| Videos |
| William Miller | ... | Dante | |
| Irene Montalà | ... | Ula | |
| Paulina Gálvez | ... | Alyah | |
| Cornell John | ... | Dongoro | |
| Lluís Homar | ... | Guard Borg | |
| Paul Naschy | ... | Kufard | |
| Ilario Bisi-Pedro | ... | Aranda | |
| Nicholas Aaron | ... | Sugarman | |
| Lolo Herrero | ... | Nacho | |
| Ramata Koite | ... | Berta | |
| Bárbara Elorrieta | ... | Woman in white | |
| Ivana Baquero | ... | Esperanza | |
| Roberto Hijón | ... | Said | |
| Abdel Hamid Krim | ... | Abu (as Hamid Krim) | |
| Levinson | ... | Moja | |
| Roelkis Bueno | ... | First officer | |
| Santa Morel | ... | Window Girl | |
| Lam Chuem | ... | Drug boss | |
| Larisa Ganga | ... | Hooker Ula | |
| Francisco Gutiérrez | ... | Transvestite | |
| Anna Albiach | ... | Toothless Woman (as Ana Albiach) | |
| Zeus | ... | Rottweiler | |
| listado alfabético del resto del reparto: | |||
| Johann Benét | ... | Paulo (uncredited) | |
| Williams Canga | ... | Drug Dealer (uncredited) | |
Dirigida por | |||
| Brian Yuzna | |||
Créditos del guión(en orden alfabético) | ||
| Miguel Tejada-Flores | screenplay | |
| Alberto Vázquez Figueroa | story | |
Producida por | |||
| Carola Ash | .... | associate producer | |
| Carlos Fernández | .... | executive producer | |
| Julio Fernández | .... | executive producer | |
| Julio Fernández | .... | producer | |
| Teresa Gefaell | .... | line producer | |
| Stephen Margolis | .... | co-executive producer | |
| Albert Martinez Martin | .... | co-producer | |
| Reyes Matabuena | .... | line producer | |
| Brian Yuzna | .... | producer | |
Música original por | |||
| Mark Thomas | |||
Fotografía por | |||
| Javier G. Salmones | |||
Montaje por | |||
| Andy Horvitch | |||
Casting | |||
| Pep Armengol | |||
| Carol L. Dudley | |||
Diseño de producción por | |||
| Baltasar Gallart | |||
Dirección artística | |||
| Baltasar Gallart | |||
Diseño de vestuario por | |||
| María Gil | |||
Departamento de maquillaje | |||
| Steve Buscaino | .... | special effects technician: makeup effects | |
| Vincent J. Guastini | .... | special effects supervisor: makeup effects | |
| David W. Mosher | .... | special makeup effects artist: sculptor | |
| José Quetglás | .... | key makeup artist | |
Dirección de producción | |||
| Mariano Liwski | .... | post-production supervisor | |
| Jesús L. Pérez Villar | .... | post-production manager | |
Departamento de Arte | |||
| D.H. Covey | .... | conceptual design and storyboards | |
| Jacob Hair | .... | creature designer | |
Departamento de sonido | |||
| Biel Cabré | .... | boom operator | |
| Steve Cook | .... | sound supervisor | |
| Blair Jollands | .... | sound designer | |
| Richard Lewis | .... | sound re-recording mixer | |
| Albert Manera | .... | sound | |
| Dennis McTaggart | .... | adr editor | |
| Dennis McTaggart | .... | dialogue editor | |
| Steven Parker | .... | assistant sound re-recording mixer | |
| Xavier López Souto | .... | boom operator (as Xavier Souto) | |
Efectos especiales | |||
| Lon R. Breedlove | .... | special effects assistant | |
| Evan Campbell | .... | special effects makeup crew | |
| Frank Ippolito | .... | animatronics and fabrication: Vincent Guastini Productions | |
| Marc Paso | .... | special effects assistant | |
| Paul Pistore | .... | lead puppeteer | |
| Paul Pistore | .... | special effects technician | |
| Eva Ramos | .... | special effects assistant | |
| Gregory Ramoundos | .... | animatronic effects | |
| Gregory Ramoundos | .... | special effects coordinator | |
Visual Effects | |||
| Gloria Bernabeu | .... | digital compositor | |
| Ivan Busquets | .... | digital compositor | |
| Mariano Liwski | .... | visual effects supervisor | |
| Laura Maynadé | .... | visual effects coordinator | |
| Quico Noizeux | .... | digital compositor | |
| Jaime Torelló | .... | digital compositor | |
| Jaume Vilaseca | .... | visual effects supervisor | |
Especialistas | |||
| Antonio Higueruelo | .... | stunt coordinator | |
Cámara y Departamento Eléctrico | |||
| Adrián Egea | .... | first assistant camera: "b" camera | |
Departamento de reparto | |||
| Mireia Juarez | .... | casting assistant | |
| Carolyn McLeod | .... | casting associate | |
Departamento de Edición | |||
| Elena Griguol | .... | post-production assistant | |
| Adrian Murray | .... | assistant editor | |
| José Pedraza | .... | digital intermediate colorist | |
Departamento de Música | |||
| James Collins | .... | music scoring mixer | |
Otros miembros del equipo | |||
| Glòria Blanes | .... | script supervisor | |
| Daniela Buckley | .... | dialogue coach | |
| David de Winter | .... | title designer | |
| Anna Oms | .... | documentation | |
| Richard Raaphorst | .... | title designer | |
| Ursi Van der Herten | .... | assistant: Brian Yuzna | |
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| Body Double | The Loss of Sexual Innocence | The Running Man | Dagon | Enemy of the State |
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Horror section | IMDb Spain section | Add this title to MyMovies |
In 2018, in Spain, the prisoner Dante (William Miller) escapes from a prison and is chased by a robot dog. He tries to reach the city of Puerto Angel, where he left his beloved girlfriend Ula (Irene Montalà). While running away, he recalls his recent past in Spain with Ula.
I like Brian Yuzna, but the violent, bizarre and disappointing "Rottweiler" has one of the most ridiculous screenplays I have ever seen. The unpleasant story, where the political and economical situation of this future and the characters are awfully developed, has many situations not explained. We just see the lead character running most of the time tracked by a stupid dog that kills everybody. Better off sleep, since watching this movie is a pure waste of time. My vote is three.
Title (Brazil): "Rottweiler"