| Fotos (ver todos los 78 | slideshow) | Videos (see all 10) |
| Scarlett Johansson | ... | Charlotte | |
| Bill Murray | ... | Bob Harris | |
| Akiko Takeshita | ... | Ms. Kawasaki | |
| Kazuyoshi Minamimagoe | ... | Press Agent | |
| Kazuko Shibata | ... | Press Agent | |
| Take | ... | Press Agent | |
| Ryuichiro Baba | ... | Concierge | |
| Akira Yamaguchi | ... | Bellboy | |
| Catherine Lambert | ... | Jazz Singer | |
| François du Bois | ... | Sausalito Piano (as Francois du Bois) | |
| Tim Leffman | ... | Sausalito Guitar | |
| Gregory Pekar | ... | American Businessman #1 | |
| Richard Allen | ... | American Businessman #2 | |
| Giovanni Ribisi | ... | John | |
| Diamond Yukai | ... | Commercial Director (as Yutaka Tadokoro) | |
| Jun Maki | ... | Suntory Client | |
| Nao Asuka | ... | Premium Fantasy Woman | |
| Tetsuro Naka | ... | Stills Photographer | |
| Kanako Nakazato | ... | Make-Up Person | |
| Fumihiro Hayashi | ... | Charlie | |
| Hiroko Kawasaki | ... | Hiroko | |
| Daikon | ... | Bambie | |
| Anna Faris | ... | Kelly | |
| Asuka Shimuzu | ... | Kelly's Translator | |
| Ikuko Takahashi | ... | Ikebana Instructor | |
| Koichi Tanaka | ... | Bartender, NY Bar | |
| Hugo Codaro | ... | Aerobics Instructor | |
| Akiko Monou | ... | P Chan | |
| Akimitsu Naruyama | ... | French Japanese Nightclub Patron | |
| Hiroshi Kawashima | ... | Bartender, Nightclub | |
| Hiromi Toshikawa | ... | Hiromix (as Hiromix) | |
| Nobuhiko Kitamura | ... | Nobu | |
| Nao Kitman | ... | Nao | |
| Akira | ... | Hans | |
| Kunichi Nomura | ... | Kun | |
| Yasuhiko Hattori | ... | Charlie's Friend | |
| Shigekazu Aida | ... | Mr. Valentine | |
| Kazuo Yamada | ... | Hospital Receptionist | |
| Akira Motomura | ... | Old Man | |
| Osamu Shigematu | ... | Doctor | |
| Takashi Fujii | ... | TV Host (as Mathew Minami) | |
| Kei Takyo | ... | TV Translator | |
| Ryo Kondo | ... | Politician | |
| Yumi Ikeda | ... | Politician's Aide | |
| Yumika Saki | ... | Politician's Aide | |
| Yuji Okabe | ... | Politician's Aide | |
| Dietrich Bollmann | ... | German Hotel Guest | |
| Georg O.P. Eschert | ... | German Hotel Guest | |
| Mark Willms | ... | Carl West | |
| Lisle Wilkerson | ... | Sexy Businesswoman | |
| listado alfabético del resto del reparto: | |||
| Nancy Steiner | ... | Lydia Harris (voice) (uncredited) | |
Dirigida por | |||
| Sofia Coppola | |||
Créditos del guión(WGA) | ||
| Sofia Coppola | (written by) | |
Música original por | |||
| Kevin Shields | |||
Fotografía por | |||
| Lance Acord | (director of photography) | ||
Montaje por | |||
| Sarah Flack | |||
Diseño de producción por | |||
| K.K. Barrett | |||
| Anne Ross | |||
Dirección artística | |||
| Mayumi Tomita | |||
Decorados | |||
| Towako Kuwajima | |||
| Tomomi Nishio | |||
Diseño de vestuario por | |||
| Nancy Steiner | |||
Departamento de maquillaje | |||
| Akemi | .... | hair stylist | |
| Akemi | .... | makeup artist | |
| Fukushi Kawata | .... | assistant hair/makeup | |
| Morag Ross | .... | key hair stylist | |
| Morag Ross | .... | key makeup artist | |
| Yoko Sato | .... | assistant hair/makeup | |
Dirección de producción | |||
| Anthony Katagas | .... | production supervisor (as Anthony G. Katagas) | |
| Keizo Shukuzaki | .... | unit manager | |
Ayudante de dirección | |||
| Roman Coppola | .... | additional director: additional Japan unit | |
| Shu Fujimoto | .... | second second assistant director | |
| Hiroya Igawa | .... | chief assistant director | |
| Motonobu Kato | .... | second second assistant director | |
| Takahide Kawakami | .... | first assistant director | |
