Ruang rak noi nid mahasan (2003)

Calificación de los usuarios:

7.7/10   

Director:

Pen-Ek Ratanaruang

Escritores:

Pen-Ek Ratanaruang (writer)
Prabda Yoon (writer)

Fecha de Lanzamiento:

8 agosto 2003 (Thailand)

Género:

Comedia | Drama | Romance

Plot:

A suicidal, obsessive-compulsive Japanese librarian is forced to hide out with a pot-smoking Thai woman at her shabby beachside home.

Plot Keywords:

Japanese | Thai | Librarian | Thailand | Death

Premios:

7 wins & 5 nominations

Comentarios de los usuarios:

A South East Asian Beauty!!

Reparto

Tadanobu Asano	...	Kenji
Sinitta Boonyasak	...	Noi
Laila Boonyasak	...	Nid
Yutaka Matsushige	...	Yukio
Riki Takeuchi	...	Takashi
Takashi Miike	...	Yakuza
Yoji Tanaka	...	Yakuza (as Yohji Tanaka)
Sakichi Satô	...	Yakuza
Thiti Rhumorn	...	Jon
Junko Nakazawa	...	Librarian
Akiko Anraku	...	Japanese Housewife
Nortioshi Urano	...	Salaryman
Phimchanok Nala Dube	...	Girl in Jon's Apartment
Ampon Rattanawong	...	Jon's Underling
Jakrarin Sanitti	...	Jon's Underling

También conocida como:

Chikyû de saigo no futari (Japan)
Last Life in the Universe (International: English title)
Vidas truncadas (Spain) [es]

MPAA:

Rated R for violence, sexual content, language and drug use.

Duración:

112 min | UK:109 min

País:

Thailand | Japan

Idioma:

Tailandés | Japonés | Inglés

Color:

Color

Relación de Aspecto:

1.85 : 1

Sonido:

Dolby Digital

Clasificación:

Singapore:M18 (DVD rating) | Malaysia:18PL (uncut version) | Malaysia:U (cut version) | Germany:12 | Ireland:15 (IFCO) | South Korea:15 | Australia:M | Portugal:M/12 | New Zealand:R16 | Singapore:NC-16 (cut) | Sweden:11 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | UK:15 | USA:R | Hong Kong:IIB

Locaciones de Filmación:

Bangkok International Airport, Bangkok, Thailand

Compañía:

Bohemian Films

Trivialidades:

In the library, you can see a poster of "Ichi the Killer", Asano Tadanobu's earlier film, for a few seconds. It's his character, Kakihara.

Conexiones de Película:

References Koroshiya 1 (2001)

A South East Asian Beauty!!

This the first film I've seen by Pen-Ek Ratanaruang and without a doubt its one of the most accomplished and satisfying I've seen all year.

Two polar opposite characters - a quiet and meticulous Japanese librarian with a shady past and designs on ending his life (Asano Tadanobu) and a feisty, straight-talking thai female escort (Sinitta Boonyasak) - have one thing in common and not much else it seems. They are both utterly lonely, albeit for different reasons - she is recently bereaved of her sister, he for a reason never fully disclosed is distanced from the world, an introverted outsider with no good reason to go on. Thrown together by a sequence of events (chance or fate?) they take solace from each others presence. From this, lets face it, not original germ grows an enchanting, touching and idiosyncratic movie.One that's not concerned with characterisation, an intricate plot or histrionic's but with how two troubled, contradictory people growcloser and in the process rediscover a reason for being, for going on in the universe. Due to the language barrier (they flit from talking Thai, Japanese and English to understand one another) they may not have meaningful discourse, but here the meaning is hidden behind the formalities, the pedestrian, the everyday.

I'm not going to launch into an extended essay or spew to many superlatives but believe me when I say its a strange delight. Assured, amusing and touching, this multi-lingual film is replete with a dry wit, a surreal element that leaves a lot to interpretation and a deft ability to prick the emotions. There are laudable performances from the two central characters, and a third from Christopher Doyle's shifting oblique camera-work and composition. And despite its clear East Asian cinematic influences (in tone it reminds me of Kitano's Dolls - the lingering pace and melancholy signature theme music– and it features a yakuza based subplot) Last Life evokes modern day Thailand in all its chaotic ramshackle splendour brilliantly.