The Libertine (2004)

Calificación de los usuarios:

6.5/10   

Director:

Laurence Dunmore

Escritores:

Stephen Jeffreys (screenplay)
Stephen Jeffreys (play)

Fecha de Lanzamiento:

10 marzo 2006 (USA)

Género:

Drama

Frase comercial:

He didn't resist temptation. He pursued it.

Plot:

The story of John Wilmot, a.k.a. the Earl of Rochester, a 17th century poet who famously drank and debauched his way to an early grave, only to earn posthumous critical acclaim for his life's work.

Plot Keywords:

Earl | Poet | Charles II | King | 17th Century

Premios:

1 win & 7 nominations

Comentarios de los usuarios:

A personal synopsis of the Libertine

Reparto

Johnny Depp	...	Rochester
Paul Ritter	...	Chiffinch
John Malkovich	...	Charles II
Stanley Townsend	...	Keown
Francesca Annis	...	Countess
Rosamund Pike	...	Elizabeth Malet
Tom Hollander	...	Etherege
Johnny Vegas	...	Sackville
Richard Coyle	...	Alcock
Tom Burke	...	Vaughan
Hugh Sachs	...	Ratcliffe
Rupert Friend	...	Downs
Kelly Reilly	...	Jane
Jack Davenport	...	Harris
Trudi Jackson	...	Rose

También conocida como:

El libertino (Argentina) (Venezuela) [es]
El decadente (Mexico) [es]

MPAA:

Rated R for strong sexuality including dialogue, violence and language.

Duración:

114 min

País:

UK | Australia

Idioma:

Inglés

Color:

Color

Relación de Aspecto:

2.35 : 1

Sonido:

Dolby Digital

Clasificación:

UK:18 | Ireland:18 | USA:R | Finland:K-15 | France:U | Singapore:R21 | Portugal:M/16 | Canada:13+ (Quebec) | Iceland:16 | Australia:MA | Netherlands:12 | Italy:VM14 | Sweden:11 | Malaysia:(Banned) | Argentina:16 | Brazil:16 | Hong Kong:IIB | Canada:14A (Ontario) | Spain:18 | South Korea:18 | Japan:R-15

Locaciones de Filmación:

Blenheim Palace, Woodstock, Oxfordshire, England, UK

Compañía:

Weinstein Company, The

Trivialidades:

Most of the film was lit using candles rather than conventional movie lights. In order to keep the effect of candles but still get enough light, cinematographer Alexander Melman designed a special piece of equipment, a stand than held a bank of candles and a reflective backing. These were known on the set as Birthday Cakes.

Errores:

Continuidad: When the King talks to Lizzie at the theater, her shoulders are alternately covered, then naked and covered again, without any visible cause.

Citas:

[first lines]
Rochester: Allow me to be frank at the commencement. You will not like me. The gentlemen will be envious and the ladies will be repelled. You will not like me now and you will like me a good deal less as we go on. Ladies, an announcement: I am up for it, all the time...

Conexiones de Película:

References Plunkett & Macleane (1999)

Banda de Sonido:

If

A personal synopsis of the Libertine

The Libertine was a brilliant period piece. It was a tragically realistic yet witty and humorous look at the Restoration period in England, but more specifically depicted the latter stages of the life of the Second Earl Of Rochester, a poet, who endured a short and debauched life. Here was a man so highly intelligent, yet so bored with life that he thrived by consistently pushing his limits and the boundaries of his relationships.

Johnny Depp eloquently and emotionally portrayed the Earl of Wilmot. This has to be by far his most brilliant achievement in a long line of unique and amazing performances. Mr. Depp's portrayal of the Earl showed a range of emotions, incredible nuances and a depth of empathy never before seen on screen, best illustrated during the scene where The Earl addresses parliament - which has to be the most gut wrenching scene, rife with fervor but with credibility. Suffice it to say by the end of this movie I had been reduced to tears and cheers, both at times coinciding. This is definitely an Oscar worthy performance. The golden statue is a must.

The supporting cast was also excellent; most notably, the actor who played the Earl's servant, and who appeared to have a great rapport with Mr. Depp, on screen. Samantha Morton, also superb as Mrs. Barry, gave a lovely and unobtrusive performance as was required for this character.

Laurence Dunmore captured the atmosphere of the period exquisitely with simplicity yet with a keen eye to detail. The reproduction of the 'family' Portrait of the Earl with the monkey is an excellent example. The lighting, the sets, the costumes all added to the reality of the movie. The musical score by Michael Nyman beautifully augmented the spirit of the times and of this production.

The Libertine was a work in progress when I viewed it twice at the Toronto Film Fest. I cannot imagine a scene being cut; even the more risqué dreams are required to impart the true emotional state of the Earl at that time in his life. Before passing judgment on this film I suggest that one see it at least twice so as to appreciate the full impact of the movie – to fully identify with the meaning and the thought behind this production.

The Libertine is a wonderful piece of art, representing the true raison d'être of this poet with incredible wit and insight. Congratulations to all who graced the production of the Libertine.