
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Geraldine McEwan | ... |
Miss Thripp (voice)
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Edward Kelsey | ... |
Mr. Growbag (voice)
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Dicken Ashworth | ... |
Mr. Mulch (voice)
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Robert Horvath | ... |
Mr. Dibber (voice)
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Pete Atkin | ... |
Mr. Crock (voice)
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Noni Lewis | ... |
Mrs. Girdling (voice)
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Ben Whitehead | ... |
Mr. Leaching (voice)
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Christopher Fairbank | ... |
Additional Voice (voice)
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James Mather | ... |
Additional Voice (voice)
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William Vanderpuye | ... |
Additional Voice (voice)
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Directed by
Steve Box | ... | (directed by) |
Nick Park | ... | (directed by) |
Written by
Steve Box | ... | (screenplay) & |
Nick Park | ... | (screenplay) and |
Mark Burton | ... | (screenplay) and |
Bob Baker | ... | (screenplay) |
Nick Park | ... | (characters) |
Produced by
Claire Jennings | ... | producer |
Cecil Kramer | ... | executive producer |
Peter Lord | ... | producer |
Nick Park | ... | producer |
Michael Rose | ... | executive producer |
Carla Shelley | ... | producer |
David Sproxton | ... | producer |
Music by
Julian Nott |
Cinematography by
Tristan Oliver | ... | director of photography |
Dave Alex Riddett | ... | director of photography (as David Alex Riddett) |
Editing by
David McCormick | ... | (edited by) |
Angharad Owen | ||
Gregory Perler | ... | (edited by) |
Editorial Department
Chris DeLaGuardia | ... | color timer |
Tom Doggart | ... | second assistant editor |
Nahum Galeote Martin | ... | second assistant film editor |
Peter Hunt | ... | color timer |
Paul Neal | ... | editor: high definition |
Timothy Peeler | ... | digital film colorist (as Tim Peeler) |
Matt Purgaus | ... | assistant editor |
Mary Beth Smith | ... | negative cutter |
Thomas Urbye | ... | on-line film editor: MPC |
Andrew Ward | ... | first assistant editor |
Jason Wheeler | ... | negative cutter |
Lauren Flasher | ... | international editor (uncredited) |
Casting By
Jenny Duffy |
Production Design by
Phil Lewis |
Art Direction by
Alastair Green | ||
Sarah Hauldren | ||
Matt Perry |
Production Management
Elzbieta Araszkiewicz | ... | production associate |
Giles Johnson | ... | production manager |
Michael Solinger | ... | post-production supervisor |
Second Unit Director or Assistant Director
Richard Beek | ... | second assistant director (as Richard 'Beeky' Beek) |
Lisa Butler | ... | second assistant director |
David Button | ... | third assistant director |
Vinny Cannon | ... | third assistant director |
Merlin Crossingham | ... | second unit director |
Penny Foster | ... | first assistant director |
Kevin Harwood | ... | additional second assistant director (as Kev Harwood) |
Kate Munkenbeck | ... | third assistant director |
Marnie Paxton | ... | second assistant director |
Art Department
Natasha Allright | ... | art department coordinator |
Dino Athanassiou | ... | additional storyboard artist |
Claire Baker | ... | propmaker (as Clare Baker) |
Sylvia Bennion | ... | storyboard artist |
Andy Biddle | ... | junior set dresser |
Sue Black | ... | assistant modelmaker |
Joe Bourbon | ... | set dresser |
