| Fotos (ver todos los 10 | slideshow) | Videos |
| Dwayne Johnson | ... | Chris Vaughn (as The Rock) | |
| Johnny Knoxville | ... | Ray Templeton | |
| Neal McDonough | ... | Jay Hamilton | |
| Kristen Wilson | ... | Michelle Vaughn | |
| Ashley Scott | ... | Deni | |
| Khleo Thomas | ... | Pete Vaughn | |
| John Beasley | ... | Chris Vaughn Sr. | |
| Barbara Tarbuck | ... | Connie Vaughn | |
| Michael Bowen | ... | Sheriff Stan Watkins | |
| Kevin Durand | ... | Booth | |
| Andrew Tarbet | ... | Jimmy | |
| Patrick Gallagher | ... | Keith | |
| John Stewart | ... | Rusty | |
| Eric Breker | ... | Deputy Ralston | |
| Ryan Robbins | ... | Travis | |
| Michael Adamthwaite | ... | Burke | |
| Darcy Laurie | ... | Smitty | |
| Fred Keating | ... | Doctor | |
| Ben Cardinal | ... | Michelle's Partner | |
| Kett Turton | ... | Kenner | |
| Terence Kelly | ... | Judge L. Powell | |
| Tom Scholte | ... | Merle Crowe | |
| Mark Houghton | ... | County Prosecutor | |
| James Ashcroft | ... | Bailiff | |
| Eric Keenleyside | ... | Dan Stadler | |
| Aaron Douglas | ... | Casino Stickman | |
| Michael Soltis | ... | Casino Maintenance Worker | |
| April Telek | ... | Casino Waitress (as April Amber Telek) | |
| Sandra Steier | ... | Addict Mother | |
| Ben Cotton | ... | Drug Dealer | |
| Cobie Smulders | ... | Exotic Beauty | |
| Chelsie Amber McEachnie | ... | Lap Dancer | |
| Kaja Gjesdal | ... | Lap Dancer | |
| Melody Cherpaw | ... | Lap Dancer (as Melody Tinesa Cherpaw) | |
| Alana Drozduke | ... | Casino Trashy Woman | |
| Sandra Higueras | ... | Casino Trashy Woman | |
| Ty Olsson | ... | Deputy | |
| Ana Mirkovic | ... | Blackjack Dealer | |
| David Purvis | ... | Ray's AA Sponsor | |
| Beverley Elliott | ... | Nurse | |
| Rita Theresa Edwards | ... | Wet T-Shirt Girl | |
| Sarah Smith | ... | Wet T-Shirt Girl | |
| Douglas Sheridan | ... | Boxman | |
| Katina Robillard | ... | Dollar Bill Girl | |
| Jacqueline Stewart | ... | Girl on Platform | |
| listado alfabético del resto del reparto: | |||
| Artine Brown | ... | Casino Security (uncredited) | |
| Sandra-Jessica Couturier | ... | Casino VIP (uncredited) | |
| Mike Dopud | ... | Casino Security (uncredited) | |
| Levi Woods | ... | Casino VIP (uncredited) | |
Dirigida por | |||
| Kevin Bray | |||
Créditos del guión(WGA) | ||
| Mort Briskin | (based on a screenplay by) | |
| David Klass | (screenplay) and | |
| Channing Gibson | (screenplay) and | |
| David Levien | (screenplay) & | |
| Brian Koppelman | (screenplay) | |
Producida por | |||
| Ashok Amritraj | .... | producer | |
| Bill Bannerman | .... | co-producer | |
| Jim Burke | .... | producer | |
| Lucas Foster | .... | producer | |
| Marcienne Friesland | .... | associate producer | |
| David Hoberman | .... | producer | |
| Vince McMahon | .... | executive producer | |
| Keith Samples | .... | executive producer | |
| Paul Schiff | .... | producer | |
Música original por | |||
| Graeme Revell | |||
Fotografía por | |||
| Glen MacPherson | (director of photography) | ||
Montaje por | |||
| George Bowers | |||
| Robert Ivison | |||
Casting | |||
| Sarah Finn | (as Sarah Halley Finn) | ||
| Randi Hiller | |||
Diseño de producción por | |||
| Brent Thomas | |||
Dirección artística | |||
| Roxanne Methot | |||
Decorados | |||
| Louise Roper | |||
Diseño de vestuario por | |||
| Gersha Phillips | |||
Departamento de maquillaje | |||
| Emanuela Daus | .... | makeup artist | |
| Jeff Dawn | .... | makeup department head | |
| Pearl Louie | .... | key makeup artist | |
| Julie McHaffie | .... | key hair stylist | |
| Beverly Moncrief | .... | contact lens technician | |
| Tamar Ouziel | .... | assistant makeup artist | |
| Rachel Solow | .... | hair stylist: The Rock | |
| Maureen Terezakis | .... | special makeup effects producer | |
| Howard Lau | .... | fabricator (uncredited) | |
| Keith Lau | .... | fabricator (uncredited) | |
| Shauna Magrath | .... | key makeup artist: second unit (uncredited) | |
| Bill Terezakis | .... | special makeup effects artist (uncredited) | |
| Sherry Van Gool | .... | daily assistant makeup artist (uncredited) | |
