Sweet Sixteen (2002/I)

Calificación de los usuarios:

7.5/10   

Director:

Ken Loach

Guionista:

Paul Laverty (screenplay)

Fecha de Lanzamiento:

4 octubre 2002 (UK)

Género:

Drama

Frase comercial:

It's you and Liam, against the world.

Plot:

Determined to have a normal family life once his mother gets out of prison, a Scottish teenager from a tough background sets out to raise the money for a home.

Plot Keywords:

Prison | Drug Dealing | Beating | Coming Of Age | Fitness Gym

Premios:

9 wins & 16 nominations

Comentarios de los usuarios:

Engaging and impressive despite being depressing and bleak

Reparto

Martin Compston	...	Liam
William Ruane	...	Pinball
Annmarie Fulton	...	Chantelle
Michelle Abercromby	...	Suzanne
Michelle Coulter	...	Jean
Gary McCormack	...	Stan
Tommy McKee	...	Rab
Calum McAlees	...	Calum
Robert Rennie	...	Scullion
Martin McCardie	...	Tony
Robert Harrison	...	Tony's gang
George McNeilage	...	Tony's gang
Rikki Traynor	...	Tony's gang
Jon Morrison	...	Douglas
Junior Walker	...	Night-time

También conocida como:

Felices dieciseis (Spain)
Sweet Sixteen (Spain)

MPAA:

Rated R for pervasive strong language, drug content and some violence.

Duración:

106 min

País:

UK | Alemania | Spain

Idioma:

Inglés

Color:

Color

Relación de Aspecto:

1.85 : 1

Sonido:

Dolby Digital

Clasificación:

Switzerland:14 (canton of Zurich) | Iceland:14 | Australia:MA | Denmark:11 | France:U | Germany:12 | Hong Kong:IIB | Ireland:18 | Italy:T | Japan:PG-12 | Netherlands:12 | Spain:18 | Sweden:11 | Switzerland:14 (canton of the Grisons) | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | UK:15 (Inverclyde, Scotland) | UK:18 | USA:R | Canada:18A (Ontario)

Locaciones de Filmación:

Glasgow, Strathclyde, Scotland, UK

Compañía:

Alta Films

Trivialidades:

The word "fuck" and its variations are used 313 times.

Conexiones de Película:

Apariciones "Robot Wars" (1998)

Banda de Sonido:

Let Me Entertain You

Engaging and impressive despite being depressing and bleak

Liam is a teenager surrounded by crime and poverty all around him. His step-father and grandfather having him smuggling drugs in to his mother's prison for her to sell on, while his activities with friend pinball can only politely be described as "anti-social". With his mother due to be released in only a few months, Liam is determined to get her a new start along with him, his sister and her young son. However his opportunities for getting money to set them up is limited and he steals drugs from his step-father's stash and tries to deal them off as quick as possible to make the money he needs.

At times watching a Ken Loach film is a bit like being having your face pushing down into something unpleasant for two hours; occasionally you get to come up and take a breath of fresh air but you are quickly pushed right back down again soon enough. So it is with Sweet Sixteen, which sets us down in a Scottish world of poverty and crime where "opportunity" is having a good supply and a good spot to sell, while being seen as having "potential" means that you can sell without using the stash yourself. Typically for those trapped within this sort of world, the goal is to get out of the situation but using the situation to do it but, unlike Jay Z, the story rarely sees the protagonists living to rich old lives married to the sexiest pop diva around.

In Liam's story his hope is not to become rich but just to get out of the area and hopefully get a normal life with his mother. The entrapping nature of his world is seen in the need to get in deeper in order to get out and so it goes. The gritty, depressing locations and the frequent, strong language are only cosmetic things that suggest the problem because really the grittiness is all in the characters and their situations. Laverty's script brings these out well without ever making it come over a preaching or hand-wringing, instead he just presents it for what it is, which is far from cheerful. It is depressing watching but yet quite compelling and convincing as it paints a world where "bettering oneself" is nothing more than liberal wishful thinking. Although tit isn't fair to criticise this story for being unrelentingly bleak, it is hard to watch it and, once seen, I cannot imagine why anyone would wish to rewatch it again even within the medium term.

The cast work well with the script though. Compston is convincingly ratty and very much the type of kid that most of us would avoid eye-contact with; however he manages to find the person in there early on, so that he can then do a good job of losing that same person as it goes on. Ruane has a simpler role but works OK it in, likewise Fulton, Abercromby and others all turn in natural performances. Credit to Loach again because he has drawn out convincing performances despite working with a mostly young cast.

There is no getting away from the fact that this is a depressing and bleak portrayal of life in poverty but, although not one you'll watch over and over again, it is an impressive and engaging film.