| Taiichi Sugiyama | .... | second assistant director | |
Departamento de Arte | |||
| Chie Che | .... | assistant property master | |
| Tomiko Ishiyama | .... | assistant set decorator | |
| Takahiro Kikuchi | .... | additional assistant set decorator | |
| Momoko Nakamura | .... | assistant art director | |
| Rika Nakanishi | .... | art department coordinator | |
| Hitomi Nimura | .... | assistant set decorator | |
| Ryo Nobuka | .... | additional assistant set decorator | |
| Keisuke Sakurai | .... | property master | |
| Ryo Sugimoto | .... | assistant art director | |
| Toru Takahashi | .... | leadman | |
| Michelle Tomaszewski | .... | assistant designer | |
Departamento de sonido | |||
| Dawn Angel | .... | mix facility support | |
| Richard Beggs | .... | sound designer | |
| Richard Beggs | .... | sound re-recording mixer | |
| George Berndt | .... | additional adr editor | |
| David A. Cohen | .... | adr editor (as David Cohen) | |
| David A. Cohen | .... | dialogue editor (as David Cohen) | |
| Ethan Derner | .... | mix facility support | |
| Matthew Hartman | .... | sound intern | |
| Glenn Kasprzycki | .... | sound recordist | |
| Michael Kirchberger | .... | supervising sound editor | |
| Robert Knox | .... | re-recording supervisor | |
| Drew Kunin | .... | production sound mixer | |
| James Levine | .... | mix facility coordinator | |
| Everett Moore | .... | assistant sound editor | |
| Marnie Moore | .... | foley artist | |
| Jory K. Prum | .... | foley recordist | |
| Brian Sarvis | .... | re-recording engineer | |
| Julia Shirar | .... | sound effects editor | |
| Kira Smith | .... | boom operator | |
| Kent Sparling | .... | sound re-recording mixer | |
| Daniel Sperry | .... | sound engineer: Dolby (as Dan Sperry) | |
| Howard Stein | .... | mix facilities management: American Zoetrope | |
| William Storkson | .... | foley supervisor | |
| Deborah Wallach | .... | additional adr editor | |
| Gene Radzik | .... | stereo sound consultant: Dolby (uncredited) | |
Visual Effects | |||
| Travis Dutch | .... | scanning and recording (uncredited) | |
| Robert Rowles | .... | video I/O (uncredited) | |
Especialistas | |||
| Hirofumi Nakase | .... | stunt coordinator | |
Cámara y Departamento Eléctrico | |||
| Lance Acord | .... | camera operator | |
| Yoshio Ishikawa | .... | first best boy electrician | |
| Takuro Ishizaka | .... | second assistant camera | |
| Anne Joyce | .... | camera operator: karaoke (as Anne Rice) | |
| Takeshi Kagami | .... | electrician | |
| Michiaki Kamochi | .... | second best boy electric | |
| Akira Kanno | .... | best boy grip | |
| Yasushi Miyata | .... | additional second assistant camera | |
| Takuji Murata | .... | camera loader | |
| Masayuki Nishimura | .... | electrician | |
| Yoshio Sato | .... | still photographer | |
| Satoshi Tsuyuki | .... | key grip | |
| Nobuko Uranishi | .... | additional first assistant camera | |
| Yuji Wada | .... | gaffer | |
| Mark Williams | .... | first assistant camera | |
Departamento de reparto | |||
| Daiki Chiba | .... | casting assistant | |
| Stephanie Hayman | .... | additional casting: Japan | |
| Ryôichi Kondô | .... | casting: Japan (as Ryoichi Kondo) | |
| Hiroto Nakagaki | .... | casting assistant | |
| Miwa Sakaguchi | .... | casting production assistant | |
| Hauko Sone | .... | casting assistant | |
| Akira Yamaguchi | .... | casting assistant | |
Departamento de vestuario | |||
| Anita Louise Brown | .... | wardrobe supervisor (as Anita Brown) | |
| Noriko Hattori | .... | wardrobe supervisor: Kyoto | |