| Vince Yoshida | .... | fabricator (uncredited) | |
Dirección de producción | |||
| Bill Bannerman | .... | unit production manager | |
| Suzanne Lore | .... | unit production manager | |
| Vladimir Stefoff | .... | unit production manager: second unit | |
Ayudante de dirección | |||
| Megan Basaraba | .... | third assistant director | |
| Ashley Bell | .... | trainee assistant director | |
| Charles Crossin | .... | second assistant director | |
| Jeff Habberstad | .... | second unit director | |
| Warren Hanna | .... | second assistant director: second unit | |
| Mick MacKay | .... | first assistant director: second unit | |
| David McLeod | .... | first assistant director (as David MacLeod) | |
| Ian Samoil | .... | third assistant director: second unit | |
| Sean Watson | .... | third assistant director | |
Efectos especiales | |||
| Dean Lockwood | .... | special effects coordinator | |
| Adam Tayler | .... | special effects technician | |
Visual Effects | |||
| Michael Adkisson | .... | digital compositor: Title House Digital (as Mike Adkisson) | |
| Martin Avitia | .... | digital editor: Title House Digital | |
| Bill Coffin | .... | digital artist: Post Logic Cinema Digital | |
| Joshua D. Comen | .... | visual effects producer: Title House Digital (as Josh Comen) | |
| Clay Dale | .... | digital artist: Pixel Magic | |
| Tim Gallegos | .... | dirt removal: Post Logic Cinema Digital | |
| Jim Gorman | .... | digital compositor | |
| Max Harris | .... | Inferno artist: main titles, Post Logic Studios | |
| Bonnie Kanner | .... | visual effects executive producer: Pixel Magic | |
| Peter Koczera | .... | senior digital artist | |
| Julie Landholt | .... | end title graphics: Title House Digital (as J. Kathryn Landholt) | |
| George Macri | .... | visual effects producer: Pixel Magic | |
| Nathan Martoff | .... | dirt removal: Post Logic Cinema Digital | |
| David Fred Masselink | .... | digital compositor: Title House Digital (as Fred Masselink) | |
| Ray McIntyre Jr. | .... | visual effects supervisor: Pixel Magic (as Raymond McIntyre Jr.) | |
| Andrew Midgley | .... | digital compositing supervisor: Title House Digital | |
| Joe Monroe | .... | data management: Post Logic Cinema Digital | |
| Brad Moylan | .... | digital artist: Pixel Magic | |
| Alfredo Ramirez | .... | digital artist: Pixel Magic | |
| Clay Sparks | .... | digital editor: Title House Digital | |
| Kevin Struckman | .... | 3D tracking: Pixel Magic | |
| Jeff Varga | .... | digital effects artist | |
| Juan Carlos Vargas | .... | visual effects (as Juan Vargas) | |
| Orlando Delbert | .... | graphic artist (uncredited) | |
Departamento de reparto | |||
| Heike Brandstatter | .... | casting: Canada | |
| Kendra Shay Clark | .... | casting assistant | |
| Errin Clutton | .... | casting coordinator: Canada | |
| James Forsyth | .... | extras casting | |
| Courtney Gross | .... | casting associate | |
| Barbara Harris | .... | adr voice casting | |
| Sara LaCava | .... | casting assistant | |
| Coreen Mayrs | .... | casting: Canada | |
| James Moore | .... | casting assistant (uncredited) | |
Departamento de vestuario | |||
| Carolyn Cameron | .... | assistant costume designer | |
| Tara R. Hinecker | .... | costumer | |
| J.B. Owen | .... | costume set supervisor (as J.B. Owen-Sacallis) | |
Departamento de Edición | |||
| Henry Ball | .... | digital film recordist: Post Logic Cinema Digital | |
| Laura Behary | .... | post-production assistant | |
| Dax Brooks | .... | post-production assistant | |
| Terry Brown | .... | digital motion picture services: LaserPacific | |
| Gary Burritt | .... | negative cutter | |
| Kris Santa Cruz | .... | scanner: Post Logic Cinema Digital (as Kris Santa Kruz) | |
| Valance Eisleben | .... | high definition editorial services: LaserPacific | |
| Frank Figueroa | .... | digital color assist: Post Logic Cinema Digital | |
| Nancy Fuller | .... | high definition coordinator: LaserPacific | |
| Tracey Grimes | .... | digital intermediate producer: Post Logic Cinema Digital | |
