Vozvrashcheniye (2003)

Calificación de los usuarios:

8.1/10   

Director:

Andrei Zvyagintsev

Escritores:

Vladimir Moiseyenko (writer)
Aleksandr Novototsky (writer)

Fecha de Lanzamiento:

25 junio 2003 (Russia)

Género:

Drama

Plot:

In the remote Russian wilderness, two brothers face a range of new, conflicting emotions when their father--a man they only know through a single photograph--resurfaces.

Plot Keywords:

Russian | Father | Return | Island | Brother

Premios:

Nominated for Golden Globe. Another 28 wins & 12 nominations

Comentarios de los usuarios:

Strong performances and interesting direction and development make up for the weaknesses inherent in such a minimalistic film

Reparto

Vladimir Garin	...	Andrey
Ivan Dobronravov	...	Ivan
Konstantin Lavronenko	...	Father
Natalya Vdovina	...	Mother
listado alfabético del resto del reparto:
Yelizaveta Aleksandrova	...	Waitress
Lazar Dubovik	...	Hooligan
Lyubov Kazakova	...	Devushka v zerkalakh
Galina Petrova	...	Grandmother
Aleksei Suknovalov	...	Zavodila
Andrei Sumin	...	Man at Port

También conocida como:

The Return (International: English title) (USA)
Возвращение (Russia)
ïÔÅÃ (Russia) (working title)
El regreso (Argentina) (Spain) [es]

Duración:

105 min | Turkey:99 min (TV version)

País:

Russia

Idioma:

Ruso

Color:

Color

Relación de Aspecto:

1.85 : 1

Sonido:

Dolby Digital

Clasificación:

Singapore:PG | South Korea:12 | Hong Kong:IIA | Argentina:13 | Finland:K-11 | USA:Unrated | Spain:13 | Australia:PG | UK:12

Locaciones de Filmación:

Gulf of Finland, Russia

Compañía:

Ren Film

Trivialidades:

The budget of the film remains a secret, though in an interview the director and the producer hinted that it was well under $500,000. Director Andrei Zvyagintsev also mentioned that the producers made their money back even before they went with the movie to Venice where it was "discovered".

Errores:

Continuidad: On the island, Ivan bandages his hand after it gets injured. In the next shot, the bandage is on his other hand.

Conexiones de Película:

Apareció en The 61st Annual Golden Globe Awards (2004) (TV)

Strong performances and interesting direction and development make up for the weaknesses inherent in such a minimalistic film

Andrei and Ivan have lived the vast majority of their lives with their mother and grandmother. They find this dynamic changed when their father turns up after 12 years absence. While Andrei seems happy with this and keen to try and bond with his father, the younger Ivan is much more stubborn and reluctant – being suspicious of this man's motives. The three go on a trip fishing for a few days, which turns into a much longer time as the father has 'business'. As the journey continues Ivan struggles with a father who is strict and strangely cruel.

On the back of awards and good reviews I was interested enough to go and watch this film at the cinema. Not being a great thinker myself, I usually find the 'you work it out' attitude of art-house films to be rather annoying and unfair and sadly there was an element of that with this film. The narrative is interesting enough to keep you in your seat but just don't expect anything to be explained; in fact there was not even enough information to even really interpret what was going on – by the end of the film I was left with buckets of questions but hardly a single answer…I wanted to ask the others in the cinema (all 4 of us) if they had 'got it' and if it was just me. However what saves this film from being another obscure arty movie is the delivery and the journey we are taken on. For all the unknowns the film is still gripping, even if it is slow at the same time. The journey is an interesting one and one that sees the characters grow in ways I was captivated by even if I didn't understand it all. I would have liked even a little bit of information by the end but I was content that I had witnesses a story and, like some things in life, you don't get all the facts – I was just like the boys in the film, not knowing what was going on but involved in it nonetheless.

For a debut feature the direction from Zvyagintsev was excellent. It was full of great shots, great camera movement and wonderful use of surroundings to create a world where only these three are – no other cars and barely any other people. For this same reason, praise should be endlessly heaped onto cinematographer Krichman as he makes everything look eerily beautiful and calm. The direction aids the minimal story and helped keep me interested, but the clincher for me were the performances. The only named characters are the two boys and, as such, the best performances come from them. Everyone knows that Garin died in an accident similar to the films opening tower-jumping scene and it casts a bit of a shadow over his performance to think that such a young man has died needlessly, but his performance here is still assured. He is keen but he stills allows us to see bits of doubt and fear in his eyes – like a loyal dog coming back after a beating. Dobronravov gives a completely different performance that is much more showy and powerful and he totally surprised me – such a strong and believable performance from so young a boy, he makes Hollywood's blockbuster preening child 'actors' appear to be the bland products that many of them are. Lavronenko's 'father' is a brooding beast who is hard to understand and he plays him fairly blankly. In a way this works but I did wonder if Lavronenko really understood his character either. Two or three others are in the film but, as the character names suggest, the film belongs to Krichman and the late Garin and they do not struggle with this responsibility.

Overall I will not claim to fully understand what the story was about or if it was an allegory for wider issues but the story is still engaging and emotional. The delivery is pretty much perfect although I imagine many audiences will be put off by both the lack of information and the slow pace.

The direction and cinematography are superb and the two boys in the lead put many other child actors to shame by the sheer confidence and ability they have in delivering such complex characters and emotions.