Rejean Bourdages | ... | senior storyboard artist |
Rachel Bowen | ... | set dresser |
David Bowers | ... | senior storyboard artist |
Zennor Box | ... | concept art |
Andy Brown | ... | senior set dresser |
Sophie Brown | ... | set dresser |
Lorna Cashmore | ... | set dresser |
Jason Clarke | ... | assistant draughtsperson |
Jay Clarke | ... | assistant draughtsperson |
Kitty Clay | ... | set dresser |
Claire Cohen | ... | puppet maker |
Paul Drake | ... | prop maker and set builder |
Claire Drewett | ... | modelmaker |
Darren Dubicki | ... | additional layout |
Mel Ford | ... | set dresser |
Jon Frier | ... | senior modelmaker |
Fred Gray | ... | scenic artist |
Matthew Healey | ... | set dresser |
James Held | ... | set dresser |
Mick Hockney | ... | set dresser |
Neil Jones | ... | model maker |
Jane Kite | ... | propmaker supervisor |
Sarah Laborde | ... | set dresser |
Gavin Lines | ... | graphic artist |
Ruth Mitchell | ... | paint supervisor |
Kay Moore | ... | modelmaker |
Laurens Nockels | ... | propmaker |
Gareth Northrop | ... | model maker |
Lesley Osbourne | ... | set dresser |
Bob Persichetti | ... | storyboard artist |
Bridget Phelan | ... | assistant art director |
Liz Pichon | ... | storyboard artist |
Rachael Potter | ... | art department production assistant |
Manon Roberts | ... | assistant art director |
Michael Salter | ... | senior storyboard artist |
Matt Sanders | ... | construction team leader |
Adrian Sims | ... | propmaker (as Adrian 'Ade Boy' Sims) |
Michael Sowa | ... | concept art |
Robert Stevenhagen | ... | senior storyboard artist (as Rob Stevenhagen) |
Jo Symanowski | ... | draughtsperson |
Kieron Thomas | ... | set dresser |
David Vinicombe | ... | storyboard artist |
Roger Whiter | ... | props |
Alice Panerai | ... | modelmaking coordinator (uncredited) |
Sound Department
Alexander Beddow | ... | adr recordist |
Rodney Berling | ... | conform editor (as Rod Berling) |
Steve Browell | ... | conform editor (as Steven Browell) |
Peter Burgis | ... | foley artist |
Ed Colyer | ... | sound mixer |
Robert Edwards | ... | adr recordist |
Phil Freudenfeld | ... | sound studio technician |
Glen Gathard | ... | assistant foley mixer |
Peter Gleaves | ... | adr mixer |
Danny Hambrook | ... | sound designer |
Graham Headicar | ... | sound effects editor |
Nigel Heath | ... | sound mixer |
Alex Hudd | ... | sound consultant: dolby |
Philip Jenkins | ... | sound mix technician |
Simon John | ... | trainee sound assistant |
Rob Killick | ... | sound studio technician |
Adam Laschinger | ... | assistant sound editor |
Hanna Makowska | ... | sound engineer: Poland |
James Mather | ... | supervising sound editor |
Tim Owens | ... | adr editor |
David Peacock | ... | dialogue recordist |
Adrian Rhodes | ... | re-recording mixer |
Joseph Stracey | ... | sound designer (as Joseph Park Stracey) |
Sven Taits | ... | re-recording mixer |
Derek Trigg | ... | foley editor |
Dave Wren | ... | sound studio technician |
Special Effects by
Craig Atkinson | ... | model rigger |
Alan Barrett | ... | model rigger |
Kyle Hartigan | ... | model rigger |
John Jones | ... | assistant model maker |
David 'Del' Lawson | ... | model/rigging supervisor |
David Pugh | ... | model rigger |
Alan Scrase | ... | model rigger |
Andy Spradbery | ... | foam supervisor |
Visual Effects by
Paul Alexiou | ... | visual effects film editorial: MPC |
David Armitage | ... | data operator |
Chris Armsden | ... | render wrangler: MPC |
Henry Badgett | ... | digital compositor: MPC |
Andrew Baggarley | ... | data wrangler |