| Matthew W. Johnson | .... | iQ artist: Post Logic Cinema Digital | |
| Jesse Kobayashi | .... | high definition coordinator: LaserPacific | |
| Bryan McMahan | .... | digital intermediate color timer: Post Logic Cinema Digital | |
| Paul Millspaugh | .... | first assistant editor | |
| Harry Muller | .... | color timer | |
| Troy Nicholas | .... | digital motion picture services: LaserPacific | |
| Brian Pete | .... | high definition editorial services: LaserPacific | |
| Giselle Ponce | .... | post-production assistant | |
| John Potter | .... | high definition color correction: LaserPacific | |
| Stacy Underhill | .... | digital motion picture services: LaserPacific | |
| Cassandra Wiltshire | .... | digital intermediate producer: Post Logic Cinema Digital | |
| Sharon Wong | .... | assistant editor | |
Departamento de Música | |||
| Tree Adams | .... | musician: guitar | |
| Brent Brooks | .... | music editor | |
| Mark Curry | .... | music mixer | |
| Debbi Datz-Pyle | .... | musicians contractor | |
| Boris Elkis | .... | music programmer | |
| Ashley Revell | .... | music editor | |
| G. Marq Roswell | .... | music supervisor | |
| Adam Swart | .... | music coordinator | |
Departamento de Transporte | |||
| Mike Behuniak | .... | picture car mechanic | |
| Donald Chase | .... | driver: construction department | |
| Terence Cochlan | .... | driver: director | |
| Rod Patten | .... | transportation captain: second unit | |
| Rick Rasmussen | .... | picture car mechanic: second unit | |
| Robert Steeves | .... | transportation coordinator | |
| Paul Talbot | .... | transportation captain | |
| Larry Tardif | .... | electric truck driver | |
| Bob Thorner | .... | transportation co-captain | |
Otros miembros del equipo | |||
| Lori-Jayne Banko | .... | set production assistant | |
| Steve Beeson | .... | accountant | |
| Don Besse | .... | key location production assistant | |
| Graham Blacklock | .... | craft service | |
| Graham Blacklock | .... | first aid | |
| Howard Blank | .... | technical advisor: casino | |
| Ron Blecker | .... | armorer | |
| Ron Blecker | .... | technical advisor | |
| Amanda Bronswyk | .... | accountant | |
| Christina Bulbrook | .... | production coordinator (as Christina Margellos) | |
| Dan Carr | .... | assistant location manager: second unit | |
| Scott Catolico | .... | key location production assistant | |
| John Cirigliano | .... | acting coach: The Rock | |
| Ben Dietz | .... | assistant: Ashok Amritraj | |
| Mike Doiron | .... | key production assistant | |
| Byron Drinkle | .... | playback coordinator | |
| Tai Duncan | .... | assistant: Paul Schiff | |
| Benjamin Easterday | .... | stand-in: The Rock | |
| Justin Elsworth | .... | production assistant | |
| Richard Faraci | .... | security: The Rock (as Rick Faraci) | |
| Peggy Flood | .... | additional voice | |
| Abraham Fraser | .... | location manager | |
| Michael Ganczarczyk | .... | assistant: Kevin Bray | |
| Hiram Garcia | .... | assistant: The Rock | |
| Marty Garner | .... | assistant: The Rock | |
| Madison Graie | .... | clearances coordinator | |
| Simon Hall | .... | video/cgi playback | |
| Frederick Heartline | .... | office production assistant | |
| Victor Juralowicz | .... | key location production assistant | |
| Jennifer Kiefaber | .... | set production assistant | |
| Jedrzej Kowalski | .... | assistant location manager (as Jendrek Kowalski) | |
| Kyle Leydier | .... | assistant: Johnny Knoxville | |
| David Linck | .... | unit publicist | |
| Darren Ling | .... | security: The Rock | |
| Chris Lirette | .... | set production assistant | |
| Mary Jo Macvey | .... | tutor | |
| Lukasz Madziag | .... | production assistant | |
| Jane Mason | .... | assistant accountant | |
| Brenda McClellan | .... | assistant accountant | |
| Michelle McKay | .... | assistant: Bill Bannerman (as Michelle D. H. McKay) | |
| Kim Meade | .... | assistant: David Hoberman | |
| George Miller | .... | key location production assistant (as George F. Miller) | |
| Len Nasholm | .... | set security (as Lennart Ernst Masholm) | |
| Geoff Palmer | .... | helicopter pilot | |