| Masae Sakurai | .... | set costumer | |
| Haruka Takahashi | .... | wardrobe supervisor | |
Departamento de Edición | |||
| Kim Aubry | .... | post-production: American Zoetrope | |
| Susan Finch | .... | additional assistant editor | |
| Bob Fredrickson | .... | color timer | |
| Jamie Kirkpatrick | .... | assistant editor | |
| Jennifer Letterman | .... | editing facilities: Red Car Post | |
| Yuji Oshige | .... | video editor: karaoke | |
| Howard Shur | .... | clip editor: TV | |
| Heidi Zellner | .... | negative matcher: West Coast Editorial | |
| Jen Choi | .... | editorial intern (uncredited) | |
Departamento de Música | |||
| Richard Beggs | .... | music editor | |
| Roger Joseph Manning Jr. | .... | composer: additional music | |
| Jill Meyers | .... | music clearances | |
| Brian Reitzell | .... | composer: additional music | |
| Brian Reitzell | .... | music producer | |
| Brian Reitzell | .... | music supervisor | |
| William Storkson | .... | composer: additional music | |
Departamento de Transporte | |||
| Akira Ebata | .... | driver | |
| Eiji Fujii | .... | driver | |
| Kiyotaka Inagaki | .... | driver | |
| Sakae Kaminaka | .... | driver | |
| Osamu Sasaki | .... | additional driver | |
| Tomoo Senuma | .... | driver | |
| Yuki Shimizu | .... | additional driver | |
| Minoru Tsuruno | .... | driver | |
Otros miembros del equipo | |||
| Hitoshi Abe | .... | office production assistant | |
| Tony Adrid | .... | shipping: JASA Logistics | |
| Mikiko Anzai | .... | location coordinator | |
| Ashley Bearden | .... | product placement coordinator | |
| Susan H. Bodine | .... | legal services: Epstein, Levinsohn, Bodine, Hurwitz and Weinstein | |
| Eva Z. Cabrera | .... | script supervisor | |
| Andrea F. Cannistraci | .... | legal services: Epstein, Levinsohn, Bodine, Hurwitz and Weinstein (as Andrea Cannistraci) | |
| Shari Chertok | .... | researcher | |
| Alison Cohen | .... | legal services: Epstein, Levinsohn, Bodine, Hurwitz and Weinstein | |
| Blake Crawford | .... | stand-in: Mr. Murray | |
| Maureen Duffy | .... | completion bond: Film Finances Inc. | |
| Anita Ekberg | .... | film clip: "La Dolce vita" courtesy of (as Ms. Anita Ekberg) | |
| Jonathan Ferrantelli | .... | assistant: Ross Katz | |
| John B. Finn | .... | production accountant: USA (as John Finn) | |
| Hirohito Gotou | .... | bilingual assistant | |
| Hiroshi Harada | .... | key set production assistant | |
| George T. Hayum | .... | legal services: Armstrong Hirsch Jackoway Tyerman & Wertheimer | |
| Susan Hebert | .... | assistant: Sofia Coppola | |
| Koji Hirano | .... | set production assistant | |
| Ai Ichiki | .... | assistant production office coordinator | |
| Sayuri Kanamori | .... | assistant: Giovanni Ribisi and Anna Faris | |
| Takuya Kaneko | .... | assistant location manager | |
| Hiroko Kawasaki | .... | production consultant | |
| Masashi Kitasato | .... | film clip: Chillsphere 001 Flow courtesy of | |
| Brian Kobo | .... | bilingual coordinator | |
| Tomoko Kojima | .... | assistant: Natsuko Nezu | |
| Kiyoshi Kurokawa | .... | location manager: Kyoto | |
| Masako Matsumura | .... | assistant production office coordinator | |
| Ross Miller | .... | insurance: Dennis Reiff & Associates | |
| Eriko Miyagawa | .... | bilingual assistant | |
| Taro Miyake | .... | office production assistant | |
| Atsushi Naito | .... | production attorney: Japan (as Atsushi Naito Esq.) | |
| Katumi Nakane | .... | bilingual assistant | |
| Natsuko Nezu | .... | production accountant: Japan | |
| Kimiko Onishi | .... | script translator | |
