Trilogia: To livadi pou dakryzei (2004)

Calificación de los usuarios:

7.6/10   

Director:

Theodoros Angelopoulos

Escritores:

Theodoros Angelopoulos (idea)
Theodoros Angelopoulos (screenplay)

Fecha de Lanzamiento:

20 febrero 2004 (Greece)

Género:

Drama | Historia | Romance

Plot:

This is the first film of Theo Angelopoulos' trilogy. The story starts in 1919 with some greek refugees...

Plot Keywords:

Refugee | Village | Poetic | Early 20th Century | Fascism

Premios:

2 wins & 5 nominations

Comentarios de los usuarios:

an epic film about pain

Reparto

Alexandra Aidini	...	Eleni
Nikos Poursanidis	...	Mihalis
Giorgos Armenis	...	Nikos
Vassilis Kolovos	...	Spyros
Eva Kotamanidou	...	Kassandra
Toula Stathopoulou	...	Woman in the Coffee House
Thalia Argiriou	...	Danai
Smaro Gaitanidou
Mihalis Giannatos	...	Zisis
Grigoris Evangelatos	...	Teacher
Aliki Kamineli
Amdromachi Chrisomelli
Alex Moukanos
Dimitris Kolovos
Thodoros Teknetzidis

También conocida como:

Τριλογία 1: Το Λιβάδι που δακρύζει (Greece)
Eleni (France)
La sorgente del fiume (Italy)
La terre qui pleure (France)
The Weeping Meadow (Europe: English title)
Trilogie: Die Erde weint (Alemania)
Trilogy: The Weeping Meadow (International: English title)

Duración:

Greece:185 min | Canada:170 min (Toronto International Film Festival) | USA:170 min

País:

Greece | France | Italy | Alemania

Idioma:

Griego

Color:

Color

Relación de Aspecto:

1.66 : 1

Sonido:

DTS

Clasificación:

Taiwan:PG-12 | Australia:PG | Netherlands:MG6 | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | Switzerland:14 (canton of Zurich) | UK:PG

Locaciones de Filmación:

Thessaloniki, Greece

Compañía:

Hellenic Radio & Television (ERT)

Conexiones de Película:

Referenced in Nea Odyssos, to horio tou nerou (2008)

Banda de Sonido:

Eimai erotevmenos me ta matia sou

an epic film about pain

Without doubt one of the most beautiful and painful films I have ever seen. For some time into the film I didn't understand why the director decided to keep so much distance to the main characters. And then suddenly it dawned on me: These are people caught up in a much larger historical picture – out of their control – and the total historical painting is more important than all the separate details together. However, in the second half of the movie, Angelopoulos moves closer on the main characters, and the movie takes a much firmer emotional grip of your heart. This is a movie about extreme human pain in troubled times – brought on us by human pride and stupidity – and it takes some time and effort to get through this epic. But if you hang in there, it's an experience I think many of us will never forget. The final sequence is just…well, what can I say?