| Joe Picher | .... | set security | |
| Jon-Michael Preece | .... | script supervisor | |
| Bryan Pyke | .... | security: The Rock | |
| Jody Reavley | .... | assistant production coordinator (as Jodi Reavley) | |
| Tania Rosa | .... | accounting clerk | |
| Christine Stringer | .... | assistant: Paul Schiff & Kevin Bray | |
| David Thompson | .... | assistant location manager: second unit | |
| Victor Valencia | .... | post-production accountant | |
| Stephanie Wander | .... | assistant: Lucas Foster | |
| Ross Woo | .... | production assistant | |
| Mike Atwater | .... | production assistant (uncredited) | |
| Levi Woods | .... | photo double (uncredited) | |
Gracias | |||
| Buford Pusser | .... | dedicated to the memory of (as Sheriff Buford Pusser) | |
| Christopher Violette | .... | special thanks | |
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| The Godfather | Scarface | The Dark Knight | The Departed | Pineapple Express |
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As society in general became progressively more liberal in the 1970's, an entire genre of films rose up in reaction to the trend - movies in which an individual, frustrated with a legal system that seemed to be coddling criminals, took it upon himself to mete out his own brand of "frontier justice," usually involving personal vengeance and vigilante-style violence. The seminal films of this genre - "Billy Jack," "Dirty Harry," "Death Wish" and "Walking Tall" - all found favor with mass audiences, although critics tended to dismiss them as, at best, reactionary, and, at worst, neo-fascist in nature. Now, one of them, "Walking Tall," has been retrofitted to cater to audiences in the already far more conservative 21st Century.
The original 1973 "Walking Tall" was based on the true story of Buford Pusser, the sheriff of McNairy County, Tennessee, who won fame by single-handedly wiping out the criminal elements who had overrun his town. It was a one-man "crusade for justice" that came at great personal cost to himself and his family (his wife was murdered and Pusser died a few years later in a "mysterious" car accident). In this new version - which eliminates most of the grittier elements of the story and turns it into a rock'em-sock'em, live-action cartoon - Pusser's name has been changed to Chris Vaughn and the locale has been moved from the Appalachians to the Pacific Northwest. Chris is a recently discharged soldier who, upon returning to his small hometown, discovers that the place has become a hotbed of vice and corruption, its citizenry forced to live in fear under the tyrannical control of the local casino owner and all-around meanie, Jay Hamilton (Neal McDonough). When Chris has finally had a bellyful of malfeasance and sleaze, he decides to run for sheriff, vowing to bring the criminals to their knees, and thus allowing the good folks of the town to reclaim their community.
This is a silly and shallow film whose only real purpose seems to be to give the perpetually self-righteous and outraged Vaughn an excuse to hurl endless bric-a-brac and breakaway furniture around the set while the local townsfolk look on in slack-jawed amazement. Never one to be deterred by such quaint and fusty notions as civil liberties or Miranda rights, Sheriff Vaughn chases down the bad guys one by one, smashing heads and busting bones as he goes. The plot is so underdeveloped that the final confrontation scene between Chris and his arch nemesis, Hamilton, feels like a mere afterthought. The film runs barely 75 minutes, yet boasts a 10-minute long closing credit sequence to pad it out to 85! It's as if even the filmmakers themselves had run out of interest in the project and figured they might as well just wrap things up as quickly as possible so they would be free to move on to bigger and better things.
Usually, in a film based on true life events, when the names are changed, it's to protect the innocent. In the case of "Walking Tall," it's more likely that the people who made the film were trying to protect themselves from being sued by the Pusser estate.