| Fotos (ver todos los 2 | slideshow) |
| Michael McKell | ... | Dan Quarry | |
| Raquel Meroño | ... | Teresa Borgia | |
| Charlotte Salt | ... | Clara Borgia | |
| Patrick Gordon | ... | Mordecai Salas | |
| Manuel Manquiña | ... | Luis | |
| Pilar Soto | ... | Susana | |
| Diana Peñalver | ... | Mrs. Martín | |
| Ricard Borràs | ... | Mayor Luca | |
| Damià Plensa | ... | Antonio | |
| David Meca | ... | Diver Sargent Eduardo | |
| Carlos Castañón | ... | Police Captain Keller | |
| Josep Maria Pou | ... | Julio Gambine | |
| Omar Muñoz | ... | Luis - 10 Years Old | |
| Santiago Pasaglia | ... | Teo (as Santiago Passaglia) | |
| Eva Pont | ... | Cult Member | |
| Norberto Morán | ... | Cult Member | |
| Hugo Mesa | ... | Cult Member | |
| Esperanza De la Vega | ... | Cult Member | |
| Antonio Portillo | ... | Roberto Borgia | |
| María Borrego | ... | Camera Operator - Bea | |
| Ricardo Birnbaum | ... | Sound Recordist - Nacho | |
| Mansueto Manel | ... | Policeman Beto | |
| Ignacio Sánchez | ... | Policeman González | |
| Maria Briones | ... | Luca's Secretary | |
| Aparicio Rivero | ... | Antonio's Father | |
| Fanny Castro | ... | Antonio's Mother | |
| Paco Hidalgo | ... | Diver Lieutenant Ruso | |
| David Pinilla | ... | Paramedic | |
| Marina Durán | ... | Salas' Driver | |
| Alejandro De Nova | ... | David | |
| Gara Muñoz | ... | Samantha | |
| Juan Orozco | ... | Young Roberto Borgia | |
| Carmela Quijano | ... | Scared Girl | |
| Begoña Cadilus | ... | Woman Giving Birth | |
| Javier Botet | ... | Humanoid | |
| Marta Vegas | ... | Humanoid | |
| Yasmin Elias | ... | Dirty Princess | |
| Nico Baixas | ... | Party Lead | |
| listado alfabético del resto del reparto: | |||
| Axelle Carolyn | ... | Partygoer (uncredited) | |
Dirigida por | |||
| Brian Yuzna | |||
Créditos del guión(en orden alfabético) | ||
| Matthew Costello | novel | |
| Mike Hostench | writer | |
| Ángel Sala | writer | |
Producida por | |||
| Kwesi Dickson | .... | co-producer | |
| Carlos Fernández | .... | executive producer | |
| Julio Fernández | .... | executive producer | |
| Julio Fernández | .... | producer | |
| Teresa Gefaell | .... | line producer | |
| José Luis Jiménez | .... | line producer | |
| Stephen Margolis | .... | co-executive producer | |
| Antonia Nava | .... | co-executive producer | |
| Brian Yuzna | .... | creative producer | |
| Brian Yuzna | .... | producer | |
Música original por | |||
| Zacarías M. de la Riva | |||
Fotografía por | |||
| Johnny Yebra | |||
Montaje por | |||
| Nicolas Chaudeurge | |||
Casting | |||
| Pep Armengol | |||
| Luci Lenox | |||
Dirección artística | |||
| Baltasar Gallart | |||
Departamento de maquillaje | |||
| Almudena Fonseca | .... | makeup artist | |
| Esther Ponte | .... | assistant makeup artist | |
Dirección de producción | |||
| Mariano Liwski | .... | post-production supervisor | |
| Jesús L. Pérez Villar | .... | post-production manager | |
Ayudante de dirección | |||
| Mariano Liwski | .... | second unit director | |
| Txarly Llorente | .... | first assistant director | |
Departamento de Arte | |||
| D.H. Covey | .... | storyboard artist | |
| Jorge de Soto | .... | props | |
| Daniel Izar de la Fuente | .... | props | |
Departamento de sonido | |||
| Justine Angus | .... | sound effects editor | |
| Adele Fletcher | .... | sound effects editor | |
| Nick Foley | .... | adr recordist | |
| Alex Hudd | .... | sound consultant: dolby | |
| Blair Jollands | .... | sound designer | |
| Álvaro López | .... | sound recordist | |
| Peter Maxwell | .... | sound re-recording mixer | |
| Daniel Peña | .... | boom operator | |
| Kath Pollard | .... | sound re-recording mixer | |
| Simon Price | .... | dialogue supervisor | |
| Ted Swanscott | .... | adr mixer | |
| Rob Thompson | .... | sound re-recording mixer | |
| Lauren Ana Walker | .... | sound supervisor | |
Visual Effects | |||
| David Fernández Girón | .... | cgi operator | |
| Iñaki Gil | .... | visual effects artist | |
| Ezequiel Larru | .... | digital effects artist | |
| Mariano Liwski | .... | visual effects supervisor | |
Cámara y Departamento Eléctrico | |||
| Torquil Fleming-Boyd | .... | Steadicam operator | |
| Torquil Fleming-Boyd | .... | camera operator | |
| Saúl Oliveira | .... | second assistant camera | |
Departamento de reparto | |||
| Steve Daly | .... | casting: UK | |
Departamento de Edición | |||
| Alex Fenn | .... | assistant editor: avid | |
| Elsa Fernández | .... | assistant editor | |
| Michael Nollet | .... | additional editor | |
Departamento de Música | |||
| Claudio Ianni | .... | orchestrator | |
Otros miembros del equipo | |||
| Moresco Alessandra | .... | production coordinator | |
| Ramón Alonso | .... | production assistant | |
| David de Winter | .... | title designer | |
| Ruben Gomez | .... | production assistant | |
| Alessandra Moresco | .... | production coordinator | |
| Anna Oms | .... | documentation | |
| Richard Raaphorst | .... | title designer | |
| Mathieu Robinet | .... | assistant production coordinator | |
| Elena Serra | .... | development executive | |
| Ursi Van der Herten | .... | assistant: Brian Yuzna | |
Gracias | |||
| Axelle Carolyn | .... | special thanks | |
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| Trick or Treat | San Paolo | Don | The Abandoned | Dirty Harry |
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Horror section | IMDb Spain section | Add this title to MyMovies |
As a longtime Yuzna fan, I was absolutely delighted when I heard of this project. I happened upon the novel on which this film is based many years ago, and it's always stuck with me - there are some genuinely creepy ideas (and moments) in there. Great director, good source material... what could possibly go wrong?
A great many things, apparently.
The acting and dialogue are stilted, the atmosphere (which should just create itself, given the setting) simply isn't there, and the dreadful scene-chewing performance of Patrick Gordon as the villain of the piece deflates any sense of dread one may have had. Even the one decent monster effect is wasted in a brief and poorly-sequenced shot. As much as it pains me to say, Mr. Yuzna seems to have hit a bit of a slump. Do yourself a favour - skip this one and watch "Beyond Re-Animator" instead.