| Angela Panetta | .... | stand-in: Ms. Johansson | |
| Bennett Pozil | .... | production financing: Natexis Banques Populaires | |
| Dennis Reiff | .... | insurance: Dennis Reiff & Associates | |
| Yumiko Sekiguchi | .... | bilingual assistant | |
| Tomohiko Seki | .... | set production assistant | |
| Tsutomu Shimada | .... | film clip: Chillsphere 001 Flow courtesy of | |
| Kazuko Shingyoku | .... | production office coordinator | |
| Keizo Shukuzaki | .... | key location manager | |
| Naoki Takagi | .... | assistant: Scarlett Johansson | |
| Yoko Takeuchi | .... | bilingual assistant | |
| Koichi Tanaka | .... | assistant: Bill Murray | |
| Kumi Tanaka | .... | assistant: Bill Murray | |
| Greg Trattner | .... | completion bond: Film Finances Inc. | |
| Barry Tyerman | .... | legal services: Armstrong Hirsch Jackoway Tyerman & Wertheimer (as Barry W. Tyerman) | |
| Maremi Watanabe | .... | office production assistant | |
| Kurt Woolner | .... | completion bond: Film Finances Inc. | |
| Masahiro Yoshikawa | .... | production coordinator | |
| Alison S. Cohen | .... | production counsel (uncredited) | |
| Shannon Lail | .... | production executive: Zoetrope (uncredited) | |
| Joey Cruz Manalang | .... | liaison (uncredited) | |
| Kara Mazzola | .... | assistant: Fred Roos (uncredited) | |
| Tony Muro | .... | publicist (uncredited) | |
Gracias | |||
| Rima Acord | .... | thanks | |
| Wes Anderson | .... | thanks | |
| Eleanor Coppola | .... | thanks (as Mom) | |
| Francis Ford Coppola | .... | thanks (as Dad) | |
| Roman Coppola | .... | thanks (as Roman) | |
| Joe Dapello | .... | thanks | |
| Takashi Fujii | .... | thanks (as Mathew Minami) | |
| Hiroshi Fujiwara | .... | thanks: Park Hyatt Tokyo | |
| Aya Furuse | .... | thanks: Mathew's Best Hit TV | |
| Janet Grillo | .... | thanks | |
| Josh Hartnett | .... | thanks | |
| Susan Hebert | .... | thanks | |
| Hiroko | .... | thanks | |
| Yosuke Imataki | .... | thanks: Mathew's Best Hit TV | |
| Spike Jonze | .... | thanks (as Spike) | |
| Hidesuke Kataoka | .... | thanks: Mathew's Best Hit TV | |
| Tadahito Kawada | .... | thanks: Mathew's Best Hit TV | |
| Anton Kawasaki | .... | thanks | |
| Nobuhiko Kitamura | .... | thanks | |
| Kozo Komurasaki | .... | thanks: Mathew's Best Hit TV | |
| Hiroshi Kunimasa | .... | thanks | |
| Helmut Lang | .... | thanks | |
| Pat Lucas | .... | thanks | |
| John Lydon | .... | thanks | |
| Kelly Lynch | .... | thanks | |
| Tatsuya Matsui | .... | thanks | |
| Shinichi Matsumoto | .... | thanks: Mathew's Best Hit TV | |
| Lorne Michaels | .... | thanks | |
| Peter Miles | .... | thanks | |
| Damon Murray | .... | thanks | |
| Masatoshi Nagase | .... | thanks | |
| Christopher Neil | .... | thanks (as Chris Neil) | |
| Shinji Nishigaki | .... | thanks: Mathew's Best Hit TV | |
| Hiroaki Nishimura | .... | thanks: Mathew's Best Hit TV | |
| Nobuaki Okaji | .... | thanks: Park Hyatt Tokyo | |
| Akihiro Okamoto | .... | thanks: Mathew's Best Hit TV (as Akihiko Okamoto) | |
| Akira Okano | .... | thanks | |
| Keanu Reeves | .... | thanks | |
| Brad Rosenberger | .... | thanks | |
| David O. Russell | .... | thanks (as David Russell) | |
| Yuji Sadai | .... | thanks | |
| Toshihide Saito | .... | thanks: Mathew's Best Hit TV | |
| Greta Seacat | .... | thanks (as Gretta Seacat) | |
| Tomoaki Shiono | .... | thanks: Mathew's Best Hit TV | |
| Eddie Simon | .... | thanks | |
| Paul Simon | .... | thanks | |
| Stephen Sorrell | .... | thanks | |
| Erwin Stoff | .... | thanks | |
| Anna Sui | .... | thanks | |
| Jack Sullivan | .... | thanks | |