Murray Barber | ... | digital compositor |
Reuben Barkataki | ... | roto/prep artist |
Angela Barson | ... | digital compositor: MPC |
Susie Baty | ... | puppet coordinator assistant |
Kieran Belshaw | ... | digital film recordist |
Lizzie Bentley | ... | digital compositor |
Hayley Brazelton | ... | roto/prep artist: MPC (as Hayley Collins) |
Matthew Bristowe | ... | digital lab producer: MPC |
Andrew Bunday | ... | render wrangler |
Nick Cannon | ... | head of technology: MPC |
Jordi Cardus | ... | technical director: MPC |
Rohan Claassen | ... | visual effects (as Rohan Claassan) |
Kirsty Clark | ... | digital compositor (as Kirsty Lamb) |
Alfonso Cottier | ... | roto/prep artist: MPC |
Paul Driver | ... | visual effects coordinator |
Paddy Eason | ... | visual effects supervisor |
Michael Elson | ... | head of production: MPC / visual effects executive producer |
Richard Etchells | ... | digital intermediate editor |
Joe Eveleigh | ... | CG lighting artist |
William Foxwell | ... | digital lab operator: Lip Sync Post |
John Frith | ... | technical support: MPC |
Julien Goldsbrough | ... | compositor |
Lisa Gonzalez | ... | matchmove artist: MPC |
Vincent Goodsell | ... | digital compositor |
Scott Goulding | ... | digital lab operator |
Lewis Guarniere | ... | data wrangler: MPC |
Roberto Hadrac | ... | CG support |
Linda Hamblyn | ... | motion control operator |
Qian Han | ... | roto/prep artist: MPC |
Michael Harrison | ... | digital compositor |
Tim Hey | ... | digital compositor: MPC |
Marcus Hindborg | ... | digital artist: MPC |
Martin Hobbs | ... | head of production: MPC |
Matt Holland | ... | compositor |
Katja Hollmann | ... | digital lab supervisor: Lipsync Post |
Rudi Holzapfel | ... | visual effects |
Max Horton | ... | colorist: MPC |
Pete Howlett | ... | digital compositor |
Zoe Izzard | ... | data operator / digital film recordist |
Lee Kerley | ... | shader writer |
Ryan Knowles | ... | data operator / digital film recordist |
Arek Komorowski | ... | digital artist |
Stuart Lashley | ... | compositing supervisor |
Philippa Leathers | ... | digital film recordist |
Tim Ledbury | ... | CG modeler: MPC |
Katy Lemon | ... | digital lab operator: Lip Sync Post |
Luke Letkey | ... | digital compositor |
Bryan Litson | ... | match move technician: MPC |
David Lloyd | ... | systems support: MPC |
Begoña Lopez | ... | digital lab producer: MPC |
Charlotte Loughnane | ... | visual effects producer: MPC |
Alasdair MacCuish | ... | scanning producer: Lipsync Post |
Angela Magrath | ... | digital artist |
Alan McCabe | ... | render wrangler: MPC |
Alasdair McNeill | ... | roto/prep artist |
Victoria Mowlam | ... | visual effects coordinator: Aardman Features |
Matthew Muntean | ... | CG support |
Peter Muyzers | ... | computer graphics supervisor: MPC |
Stuart Nelhams | ... | visual effects film editorial: MPC |
Martin Ofori | ... | digital compositor |
Martin Parsons | ... | technical assistant |
Patrick Phillips | ... | visual effects |
Teresa Pino | ... | render wrangler |
Tristan Porter | ... | roto/prep artist: MPC |
Michael Ridgwell | ... | digital artist |
Aled Robinson | ... | visual effects editor: MPC |
Rajat Roy | ... | digital compositor |
Jamshed Soori | ... | rendering artist |
Penn Stevens | ... | render wrangler: MPC |
John Strauss | ... | software engineer |
Giuseppe Tagliavini | ... | roto/prep supervisor: MPC |
Ben Toogood | ... | CG lighting artist / technical director: MPC |
Giuliano Dionisio Vigano | ... | digital compositor (as Giuliano Dionisio Vigano') |
Dan Warder | ... | data operator |
