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Man on Fire (2004)
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Revisión
Calificación de los usuarios:
Fecha de Lanzamiento:
23 abril 2004 (USA) másFrase comercial:
Revenge is a meal best served cold másPlot:
In Mexico City, a former assassin swears vengeance on those who committed an unspeakable act against the family he was hired to protect. full summary | full synopsisPremios:
1 win & 6 nominations másComentarios de los usuarios:
Vengeance In Mexico City másReparto
(Descripción general del reparto)| Denzel Washington | ... | Creasy | |
| Dakota Fanning | ... | Pita | |
| Marc Anthony | ... | Samuel | |
| Radha Mitchell | ... | Lisa | |
| Christopher Walken | ... | Rayburn | |
| Giancarlo Giannini | ... | Manzano | |
| Rachel Ticotin | ... | Mariana | |
| Jesús Ochoa | ... | Fuentes | |
| Mickey Rourke | ... | Jordan | |
| Angelina Peláez | ... | Sister Anna | |
| Gustavo Sánchez Parra | ... | Daniel Sanchez | |
| Gero Camilo | ... | Aurelio Sanchez | |
| Rosa María Hernández | ... | Maria | |
| Heriberto Del Castillo | ... | Bruno | |
| Mario Zaragoza | ... | Jorge Ramirez |
Más detalles
También conocida como:
Hombre en llamas (Argentina) (Chile) (International: Spanish title) (Venezuela) [es]El fuego de la venganza (Spain) [es]
más
MPAA:
Rated R for language and strong violence.Parents Guide:
View content advisory for parentsDuración:
146 minColor:
ColorRelación de Aspecto:
2.35 : 1 másClasificación:
Taiwan:R-18 | Switzerland:16 (canton of Zurich) | Germany:16 | Malaysia:18PL | USA:R (certificate #40714) | Iceland:16 | Canada:14 (Nova Scotia) | Canada:14A (British Columbia/Manitoba/Ontario) | Canada:18A (Alberta) | Mexico:B15 | Portugal:M/16 | France:-12 | Sweden:15 | Argentina:16 | Australia:MA | Brazil:16 | Canada:13+ (Quebec) | Chile:14 | Czech Republic:12 | Finland:K-15 | Hong Kong:IIB | Ireland:18 | Italy:T | Japan:R-15 | Netherlands:16 | New Zealand:R16 | Norway:15 | Peru:14 | Philippines:R-18 | Singapore:NC-16 | South Korea:15 | Spain:18 | UK:18Cosas divertidas
Errores:
Continuidad: When Creasy first starts cutting the man's fingers off, the man is wearing/not wearing sunglasses between shots. másCitas:
Rayburn: A man can be an artist... in anything, food, whatever. It depends on how good he is at it. Creasey's art is death. He's about to paint his masterpiece. másBanda de Sonido:
The Search máspreguntas frecuentes
Why did "La Hermandad" lead Pita's family to believe she was dead? Were they planning on ransoming her later on?Why did Creasy agree to be taken by La Hermandad?
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Although released among a flock of revenge-minded action flicks (KILL BILL VOL. 2; THE PUNISHER; WALKING TALL), MAN ON FIRE works as well as it does thanks in large part to the always-watchable Denzel Washington, one of the best actors around today.
In MAN ON FIRE, based on A.J. Quinnell's 1980 novel (first filmed in 1987, with Scott Glenn), Washington plays a down-on-his-luck ex-mercenary who has now stooped to drinking from a flash of Jack Daniels, until his old partner (Christopher Walken) offers him a chance at redemption. He is hired on as a bodyguard to the 10 year-old daughter (Dakota Fanning) of a Mexican businessman (Marc Antony) and his American-born wife (Radha Mitchell). While he and Fanning work like oil and water first (not mixing very well), he really gets to form a bond with her, encouraging her to do better at swimming, while he at the same time attempts to deal with the demons of the past. It is that very bond that will force Washington back into his old line of work when Fanning is kidnapped and held for a $10 million ransom, and he is nearly killed. With almost any other stock action hero (Schwarzenneger; Segal, etc.), the subsequent bloodbath would be the same repetitive schlock we've seen a million times before. But Washington's character, though he's killing for a reason, does not particularly enjoy doing what he does. Still, he gets help from a very intrepid Mexican newspaper reporter (Rachel Ticotin) out to expose "La Hermanidad" (The Brotherhood), the kidnap gang responsible for Fanning's abduction.
MAN ON FIRE is flawed to some extent because of the hyper camera work, nearly headache-inducing montage editing, and various film stocks that are par for the course of its director Tony Scott (TOP GUN; CRIMSON TIDE), but which are not necessarily unique to him (witness Oliver Stone's use of montage in JFK or Sam Peckinpah's in his classic 60s and 70s films). Still, Scott gets a very good performance from Washington, as well as Fanning, who comes across as far more than a typical movie-brat kid. Harry Gregson-Williams' south-of-the-border Spanish guitar score is enhanced by soundtrack splashes of Chopin, Debussy, and even Linda Ronstadt's classic 1977 country-rock version of "Blue Bayou." Although the film overall is quite violent, it is no worse than most action films of the last ten years, and overall it is much better than most.