| Masaki Takahashi | .... | thanks: Mathew's Best Hit TV | |
| Toshinari Takahashi | .... | thanks | |
| Jean Touitou | .... | thanks | |
| Tsukasa | .... | thanks: Mathew's Best Hit TV | |
| Yukio Tsutsumimoto | .... | thanks: Mathew's Best Hit TV | |
| Jessica Tuchinsky | .... | thanks | |
| Bart Walker | .... | thanks | |
| Kate Waters | .... | thanks | |
| Takao Yamamoto | .... | thanks: Mathew's Best Hit TV | |
| Takuo Yasuda | .... | thanks | |
| Tetsurou Yoshida | .... | thanks | |
| Minako Yoshii | .... | thanks: Mathew's Best Hit TV | |
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Few movies make you THINK long after they end. That's OK. Movies are supposed to entertain and most do so without requiring even one ounce of thought. It's sad that maybe some of you out there prefer movies- and life- that way. Thankfully this movie is all about thinking and feeling. This is not a chick flick. It's a human experience flick.
This film examines and lays bare the intricacies of love, life and loneliness; the claustrophobia, insomnia and disorientation of traveling to a foreign country. The loneliness that creeps in after life's normality starts to wear thin. The spark of promise that meeting someone new brings. This is what life is about and what this film so flawlessly portrays.
How many of you can relate to and have actually been that guy/girl on business, in the hotel in some foreign city, happily married yet feeling alone and beaten by life's banality? How many of us have been tempted in that very situation, to stray from the confines of moral adherence for the lure of a forbidden, if fleeting, joy? How many have felt that tingle- that spark- when a stranger smiles and you think, "you know, in another life..."? Change the time, place and all of us have been there whether we admit it or not. Maybe single people don't get this movie; maybe it's for those of us who have walked down that aisle and are wiser to the realities of life.
The characters here are true. Their dialog is true. The setting is true. It's all tirelessly fascinating because we can all relate to it and it involves us in a way that most movies do not. We find ourselves drawn to every moment these two experience together and apart. We are intrigued by the glances, nuances and words they share.
Johanssen is brilliant and beautiful as the lonely, young wife questioning her marriage. Her beauty is classic, not necessarily sexual, though she is obviously alluring in this role. Her bee-stung lips, perfect body and haunting eyes may have something to do with that. Still she's more sophisticated beauty than mindless hottie, even at 19. This is a role tailor-made for her. It could never have been Reese Witherspoon or Jessica Alba or - God forbid- Jessica Simpson, or anybody else in that realm.
Murray is simply at his best. He does "exasperated, middle-aged and depressed" better than most, with his receding hairline and frumpy body. You really believe that these two could connect in a physical and emotional way, as remote as that may seem on the surface. What other 50-something could ever be believed to be appealing to a young woman as pretty as Charlotte? That's a tough chemistry to fake and I can't think of a more perfect pair. What drives them to this attraction is what's intriguing to watch.
Go see this. Turn off your "Major Blockbuster-Tom Cruise-Action-Pop Culture Catch Phrase-Big Star" mind and tune in with a more searching self. Watch this with your soul and heart, not your eyes. If you look deeper than the surface you'll find yourself moved by the whole experience. Yes, it's THAT good.