Roland Watson | ... | digital resources manager: MPC |
Jason Wen | ... | visual effects animator |
Robert A. Willis | ... | digital film recordist |
Chris Wilson | ... | render wrangler: MPC |
Pat Wintersgill | ... | online editor |
Oliver Winwood | ... | data wrangler: MPC |
Simon Wistow | ... | digital effects / research & development software engineer: MPC |
Anthony Wonsoff | ... | title designer |
Gemma Wood | ... | data operative (as Gemma James) |
Melody Woodford | ... | matchmove supervisor |
Andrew 'Bloxy' Bloxham | ... | armature designer (uncredited) |
Luan Davis | ... | roto/prep artist: MPC (uncredited) |
Martyn Drake | ... | systems: MPC (uncredited) |
Julian Gnass | ... | digital compositor (uncredited) |
Elysia Greening | ... | roto artist (uncredited) |
Scott Taylor | ... | roto artist: MPC (uncredited) |
Camera and Electrical Department
Tom Barnes | ... | tech director |
Caroline Hague | ... | technical team assistant |
Gunnar Heidar | ... | assistant camera |
Guy Holme | ... | practical electrician |
Laura Howie | ... | assistant camera |
Adam Lincoln | ... | assistant camera |
Bobby Logan | ... | motion control camera operator |
Andrew Loran | ... | Lighting |
Andy Loran | ... | Lighting |
John Quarrell | ... | assistant camera |
Luke Smith | ... | still photographer |
Ben Stradling | ... | assistant camera |
Richard Whiteford | ... | supervising camera assistant |
Animation Department
Sara Barbas | ... | assistant animator |
Will Becher | ... | animator |
Philip Beglan | ... | key animator |
Claire Billet | ... | key animator |
Terry Brain | ... | animator |
Darren Burgess | ... | animator |
Dug Calder | ... | key animator |
Stefano Cassini | ... | animator |
Merlin Crossingham | ... | key animator |
Teresa Drilling | ... | key animator |
Alison Evans | ... | animator |
Jo Fenton | ... | animator |
Dicken Franklin | ... | assistant animator |
Jay Grace | ... | key animator |
Wendy Griffiths | ... | assistant animator |
Maria Hopkinson-Hassell | ... | assistant animator |
Jerold Howard | ... | animator |
Fabrice Joubert | ... | stop-motion animator |
Virpi Kettu | ... | assistant animator |
Tandy Langton | ... | assistant animator |
Harry Linden | ... | preproduction supervisor |
Jason Lynch | ... | assistant animator |
Seamus Malone | ... | key animator |
Caroline Maure | ... | assistant animator |
Karen Molin | ... | assistant animator |
Suzy Parr | ... | key animator (as Suzy Fagan) |
Edward Patterson | ... | assistant animator |
Pascual Perez | ... | animator (as Pascual Perez Porcar) |
Loyd Price | ... | animation supervisor |
Dan Ramsay | ... | animator |
Christopher Sadler | ... | key animator |
Justin Smith | ... | trainee assistant animator |
Jason Spencer Galsworthy | ... | early character development |
Andy Spilsted | ... | assistant animator (as Andy Spilstead) |
Robert Stevenhagen | ... | senior storyboard artist |
Andy Symanowski | ... | key animator |
Darren Thomson | ... | key animator |
Jean-Philippe Vine | ... | assistant animator |
Ian Whitlock | ... | key animator |
Lee Wilton | ... | animator |
Naomi Zahl | ... | assistant animator |
Randy Cartwright | ... | animator (uncredited) |
Casting Department
Vanessa Baker | ... | adr voice casting |
Brendan Donnison | ... | adr voice casting |
Music Department
Roger Argente | ... | musician: trombone |
Lorne Balfe | ... | additional music |
Chris Barrett | ... | assistant music engineer |
Becky Bentham | ... | score coordinator |
Mark Berrow | ... | musician: violin |
Maya Bickel | ... | musician: violin |
Richard Bissill | ... | musician: French horn |
