| Photos (see all 136 | slideshow) | Videos (see all 4 videos ) |
| Mon. July 28 | 4:00 PM | BRAVO | |||
| Tue. July 29 | 12:00 AM | BRAVO |
Dirigida por | |||
| Ang Lee | |||
Créditos del guión(WGA) | ||
| Annie Proulx | (short story) | |
| Larry McMurtry | (screenplay) & | |
| Diana Ossana | (screenplay) | |
Producida por | |||
| Michael Costigan | .... | executive producer | |
| Scott Ferguson | .... | co-producer | |
| Michael Hausman | .... | executive producer | |
| Larry McMurtry | .... | executive producer | |
| Diana Ossana | .... | producer | |
| William Pohlad | .... | executive producer | |
| James Schamus | .... | producer | |
| Tom Cox | .... | executive producer: Alberta Film Entertainment (uncredited) | |
| Murray Ord | .... | executive producer: Alberta Film Entertainment (uncredited) | |
| Jordy Randall | .... | executive producer (uncredited) | |
Música original por | |||
| Gustavo Santaolalla | |||
Fotografía por | |||
| Rodrigo Prieto | |||
Montaje por | |||
| Geraldine Peroni | |||
| Dylan Tichenor | |||
Casting | |||
| Avy Kaufman | |||
Diseño de producción por | |||
| Judy Becker | |||
Dirección artística | |||
| Laura Ballinger | (co-art director) | ||
| Tracey Baryski | |||
Decorados | |||
| Catherine Davis | |||
Diseño de vestuario por | |||
| Marit Allen | |||
Departamento de maquillaje | |||
| Mary-Lou Green-Benvenuti | .... | hair department head (as Mary Lou Green) | |
| Linda Melazzo | .... | key makeup artist | |
| Manlio Rocchetti | .... | makeup department head | |
| Penny Thompson | .... | key hair stylist (as Penny Lea Thompson) | |
| Sharon Toohey | .... | assistant makeup artist | |
Dirección de producción | |||
| Tom Benz | .... | unit production manager | |
| Gerry Robert Byrne | .... | post-production supervisor | |
| Scott Ferguson | .... | unit production manager | |
Ayudante de dirección | |||
| Michael Hausman | .... | first assistant director | |
| Travis McConnell | .... | trainee assistant director | |
| Brad Moerke | .... | second assistant director | |
| Katherine Ringer | .... | third assistant director | |
| Pierre Tremblay | .... | additional first assistant director | |
Art Department | |||
| Barbara Chandler | .... | scenic painter | |
| Coral Dambrauskas | .... | greens lead | |
| John Dambrauskas | .... | greens best boy | |
| Kelly Fraser | .... | buyer | |
| Pat Goettler | .... | graphic artist | |
| Anne Beiser Haywood | .... | key scenic | |
| Charmaine Husum | .... | on-set scenic artist | |
| Rick Janzen | .... | lead signwriter | |
| Brad Kaughman | .... | paint forman | |
| Loyola Lewis | .... | scenic painter | |
| Chris MacRae | .... | lead dresser | |
| Justin Onofriechuk | .... | assistant props master | |
| Sara Ossana | .... | assistant to production designer | |
| Melodi Petrigo | .... | prop graphics | |
| Christopher J.A. Smith | .... | on-set dresser | |
| Sheila Thomas | .... | painter | |
| Landin Walsh | .... | set dresser | |
| Jordy Wihak | .... | on-set dresser and props assistant | |
| Cory Wills | .... | props trainee | |
| Ken Wills | .... | property master | |
| Sherrie Wills | .... | props buyer | |
| Art Proctor | .... | set dresser (uncredited) | |
Departamento de sonido | |||
| Marko A. Costanzo | .... | foley artist | |
| Michael J. Fox | .... | adr mixer | |
| Eugene Gearty | .... | sound re-recording mixer | |
| Eugene Gearty | .... | supervising sound editor | |
| Kenton Jakub | .... | adr editor | |
| Frank Kern | .... | supervising foley editor | |
| Drew Kunin | .... | sound mixer | |
| Avi Laniado | .... | sound mix engineer | |
| George A. Lara | .... | foley mixer | |
| Geo Major | .... | second boom operator | |
| Peter Melnychuk | .... | boom operator | |
| Igor Nikolic | .... | first assistant sound editor | |
| Wyatt Sprague | .... | sound effects editor | |
| Reilly Steele | .... | sound re-recording mixer | |
