| Fotos (ver todos los 23 | slideshow) | Videos (see all 2) |
| Takeshi Kitano | ... | Zatôichi / Ichi (as Beat Takeshi) | |
| Tadanobu Asano | ... | Hattori Genosuke | |
| Michiyo Ookusu | ... | Aunt Oume | |
| Gadarukanaru Taka | ... | Shinkichi | |
| Daigorô Tachibana | ... | Geisha Seitaro 'Osei' Naruto | |
| Yuuko Daike | ... | Geisha Okinu Naruto | |
| Yui Natsukawa | ... | O-Shino, Hattori's Wife | |
| Ittoku Kishibe | ... | Boss Inosuke Ginzo | |
| Saburo Ishikura | ... | Boss Tashichi Ogi | |
| Akira Emoto | ... | Tavern Owner Pops | |
| Ben Hiura | ... | Tavern Gramps | |
| Kohji Miura | ... | Lord Sakai | |
| Hideboh | ... | Dancing Farmer (as The Stripes) | |
| Ron II | ... | Dancing Farmer (as The Stripes) | |
| Suji | ... | Dancing Farmer (as The Stripes) | |
| Noriyasu | ... | Dancing Farmer (as The Stripes) | |
| Makoto Ashikawa | ... | Carpenter | |
| Edamame Tsumami | ... | Carpenter | |
| Kosuke Ohta | ... | Carpenter | |
| Yoshiyuki Morishita | ... | Carpenter | |
| Naomasa Musaka | ... | Yakuza Boss on the Country Road | |
| Shoken Kunimoto | ... | Rival Swordsman | |
| Daigaku Sekine | ... | Ginzo's Henchman I | |
| Koji Koike | ... | Boss Funahachi | |
| Koji Kiryu | ... | Dice Dealer at Funahachi's Joint | |
| Taigi Kobayashi | ... | Funahachi's Bodyguard | |
| Ayano Yoshida | ... | Young O-Kinu | |
| Taichi Saotome | ... | Young O-Sei (Seitaro) | |
| Kanji Tsuda | ... | Playboy at Home | |
| Ikki Goto | ... | Kuchinawa Underling 1 | |
| Yoshio Nakamura | ... | Kuchinawa Underling 3 | |
| Hiroaki Noguchi | ... | Kuchinawa Underling 5 | |
| Shinichi Nakatsu | ... | Kuchinawa Underling 2 | |
| Toru Yonezu | ... | Kuchinawa Underling 4 | |
| P. Man | ... | Tavern Customer 4 | |
| Al Kitago | ... | Farmer Boy 1 | |
| Omiya Nomatsu | ... | Farmer Boy 2 | |
| Tsutomu Takeshige | ... | Farmer Boy 4 | |
| Gambino Kobayashi | ... | Farmer Boy 5 | |
| Sammy Moremore Jr. | ... | Farmer Boy 6 | |
| Muhomatsu | ... | Farmer Boy with a Spear | |
| listado alfabético del resto del reparto: | |||
| Yasushi Higuchi | |||
| Masayoshi Ohzeki | |||
| Kenji Takechi | ... | Yakuza | |
Dirigida por | |||
| Takeshi Kitano | |||
Créditos del guión | ||
| Takeshi Kitano | (screenplay) | |
| Kan Shimosawa | (novels) | |
Producida por | |||
| Shinji Komiya | .... | line producer | |
| Jack Maeby | .... | producer (english language version) | |
| Masayuki Mori | .... | producer: Office Kitano | |
| Chieko Saitô | .... | planner | |
| Tsunehisa Saitô | .... | producer: Saitô Entertainment | |
| Masanori Sanada | .... | co-producer | |
| Takio Yoshida | .... | co-producer | |
Música original por | |||
| Keiichi Suzuki | |||
Fotografía por | |||
| Katsumi Yanagijima | |||
Montaje por | |||
| Takeshi Kitano | |||
| Yoshinori Oota | |||
Casting | |||
| Takefumi Yoshikawa | |||
Diseño de producción por | |||
| Norihiro Isoda | |||
Diseño de vestuario por | |||
| Yohji Yamamoto | |||
Departamento de maquillaje | |||
| Kakusei Fujiwara | .... | special makeup effects artist | |
Dirección de producción | |||
| Kensei Mori | .... | production manager | |
Departamento de sonido | |||
| Senji Horiuchi | .... | sound designer | |
| Akira Nakano | .... | sound recordist | |
| Kenji Shibazaki | .... | sound effects | |
Cámara y Departamento Eléctrico | |||
| Hitoshi Takaya | .... | lighting director | |
Departamento de vestuario | |||
| Kazuko Kurosawa | .... | costume supervisor | |
Otros miembros del equipo | |||
| Hideboh | .... | choreographer: tap dancing (as The Stripes) | |
| Richard Lormand | .... | publicist: international | |
| Noriyasu | .... | choreographer: tap dancing (as The Stripes) | |
| Ron II | .... | choreographer: tap dancing (as The Stripes) | |
| Haru Shôbara | .... | script supervisor | |
| Suji | .... | choreographer: tap dancing (as The Stripes) | |
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| Kataude mashin gâru | Furyô anego den: Inoshika Ochô | Opera | Dèmoni | Lo squartatore di New York |
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Acción section | IMDb Japan section | Add this title to MyMovies |
Takeshi Kitano's offbeat samurai drama marks a personal triumph for the man himself and a notable entry for the genre. Kitano directs and stars as the blind samurai of Japanese pulp fiction; Zatôichi. He puts in a grand performance and really brings the character to life. His direction is superb also, and he succeeds in creating a foreboding and tension filled atmosphere that also captures the familiar Kurosawa-esque feel of the classic samurai movies. The story follows the fate of blind samurai master: Zatôichi. This master doesn't let a small thing like losing his sight get in the way, and in spite of being blind, the master is still the fastest man with a sword; as he proves on a number of occasions. The first thing you will notice about the fight scenes in this movie is that they are bloodthirsty! That's no bad thing, of course, especially since the second thing you will notice is that there's lots of them. The fight sequences are definitely the highlight of the movie, and they include some highlights in themselves; as we watch in delight as limbs fly and people get sliced and diced! The fights in this film make the likes of Kill Bill look even more ridiculous than it does already.
Takeshi Kitano creates his own world for the characters in the movie to inhabit, and he also seems keen to incorporate as many elements as possible into the plot, which is good in one way as it ensures that the movie is always intriguing and interesting, but it does get a little convoluted and, at times, makes you think "what's that there for?!". Still, the film does offer lots of interesting little tidbits, and it never gets so convoluted that it becomes boring. Well, it can't do; there's always another fight scene round the corner! The film is artistically played throughout, and you get the impression that Kitano has an obvious respect for the art of cinema, which is certainly no bad thing at all. Even though the plot is very familiar, and anyone that's seen more than a couple of samurai movies will have seen one with a plot like this one has; it's inventive enough to carve out a niche of it's own, and it draws it's originality from that fact. On the whole, this isn't a great samurai movie like the ones of yore; but it's encouraging that films like this are still being made, and it's easily one of the best movies of 2003. Recommended viewing!