Nicholas Bucknall | ... | musician: clarinet |
Heather Cairncross | ... | singer |
Nicholas Cervonaro | ... | assistant music engineer (as Nick Cervonaro) |
Simon Changer | ... | music editor |
Peter Cobbin | ... | additional recording |
Michael Connell | ... | music editor |
Rupert Coulson | ... | additional recording |
Jim Dooley | ... | additional music |
Michael Dore | ... | singer |
Sarah Eyden | ... | singer |
Andrew Findon | ... | musician: flute |
Byron Fulcher | ... | musician: trombone |
Simon Grant | ... | singer |
Simon Grant | ... | singer |
Gavin Greenaway | ... | conductor |
Rupert Gregson-Williams | ... | additional music |
Roland Heap | ... | music preparation |
Max Herman | ... | assistant composer |
Mike Hext | ... | musician: trombone |
Robert Houston | ... | assistant scoring engineer |
Jake Jackson | ... | assistant music engineer |
Skaila Kanga | ... | musician: harp |
Alastair King | ... | additional music |
Richard Lancaster | ... | assistant music engineer |
Abhay Manusmare | ... | technical score engineer |
Everton Nelson | ... | musician: violin |
Jenny O'Grady | ... | choir master |
Tom Pearce | ... | singer |
Nic Raine | ... | orchestrator |
Simon Rhodes | ... | music scoring mixer |
Tony Stanton | ... | music preparation |
Jon Thorne | ... | musician: viola |
Helen Tunstall | ... | musician: harp |
Mark Wherry | ... | technical score engineer |
Jonathan Williams | ... | musician: cello |
Andrew Wood | ... | musician: trombone |
Ian Wood | ... | assistant scoring engineer |
Gavyn Wright | ... | orchestra leader |
Andrew Zack | ... | score coordinator |
Warren Zielinski | ... | musician: violin |
Hans Zimmer | ... | music score producer |
Julie Butchko | ... | music clearance (uncredited) |
Halli Cauthery | ... | composer: additional material (uncredited) |
Paul Kegg | ... | musician: cello (uncredited) |
Steve Mair | ... | musician: double bass (uncredited) |
Bradley Miles | ... | choir arranger (uncredited) |
Dave Jewerén Moore | ... | assistant music editor (uncredited) |
Mary Scully | ... | musician: double bass (uncredited) |
Allen Walley | ... | musician: double bass (uncredited) |
David Walter | ... | midi preparation (uncredited) |
Bruce White | ... | musician: viola (uncredited) |
Script and Continuity Department
Marnie Paxton | ... | script supervisor |
Jamie Rogers | ... | continuity supervisor |
Additional Crew
Yalda Armian | ... | publicity and marketing |
Ben Barrowman | ... | head runner |
Susie Baty | ... | puppet coordinator assistant |
Todd Bergstrom | ... | human resources |
Connor Chadwick | ... | test viewing: focus group |
Michael Chadwick | ... | test viewing: focus group |
Mike Cooper | ... | development executive |
Toby James | ... | epk producer |
Ellen Keneshea | ... | storyreel editor |
Tara Knowles | ... | production assistant |
Kelly Messias | ... | assistant: Ralph Fiennes |
Olivier Mouroux | ... | junior unit publicist |
Adria Munnerlyn | ... | credits and titles administrator |
Steve Pegram | ... | head of feature production |
Alan Scrase | ... | senior rigger |
Emily Simpson | ... | story assistant |
Phil Taylor | ... | production finance |
David Nigel Thomas | ... | runner (as Dave Thomas) / runner |
Charley Walters | ... | production communication |
David Waters | ... | senior technical support |
James Young | ... | modelmaker (as James '2 eggs' Young) |
Darin Grimes | ... | marketing (uncredited) |
Michael Lachance | ... | creative executive (uncredited) |
Thanks
Gregory Abbott | ... | the producers wish to thank |
