The Brown Bunny (2003)

Calificación de los usuarios:

4.9/10   

Director:

Vincent Gallo

Guionista:

Vincent Gallo (written by)

Fecha de Lanzamiento:

14 noviembre 2003 (Austria)

Género:

Drama

Plot:

Professional motorcycle racer Bud Clay heads from New Hampshire to California to race again. Along the way he meets various needy women who provide him with the cure to his own loneliness, but only a certain woman from his past will truly satisfy him.

Plot Keywords:

Love | Motorcycle | New Hampshire | California | Loneliness

Premios:

1 win & 2 nominations

Comentarios de los usuarios:

The Brown Bunny is a radical American masterpiece

Reparto

Vincent Gallo	...	Bud Clay
Chloë Sevigny	...	Daisy
Cheryl Tiegs	...	Lilly
Elizabeth Blake	...	Rose
Anna Vareschi	...	Violet
Mary Morasky	...	Mrs. Lemon
Jeffrey Wood	...	Featured Racer
Eric Wood	...	Featured Racer
Michael Martire	...	Featured Racer
Rick Doucette	...	Featured Racer
Jim Lester	...	Featured Racer
Michael Niksa	...	Featured Racer

Duración:

93 min | Canada:90 min (Toronto International Film Festival) | France:119 min (Cannes Film Festival)

País:

USA | Japan | France

Idioma:

Inglés

Color:

Color

Relación de Aspecto:

1.66 : 1

Sonido:

Dolby Digital

Clasificación:

Germany:16 | Ireland:18 | Switzerland:16 (canton of Zurich) | New Zealand:R18 | Canada:18+ (Quebec) (DVD rating) | Canada:R (Manitoba/Ontario) (DVD rating) | Italy:VM18 | Brazil:18 | Finland:K-18 | France:-16 | Portugal:M/18 | Switzerland:18 (canton of Geneva) | Switzerland:18 (canton of Vaud) | USA:Not Rated | Sweden:15 | Australia:R | UK:18

Locaciones de Filmación:

Best Western Inn - 6141 Franklin Avenue, Hollywood, Los Angeles, California, USA

Compañía:

Kinetique

Trivialidades:

Roger Ebert called the film "the worst in the history of Cannes," to which Vincent Gallo responded that Ebert was a "fat pig with the physique of a slave trader." Ebert paraphrased a remark of Winston Churchill and responded that "Although I am fat, one day I will be thin, but Mr. Gallo will still have been the director of 'The Brown Bunny.'" Gallo then put a hex on Ebert's colon, to which Ebert responded that "even my colonoscopy was more entertaining than his film." (It should be noted that the version screened at Cannes was much longer than the final version.)

Errores:

Continuidad: In the first shot that clearly shows Lilly at the rest area, she uncrosses her legs & then re-crosses them, right-over-left. In the next shot they are left-over-right, then another cut shows them right-over-left again.

Citas:

[first lines]
[Bud walks up to a young woman, working behind the counter in a gas station store]
Bud Clay: Hi.
Violet: Hello... Did you just come from the race track?
Bud Clay: Mmhm.
Violet: Did you win?
Bud Clay: No.
Violet: Oh.
Bud Clay: How much is this?
Violet: $2... Will you be racing again?
[...]

Conexiones de Película:

References The Sixth Sense (1999)

Banda de Sonido:

Smooth

The Brown Bunny is a radical American masterpiece

I had heard about the controversy surrounding The Brown Bunny (who hadn't?)--the feud with Roger Ebert, the graphic sex scene--so when I received an invitation to a press screening, I jumped at the chance to see what the trailer calls "the most controversial American film ever made". What the trailer and all the hype didn't prepare me for was the fact that The Brown Bunny could also be considered one of the most original American films ever made. In a time of overblown budgets and enormous productions with endless crew lists, Vincent Gallo has almost single-handedly made a concise, well-thought out, conceptual film--a poignant, touching love story. It's not often that a director's second film is more daring than his first--money, greed and Hollywood power seem too tempting to most and sophomore efforts usually represent the big sell out. Not so The Brown Bunny, not so Gallo the iconoclast. He manages to make a second film more interesting, more intimate, more revealing and more memorable than his first. And he manages to do it outside the system.

Gallo's instincts as a director are spot-on. Not only does he pull from Chloe Sevigny the performance of her career, he also solicits from a cast of complete unknowns and non-actors (including Cheryl Tiegs) painfully believable performances. I have always thought his talents as an actor were underrated, but surely The Brown Bunny will provide him his due as Bud Clay, a motorcycle racer undergoing a breakdown while driving across the country. Simply put, Gallo as Bud is devastating. At one point during the film, I was so tense watching him fall apart that I realized that I had been holding my breath through the entire scene. When you stop to think that he is also directing himself and directing the photography, it's that much more impressive.

I don't know how someone circumvents the Hollywood system to make a movie in this day and age, but it seems that Gallo has not only done that, but done it in a way that is memorable, haunting and visually stunning. This is a truly radical film made by a very courageous filmmaker, someone willing to tell a story, tell it honestly and suffer the consequences of his convictions. Pasolini would be proud.