Closer (2004/I)

Calificación de los usuarios:

7.4/10   

Director:

Mike Nichols

Escritores (WGA):

Patrick Marber (play)
Patrick Marber (screenplay)

Fecha de Lanzamiento:

3 diciembre 2004 (USA)

Género:

Drama | Romance

Frase comercial:

If you believe in love at first sight, you never stop looking.

Plot:

The relationships of two couples become complicated and deceitful when the man from one couple meets the woman of the other.

Plot Keywords:

Photographer | Dermatologist | Writer | Stripper | Hospital

Premios:

Nominated for 2 Oscars. Another 8 wins & 20 nominations

Comentarios de los usuarios:

Very good

Reparto

Natalie Portman	...	Alice
Jude Law	...	Dan
Julia Roberts	...	Anna
Clive Owen	...	Larry
Nick Hobbs	...	Taxi Driver
Colin Stinton	...	Customs Officer

También conocida como:

Closer: Llevados por el deseo (Argentina) (Chile) [es]
Closer (Spain) [es]

MPAA:

Rated R for sequences of graphic sexual dialogue, nudity/sexuality and language.

Duración:

104 min | Turkey:98 min (TV version)

País:

USA

Idioma:

Inglés

Color:

Color

Relación de Aspecto:

1.85 : 1

Sonido:

DTS | Dolby Digital | SDDS

Clasificación:

USA:R (certificate #40116) | Taiwan:R-12 | Iceland:14 (original rating) | Iceland:16 (video rating) | Switzerland:16 (canton of Zurich) | Malaysia:18SX | Ireland:18 | New Zealand:R16 | Philippines:R-13 | Sweden:11 | Argentina:16 | Australia:MA | Brazil:14 | Canada:14A | Chile:14 | Czech Republic:15 | Finland:K-15 | Germany:12 | Hong Kong:IIB | Japan:R-15 | Netherlands:12 | Norway:15 | Portugal:M/16 | Singapore:M18 | South Korea:18 | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | UK:15 | Indonesia:Dewasa

Locaciones de Filmación:

Cowcross Street, Clerkenwell, London, England, UK

Compañía:

Icarus Productions

Trivialidades:

The opera that Dan and Anna are late for and you can hear in the background is "Cosi Fan Tutte" - this also deals with themes of two couples who swap partners.

Errores:

Continuidad: When Dan is cybersexing with Larry, and begins to simulate an orgasm, he type a full line of $%$^&^&*&()*()*_)( but in the next shot he is only adding the first line of $%^&*^(*^&^ $%$#$%#@%^&&*^&*(*&(

Citas:

[first lines]
Alice: Hello, stranger.

Conexiones de Película:

References Blue Velvet (1986)

Banda de Sonido:

The Blower's Daughter

Very good

I've been hearing lots of negativity about this movie. I think a lot of people have been shocked, frankly, by the raw and rough nature of the film. Having read the play, I've been looking forward to it for about a year now, and it's honestly one of the best plays I've ever read. Mike Nichols presents it in an amazing way, very faithful to the words as they're written (and they should be, for the movie is also written by the man who wrote the play, the brilliant Patrick Marber).

It's a brutal topic, sex and love, especially when they're combined. I thought the movie was amazing. It captured all of the vulnerability, caustic harshness, and acerbic flirtation that the play vibrated with. All of the cast brought the movie alive. It uplifts and then brings you way down, but that's the point, and yet at the end, I didn't feel depressed or saddened, just really really awake and curious. It's the feeling you get when you get "closer", I suppose.

Natalie Portman, in a tour-de-force performance, is the standout by far. Maybe it's because she's the youngest, and not expected to be that awesome, but she is. Anyways, her Alice is flirty and sweet, caustic and manipulative, evasive and yet very open, sexual and gloomy all in one character. She has the best chemistry with the men - whether it be purely sensual with Clive Owen, or innocence and affection with Jude Law. She comes alive with the two guys, and their scenes are ones to look forward to.

Julia Roberts, whom everyone looks towards, is not bad in this film. She's very understated and good, but she is outshone in nearly every scene by whomever she's acting with.

Clive Owen is absolutely astounding, and he's definitely on everyone's radar screen. As the man of experience and "simplicity", as Jude Law's character comments, he's brash and hotheaded, but also extremely clever. Owen perfectly plays the sleazy, unlikeable character, but somehow manages to appeal to the audience and even though he's a disagreeable character, I think many managed to find something all right about him - Owen's human sense in Larry.

Jude Law is simply very very good; neither astounding nor bad. The only reason he does not stand out is the fact that we've all expected him to do a good performance. And he does, he has a great performance. He and Portman have amazing scenes together, and he's always on par.

Simply put, the movie is not for everyone (especially not for seeing with a parent or young child); it's a mature adult flick, and does not back down from anything. It's high drama - with all the uplifting romance and brutal arguments of relationships. It's a story about people.