Stephen Basil-Jones | ... | special thanks |
Andrew Birch | ... | special thanks (as Andy Birch) |
Jack Bleck | ... | special thanks |
Marcus Brigstocke | ... | thanks |
Tony Burgess | ... | thanks |
Bill Damaschke | ... | special thanks |
Peter Dunne | ... | thanks |
Nick Fletcher | ... | special thanks |
Pilar Flynn | ... | special thanks |
Wayne Hellinger | ... | special thanks |
Guy Jenkin | ... | thanks |
Jeffrey Katzenberg | ... | thanks |
Fumi Kitahara | ... | special thanks |
Chris Kuser | ... | special thanks |
Graham Linehan | ... | thanks |
Steven Moder | ... | special thanks |
Chris Montan | ... | special thanks |
Simon Moore | ... | thanks |
Paul Neal | ... | thanks |
Sunny Park | ... | special thanks |
Phil Parker | ... | thanks |
Paul Parmer | ... | special thanks |
Giles Pilbrow | ... | thanks |
Georgia Pritchett | ... | thanks |
Colin Rose | ... | thanks |
David Ian Salter | ... | special thanks (as David Salter) |
Mark Schoellkopf | ... | special thanks |
Olly Smith | ... | thanks |
Mike Thorne | ... | thanks |
Makiko Wakita | ... | special thanks |
Andy White | ... | thanks |
Production Companies
- DreamWorks Animation (presents)
- Aardman Animations (presents)
Distributors
- DreamWorks Distribution (2005) (United States) (theatrical)
- DreamWorks Distribution (2005) (Canada) (theatrical)
- Asmik Ace Entertainment (2006) (Japan) (theatrical)
- B&H Film Distribution (2005) (Ukraine) (theatrical)
- Bontonfilm (2005) (Czechia) (theatrical)
- Bontonfilm (2005) (Czechia) (theatrical) (subtitled)
- Buena Vista International Finland (2005) (Finland) (theatrical)
- CJ Entertainment (2005) (South Korea) (theatrical)
- Forum Cinemas (2005) (Estonia) (theatrical)
- Forum Cinemas (2005) (Lithuania) (theatrical)
- NOS Audiovisuais (2005) (Portugal) (theatrical)
- Sunny Films (2005) (Bulgaria) (theatrical)
- Tatrafilm (2005) (Slovakia) (theatrical)
- United International Pictures (UIP) (2005) (Australia) (theatrical)
- United International Pictures (UIP) (2005) (Belgium) (theatrical)
- United International Pictures (UIP) (2005) (Switzerland) (theatrical)
- United International Pictures (UIP) (2005) (Chile) (theatrical)
- United International Pictures (UIP) (2005) (Colombia) (theatrical)
- United International Pictures (UIP) (2005) (Austria) (theatrical)
- United International Pictures (UIP) (2005) (Germany) (theatrical)
- United International Pictures (UIP) (2005) (Denmark) (theatrical)
- United International Pictures (UIP) (2005) (Ecuador) (theatrical)
- United International Pictures (UIP) (2005) (Spain) (theatrical)
- United International Pictures (UIP) (2005) (France) (theatrical)
- United International Pictures (UIP) (2005) (Cyprus) (theatrical)
- United International Pictures (UIP) (2005) (United Kingdom) (theatrical)
- United International Pictures (UIP) (2005) (Greece) (theatrical)
- United International Pictures (UIP) (2005) (Hong Kong) (theatrical)
- United International Pictures (UIP) (2005) (Croatia) (theatrical)
- United International Pictures (UIP) (2005) (Hungary) (theatrical)
- United International Pictures (UIP) (2005) (Indonesia) (theatrical)
- United International Pictures (UIP) (2006) (Italy) (theatrical)
- United International Pictures (UIP) (2005) (Mexico) (theatrical)
- United International Pictures (UIP) (2005) (Malaysia) (theatrical)
- United International Pictures (UIP) (2005) (Netherlands) (theatrical)
- United International Pictures (UIP) (2005) (Norway) (theatrical)
- United International Pictures (UIP) (2005) (Peru) (theatrical)
- United International Pictures (UIP) (2005) (Philippines) (theatrical) (through Solar Entertainment)
