Collateral (2004)

Calificación de los usuarios:

7.8/10   

Director:

Michael Mann

Guionista (WGA):

Stuart Beattie (written by)

Fecha de Lanzamiento:

6 agosto 2004 (USA)

Género:

Crimen | Drama | Suspenso

Frase comercial:

It started like any other night

Plot:

A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in LA. He must find a way to save both himself and one last victim.

Plot Keywords:

Cab Driver | Killer | Hitman | One Night | Los Angeles

Premios:

Nominated for 2 Oscars. Another 11 wins & 36 nominations

Comentarios de los usuarios:

Cruise control is outfoxxed!

Reparto

Tom Cruise	...	Vincent
Jamie Foxx	...	Max
Jada Pinkett Smith	...	Annie
Mark Ruffalo	...	Fanning
Peter Berg	...	Richard Weidner
Bruce McGill	...	Pedrosa
Irma P. Hall	...	Ida
Barry Shabaka Henley	...	Daniel
Richard T. Jones	...	Traffic Cop #1
Klea Scott	...	Fed #1
Bodhi Elfman	...	Young Professional Man
Debi Mazar	...	Young Professional Woman
Javier Bardem	...	Felix
Emilio Rivera	...	Paco
Jamie McBride	...	Traffic Cop #2

También conocida como:

Untitled Michael Mann Project (USA) (working title)
Colateral (Chile) (International: Spanish title) [es]
Colateral: Lugar y tiempo equivocado (Argentina) (Panama) [es]
Collateral (Spain) [es]

MPAA:

Rated R for violence and language.

Duración:

120 min

País:

USA

Idioma:

Inglés | Español

Color:

Color

Relación de Aspecto:

2.35 : 1

Sonido:

DTS | Dolby Digital | SDDS

Clasificación:

USA:R (certificate #40965) | Iceland:16 | Ireland:15 | Switzerland:16 (canton of Zurich) | Malaysia:18SG | Brazil:14 | India:A | Netherlands:12 (TV rating) | Canada:13+ (Quebec) | Canada:14 (Nova Scotia) | Canada:14A (Alberta/British Columbia/Manitoba/Ontario) | France:U (with warning) | Hungary:16 | Spain:18 | Argentina:13 | Australia:MA | Chile:14 | Czech Republic:15 | Denmark:15 | Finland:K-15 | Germany:16 | Hong Kong:IIB | Netherlands:16 | New Zealand:R13 | Norway:15 | Peru:14 | Philippines:R-13 | Portugal:M/16 | Singapore:NC-16 | South Korea:15 | Sweden:15 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | UK:15

Locaciones de Filmación:

Culver City, California, USA

Compañía:

Paramount Pictures

Trivialidades:

The voice enhancing software that is used to enhance what Max is telling the bouncer's by the F.B.I. is Sony Vegas 4.0, a video editing software

Errores:

Personal o Equipo Visible: (At 1:19:13) Light fixture visible in Club Fever.

Citas:

[first lines]
Vincent: You OK?
Airport Man: Yeah, I'm fine mate, don't worry about it.

Conexiones de Película:

Apareció en 36th NAACP Image Awards (2005) (TV)

Banda de Sonido:

Destino De Abril

Cruise control is outfoxxed!

It is hard to lavish enough praise on the acting on display here from the two main protagonists. Jamie Foxx shows signs of the charisma and ability that made him a cert for the best actor Oscar for Ray. Meanwhile Tom Cruise is a sheer revelation as the psychotic but professional hit-man Vincent.

Cabbie Max (Foxx) picks up Vincent (Cruise) expecting just another job. When Vincent offers to double his nightly earnings if he drives him all night he accepts, until Vincent's mission is revealed. What follows is a night of hell for Max, reluctantly driving Vincent from hit to hit, all the while trying to stay alive and do the right thing, two goals which may ultimately be unachievable together. What is most fascinating about Cruise's character though is the sheer indifference he shows towards his victims. He does not hate them, he doesn't even know them, he has just been assigned to kill them and does so with absolutely no remorse. When a body crashes on to his cab, followed by Vincent's re-appearance, Max is shocked by the answer to his accusatory 'you killed him!" - No, I shot him, the bullets and the fall killed him." This matter-of-fact approach is indicative of Vincent's professionalism, and adds a really chilling level of apathy to the character.

It is certainly refreshing to see Cruise in such a different role, and it is one which he really gets his teeth into, producing a sociopath contract killer, seemingly with no remorse and no redeeming qualities. He pulls it off with a genuinely sinister edge on the character, and the final half hour is particularly impressive from an acting point of view.

Jamie Foxx however is certainly by no means acted off the screen. His likable cabbie with relaxed attitude to life (well, until he meets Cruise) shows many of the qualities he used to really bring Ray Charles to life later.

The action too is well staged by Michael Mann, in probably his best work since Heat. It is easy to track the action through the relatively simple plot, and the set piece scenes are competently done without being spectacular. A very good above average thriller, but most notable for Cruise's revelation of another string to his acting bow. A superbly acted film.