Mar adentro (2004/I)

Calificación de los usuarios:

8.1/10   

Director:

Alejandro Amenábar

Escritores:

Alejandro Amenábar (screenplay) and
Mateo Gil (screenplay)

Fecha de Lanzamiento:

3 septiembre 2004 (Italy)

Género:

Biografía | Drama

Plot:

The real-life story of Spaniard Ramon Sampedro, who fought a 30 year campaign in favor of euthanasia and his own right to die.

Plot Keywords:

Lawyer | Euthanasia | Quadriplegic | Right To Die | Fantasy Sequence

Premios:

Won Oscar. Another 59 wins & 30 nominations

Comentarios de los usuarios:

Mostly excellent story of a man who wants out of life

Reparto

Javier Bardem	...	Ramón Sampedro
Belén Rueda	...	Julia
Lola Dueñas	...	Rosa
Mabel Rivera	...	Manuela (as Mabel Ribera)
Celso Bugallo	...	José
Clara Segura	...	Gené
Joan Dalmau	...	Joaquín
Alberto Jiménez	...	Germán
Tamar Novas	...	Javi
Francesc Garrido	...	Marc
Josep Maria Pou	...	Padre Francisco (as José María Pou)
Alberto Amarilla	...	Hermano Andrés
Andrea Occhipinti	...	Santiago
Federico Pérez Rey	...	Conductor
Nicolás Fernández Luna	...	Cristian

También conocida como:

The Sea Inside (International: English title) (UK) (USA)
Mare dentro (Italy)
The Sea Within (Europe: English title)

MPAA:

Rated PG-13 for intense depiction of mature thematic material.

Duración:

125 min

País:

Spain | France | Italy

Idioma:

Español | Catalan | Galician

Color:

Color

Relación de Aspecto:

2.35 : 1

Sonido:

SDDS | Dolby Digital EX | DTS-ES

Clasificación:

Taiwan:PG-12 | Switzerland:14 (canton of Zurich) | Iceland:12 | Portugal:M/16 | South Korea:15 | Sweden:7 | Greece:K-13 | Argentina:16 | Australia:M | Brazil:12 | Chile:14 | Czech Republic:15 | Finland:K-11 | Germany:12 | Hong Kong:IIB | Ireland:12A | Japan:PG-12 | Netherlands:MG6 | Singapore:NC-16 | Spain:13 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | UK:PG | USA:PG-13 | Norway:11

Locaciones de Filmación:

Barcelona, Cataluña, Spain

Compañía:

Sogepaq

Trivialidades:

Three months before Spanish premiere, Alejandro Amenábar gave a photo to the media to be shown all over the nation to make people get used to Bardem's make-up and forget about it while watching the film to pay attention to his performance.

Citas:

Ramón Sampedro: The person who really loves me will be the one who helps me die. That's love, Rosa. That's love.

Conexiones de Película:

Apareció en The 62nd Annual Golden Globe Awards (2005) (TV)

Banda de Sonido:

Prisoners' Chorus

Mostly excellent story of a man who wants out of life

The true story of a Spanish paraplegic, Ramón Sampedro, who fought for decades for the right to be euthenized. This film, along with the Best Picture winner of the same year, Million Dollar Baby, caused a stir that year with their depictions of disabled persons desiring death. Both advocates for the disabled and (unfortunately for the disability advocates) conservative pro-life groups protested both films, and their Oscar nominations. The nominations also came during the entire Terry Schiavo debacle, just to put it all in some historical perspective. The protests, especially from the disability groups, against Million Dollar Baby make some sense – the film clearly depicted, without wavering, the life of a paraplegic as worthless. The film's central character, Maggie Fitzgerald, becomes a paraplegic, doesn't seem to get any counseling whatsoever, no help whatsoever, and immediately wants to die. The film is, honestly, pretty dumb and uncomplex. The Sea Inside, based on the true story, is certainly a lot more thoughtful on the subject. It most likely got railroaded into the same category as Million Dollar Baby without its protesters having even seen it, an incredibly common phenomenon. The film does give time to many different sides of the argument. And it immediately declares that the wish to die is that of the protagonist and the protagonist alone. It is guilty of a couple of crimes, though, and I'd still understand why disability groups could have a problem with it. First and foremost, there's the protagonist's meeting with a paraplegic bishop. I don't look kindly on the way he's depicted. His orally operated wheelchair is depicted as absurd, and there's almost a comic sequence where his effeminate, boy-toy servants are dragging him, in his chair, up the stairs. He can't even reach the room in which Ramón is located, and one of the boy-toys is forced to carry the conversation between them. I had to think, gee, maybe if Ramón lived in a slightly more wheelchair-accessible household, he wouldn't spend his entire life in bed, and might find life more fulfilling (who knows how closely the film depicts the reality). Director Amenábar (The Others) also includes some laughable scenes that try to make this film about suicide more life-affirming, like a cross-cut sequence where Ramón looks thoughtful and his lawyer's baby is born. But besides a few ugly moments, the film is very good. It hurts that someone may want to die when they have the ability to bring so much joy and insight into the lives of others. However, in the end, our lives do belong to us. Shouldn't we have the right to choose? The film's strongest asset is its supporting characters, and the actors who play them. It depicts how Ramón's fight and decisions affect those around him with a beautiful precision. The family members in particular are great, and Ramón's final departure from them is absolutely heartbreaking, and had me in tears. My favorite performance in the film comes from Lola Dueñas, whom I also felt gave the best, or at least certainly most undervalued, performance in Almodóvar's Volver last year.