- United International Pictures (UIP) (2005) (Poland) (theatrical)
- United International Pictures (UIP) (2005) (Russia) (theatrical)
- United International Pictures (UIP) (2005) (Sweden) (theatrical)
- United International Pictures (UIP) (2005) (Singapore) (theatrical)
- United International Pictures (UIP) (2005) (Thailand) (theatrical)
- United International Pictures (UIP) (2005) (Turkey) (theatrical)
- United International Pictures (UIP) (2005) (Taiwan) (theatrical)
- United International Pictures (UIP) (2005) (Venezuela) (theatrical)
- United International Pictures (UIP) (2005) (South Africa) (theatrical)
- United International Pictures (2005) (Argentina) (theatrical)
- United International Pictures (2005) (Brazil) (theatrical)
- United International Pictures (2005) (Mexico) (theatrical)
- 20th Century Fox Home Entertainment (2014) (United States) (DVD)
- American Broadcasting Company (ABC) (2007) (United States) (tv)
- Argentina Video Home (2006) (Argentina) (DVD)
- Argentina Video Home (2006) (Argentina) (VHS)
- BBC iPlayer (2022) (United Kingdom) (video) (VOD)
- British Broadcasting Corporation (BBC) (2008) (United Kingdom) (tv) (BBC1)
- Cartoon Network (2014) (United States) (tv)
- DreamWorks Home Entertainment (2006) (United States) (DVD)
- DreamWorks Home Entertainment (2006) (United States) (VHS)
- Dreamworks Home Entertainment (2006) (Mexico) (DVD)
- Film1 (2007) (Netherlands) (tv) (limited)
- HBO Max (2020) (United States) (video) (VOD)
- ITV2 (2023) (United Kingdom) (tv) (limited)
- Kadokawa Entertainment (2006) (Japan) (DVD)
- Mainostelevisio (MTV3) (2010) (Finland) (tv)
- Net5 (2010) (Netherlands) (tv)
- Paramount Home Entertainment (2010) (United States) (DVD)
- Peacock (2022) (United States) (video) (VOD)
- RTL Entertainment (2016) (Netherlands) (tv) (RTL4)
- Universal Pictures Finland (2006) (Finland) (DVD)
- Universal Pictures Home Entertainment (UPHE) (2019) (United States) (Blu-ray)
- Universal Pictures Home Entertainment (2006) (Brazil) (DVD)
- Universal Pictures Home Entertainment (2020) (Brazil) (Blu-ray)
- Universal Pictures Home Entertainment (2019) (Canada) (Blu-ray)
- Universal Pictures (2006) (Japan) (DVD)
- Universal Pictures (2006) (Netherlands) (DVD)
- Universal Sony Pictures Home Entertainment Nordic (2019) (Finland) (Blu-ray)
- WGN America (2019) (United States) (tv)
Special Effects
- Cine Image Film Opticals (digital main and end titles)
- Jeff Cliff Models (specialist props, vehicles and multiple armatures)
- John Wright Modelmaking
- Moving Picture Company (MPC) (visual effects)
Other Companies
- AVID Technology (acknowledgement)
- Aardman Animations (funding)
- Abbey Road Studios (music recorded at)
- Air Lyndhurst Studios (music recorded at)
- Cod Steaks (set construction by)
- Digital DTS Sound (in selected theaters)
- Dolby Digital (in selected theatres)
- Fujifilm (filmed on)
- Gearbox Sound and Vision (additional ProTools systems supplied by)
- Hothouse Music (music coordination)
- International Alliance of Theatrical Stage Employees (IATSE) (this picture made under the jurdisction of)
- Isobel Griffiths Limited (musician contractor)
- Kodak (prints on)
- LipSync Post (digital film scanning)
- Metro Voices (choir)
- Motion Picture Association (MPA) (Motion Picture Association of America, certificate no. 41969)
- Moving Picture Company (MPC) (acknowledgement)
- National Fiber Technology (furs) (Uncredited)
- Prime Dubb (casting) (latin american spanish dub)
- SDDS Sony Dynamic Digital Sound (in selected theatres)
- Technicolor (prints)
