| Fotos (ver todos los 4 | slideshow) |
| Michael Nyqvist | ... | Daniel Daréus | |
| Frida Hallgren | ... | Lena | |
| Helen Sjöholm | ... | Gabriella | |
| Lennart Jähkel | ... | Arne | |
| Ingela Olsson | ... | Inger | |
| Niklas Falk | ... | Stig | |
| Per Morberg | ... | Conny | |
| Ylva Lööf | ... | Siv | |
| André Sjöberg | ... | Tore | |
| Mikael Rahm | ... | Holmfrid | |
| Barbro Kollberg | ... | Olga | |
| Axelle Axell | ... | Florence | |
| Lasse Petterson | ... | Erik | |
| Ulla-Britt Norrman-Olsson | ... | Amanda | |
| Nils-Anders Vallgårda | ... | Gabriella's son | |
| Lotten Vallgårda | ... | Gabriella's daughter | |
| Mircea Crisan | ... | Agent (as Mircea Krishan) | |
| Kristina Törnqvist | ... | Mamma | |
| Johannes Schantz | ... | Daniel 7 år | |
| Anna Lundström | ... | Daniel 14 år | |
| listado alfabético del resto del reparto: | |||
| Verena Buratti | ... | Loredana (uncredited) | |
| Alexandra Eisenstein | ... | Member of choir / Extra (uncredited) | |
Dirigida por | |||
| Kay Pollak | |||
Créditos del guión(en orden alfabético) | ||
| Anders Nyberg | co-writer | |
| Ola Olsson | co-writer | |
| Carin Pollak | co-writer | |
| Kay Pollak | writer | |
| Margaretha Pollak | co-writer | |
Música original por | |||
| Stefan Nilsson | |||
Fotografía por | |||
| Harald Gunnar Paalgard | |||
Montaje por | |||
| Tomas Täng | |||
Casting | |||
| Imor Hermann | |||
Dirección artística | |||
| Mona Theresia Forsén | |||
Diseño de vestuario por | |||
| Hedvig Andér | |||
Departamento de maquillaje | |||
| Kjell Gustavsson | .... | makeup artist | |
| Anna Norstedt | .... | assistant makeup artist | |
| Lisa Peterson | .... | assistant makeup artist | |
Dirección de producción | |||
| Lasse Lundberg | .... | post-production supervisor | |
Ayudante de dirección | |||
| Niklas Ohlsson | .... | first assistant director | |
| Margaretha Pollak | .... | assistant director | |
Departamento de Arte | |||
| Dan Ahlqvist | .... | graphic designer | |
| Gunilla Allard | .... | art director: second unit | |
| Petter Carsall | .... | set dresser | |
| Anders Cederlund | .... | carpenter | |
| Peter Edfast | .... | construction foreman | |
| Jonas Holmberg | .... | carpenter | |
| Teddy Holm | .... | painter | |
| Olle Isaksson | .... | construction manager | |
| Cecilia Iversen | .... | painter (as Cissi Iversen) | |
| Patric Larsson | .... | painter | |
| Mido Lindholm | .... | property master | |
| Matthias Pflug | .... | property master: Innsbruck | |
| Nikolai Ritter | .... | art director: Innsbruck | |
| Emma Skoog | .... | assistant property master (as Emma Skog) | |
| Anna Winsa | .... | painter | |
Departamento de sonido | |||
| Magnus Andersson | .... | sound recordist | |
| Jean Frédéric Axelsson | .... | sound: second unit | |
| Klas Engström | .... | sound: second unit | |
| Andreas Franck | .... | sound re-recording mixer | |
| Micki Joanni | .... | synchron editor | |
| Fredrik Jonsäter | .... | dubbing editor | |
| Tomas Krantz | .... | dialog editor | |
| Anders Larsson | .... | dubbing editor | |
| Alexander Ljung | .... | dubbing editor | |
| Bernard Löhr | .... | sound recordist | |
| Oscar Lovnér | .... | sound | |
| Erik Olhester | .... | sound recordist | |
| Bo Persson | .... | sound (as Bosse Persson) | |
| Jonas Rudels | .... | dubbing editor | |
| Jonas Rudels | .... | sound recordist | |
| Jonathan Walter | .... | foley artist (as Jonathan Edström) | |
| Leif Westerlund | .... | foley artist | |
| Håkan Wollgård | .... | sound recordist | |
Cámara y Departamento Eléctrico | |||
| Ulf Aneer | .... | first assistant camera | |
| Jonas Appeltofft | .... | grip | |
| Johan Beckman | .... | best boy electric | |
| Anders Birkeland | .... | still photographer | |
| Benny Broström | .... | best boy grip | |
| Andreas Eklund | .... | video assist operator | |
| Nils-Erik Järvi | .... | electrician | |
| Christian Lidman | .... | best boy electric | |
| Sten Lindberg | .... | lighting supervisor | |
| Nils Melander | .... | lighting supervisor | |
| Mattias Paulsson | .... | second assistant camera | |
| Hans Welin | .... | camera operator: second unit | |
Departamento de vestuario | |||
| Hedvig Andér | .... | costumer | |
| Sarah Holm | .... | costume coordinator | |
| Susanne Karlsson | .... | costume assistant | |
| Lena Lidman | .... | costume assistant | |
Departamento de Edición | |||
| Kjell Amrén | .... | scanner | |
| Sebastian Amundsen | .... | assistant editor | |
| Susanne Lund | .... | negative cutter | |
| Pia Svedlund | .... | negative cutter | |
Departamento de Música | |||
| Andreas Franck | .... | music mixer | |
| Bernard Löhr | .... | music mixer | |
Otros miembros del equipo | |||
| Andreas Bergman | .... | location manager | |
| Petra Jönsson | .... | production coordinator: second unit | |
| Soni Jörgensen | .... | script consultant | |
| Daniel Kask | .... | runner | |
| Göran Lindberg | .... | location manager: second unit | |
| Hans Lönnerheden | .... | completion bond | |
| Martin Strömberg | .... | production coordinator | |
| Johanna Sundberg | .... | production coordinator | |
| Kerstin Sundberg | .... | script supervisor | |
| Ylva Swedenborg | .... | unit publicist | |
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| Ray | Walk the Line | One Night of Love | The Phantom of the Opera | Peyton Place |
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Drama section | IMDb Sweden section | Add this title to MyMovies |
Back to the roots with "like it is in heaven" - what are the real values of life? These Swedes carve out a message that appeals to every heart. We've seen it twice now in a cinema packed to the last seat: love pure and joy within the music of a choir that's simple, yet full of power once everyone finds his or her inner tone.
From the glitter of fame to the school of of his youth, now empty and ready to be adapted as his new home after collapsing on stage, Daniel wants to start listening and is drawn into the lives of the simple, warm and rough people of the North.
He wins the hearts with music and gains the capacity to love and be loved unconditionally.
Don't go see it if you've been normed to Hollywood. This stuff contains no extras, just your laughter, your compassion, your tears!