- The London Session Orchestra (orchestra)
- The Machine Room (negative cleaning)
- The Sound Company Ltd. (voice recording studio)
- Toronto International Film Festival (festival)
- Varèse Sarabande (score album released by)
- Warner Bros. De Lane Lea (sound recording)
Storyline
Plot Summary |
It's 'vege-mania' in Wallace and Gromit's neighborhood, and our two enterprising chums are cashing in with their humane pest-control outfit, "Anti-Pesto." With only days to go before the annual Giant Vegetable Competition, business is booming, but Wallace & Gromit are finding out that running a "humane" pest control outfit has its drawbacks as their West Wallaby Street home fills to the brim with captive rabbits. Suddenly, a huge, mysterious, veg-ravaging "beast" begins attacking the town's sacred vegetable plots at night, and the competition hostess, Lady Tottington, commissions Anti-Pesto to catch it and save the day. Lying in wait, however, is Lady Tottington's snobby suitor, Victor Quartermaine, who'd rather shoot the beast and secure the position of local hero-not to mention Lady Tottingon's hand in marriage. With the fate of the competition in the balance, Lady Tottington is eventually forced to allow Victor to hunt down the vegetable chomping marauder. Little does she know that Victor's real intent could have dire consequences for her ...and our two heroes. Written by DreamWorks SKG |
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Taglines | Something bunny is going on... See more » |
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Parents Guide | View content advisory » |
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Box Office
Budget | $30,000,000 (estimated) |
Opening Weekend United Kingdom | GBP9,374,932, 16 Oct 2005 |
Cumulative Worldwide Gross | $192,610,372 |
Did You Know?
Trivia | The film required 2.8 tons of Plasticine in 42 colors and 1000 baby-wipes per week to wipe it off animators' fingers. See more » |
Goofs | The prices in the fairground scene at the Giant Vegetable Contest are in the old pounds, shillings and pence, showing that this film is set before this form of currency was abolished on 15 February 1971 (indeed, Gromit's calendar in one scene shows that 1 September is a Thursday, so the latest this film could be set is 1966). Yet Pesto's technology uses LEDs, which didn't become available until the mid-70s, and diode lasers, which weren't available to the general public until about 2000. However, Wallace has been shown to be a genius inventor, it's quite possible he invented all of these things himself, long before the items became available to the public. See more » |
Movie Connections | Featured in Episode #2.31 (2005). See more » |
Soundtracks | The Planets Opus 32:2. Venus, The Bringer of Peace See more » |
Crazy Credits | Rabbits float up the screen during the closing credits. On the Sci-fi music, they flash in different colors. On the romantic music, two rabbits act romantic and sometimes fly in other directions. The final line in the credits is "We would like to stress that no animals were harmed during the making of this film", and a rabbit hits its head on the text and falls. See more » |
Quotes |
[Quartermaine's hairpiece has been sucked up in the Bunvacc]
Lord Victor Quartermaine: I want... [lowers voice] Lord Victor Quartermaine: ... toupée, please. Wallace: Oh, grand. We take cheques or cash. Lord Victor Quartermaine: Toupée, you idiot! My hair is in your machine. Wallace: Oh, no, it's only rabbits in there. The hare, I think you'll find, is a much larger mammal. See more » |