| Sara Stern | .... | post sound intern | |
| Philip Stockton | .... | supervising sound editor | |
| David Warzynski | .... | foley assistant | |
| Larry Wineland | .... | assistant sound editor | |
Efectos especiales | |||
| Kelly Coe | .... | special effects assistant | |
| Maurice Routly | .... | special effects coordinator | |
Visual Effects | |||
| Ara Khanikian | .... | Inferno artist: Buzz Image Group | |
| Bruno-Olivier Laflamme | .... | digital effects artist | |
| Jean-Francois Lafleur | .... | digital effects artist | |
| Pierre-Simon Lebrun-Chaput | .... | digital artist | |
| Louis Morin | .... | visual effects supervisor | |
| Matthew Rouleau | .... | digital effects artist | |
| Robin Tremblay | .... | digital effects artist | |
| Mark Tureski | .... | digital opticals effects | |
| Mark Tureski | .... | film scanning | |
Especialistas | |||
| Kirk Jarrett | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Chris Bang | .... | second assistant camera | |
| Kirk Chiswell | .... | assistant camera | |
| Kimberly French | .... | still photographer | |
| Trevor Holbrook | .... | first assistant camera: "a" camera | |
| Tom Kolafa | .... | best boy rigger | |
| Tim Milligan | .... | key dolly grip | |
| Damon Moreau | .... | camera operator | |
| Kim Olsen | .... | key grip | |
| Stephen Osborn | .... | camera operator: additional photography | |
| Christopher Porter | .... | gaffer | |
| Gordon Schmidt | .... | rigging gaffer | |
| Christopher G. Sprague | .... | gaffer | |
| Alison J. Stewart | .... | best boy grip (as Alison Rigby) | |
| David Vernerey | .... | best boy electric | |
| Landin Walsh | .... | lamp operator | |
| Peter Wunstorf | .... | director of photography: second unit | |
Casting Department | |||
| Jessica Daniels | .... | casting associate | |
| Erin Flasch | .... | casting assistant: Canada | |
| Elizabeth Greenberg | .... | casting associate | |
| Deb Green | .... | casting: Canada | |
| Barbara Harris | .... | voice casting | |
| Alyson Lockwood | .... | extras casting | |
| Trish Robinson | .... | casting: Vancouver | |
Costume and Wardrobe Department | |||
| Renée Bravener | .... | assistant costume designer | |
| Devora Brown | .... | costume truck supervisor | |
| Wendy M. Craig | .... | costume supervisor: USA | |
| Jeffrey Fayle | .... | costume set supervisor | |
| Kelly Fraser | .... | costume supervisor | |
| Kelly Fraser | .... | key extras costumer | |
| Katie Klingvall | .... | daily costume dresser | |
| Christine Thomson | .... | costume supervisor | |
Editorial Department | |||
| Kate Abernathy | .... | editing room assistant | |
| Drake Conrad | .... | digital color grading | |
| Tom Mayclim | .... | negative cutter | |
| Beth Moran | .... | assistant editor | |
| Kimberly Saree Tomes | .... | first assistant editor | |
| Lawrence Howard Williams | .... | post digital media operator | |
Music Department | |||
| Christine Bergren | .... | music legal | |
| David Richard Campbell | .... | music arranger: strings (as David Campbell) | |
| Richard Emerson | .... | conductor | |
| Richard Emerson | .... | orchestrator | |
| Rick Garcia | .... | featured vocalist: "Quizas, Quizas" | |
| Kory Kruckenberg | .... | scoring assistant engineer | |
| Annette Kudrak | .... | music editor | |
| William V. Malpede | .... | song recordist: "Quizas, Quizas" | |
| Kathy Nelson | .... | music supervisor | |
| Jen Pray | .... | music legal and clearance | |
| David Sabee | .... | orchestra contractor | |
| Gustavo Santaolalla | .... | score producer | |
| Jason Stasium | .... | recording engineer | |
| Brian Valentino | .... | scoring engineer | |
| Marcelo Zarvos | .... | composer: additional music | |
Transportation Department | |||
| Ray Breckenridge | .... | picture car coordinator | |
| Danny C. Klepper | .... | unit transportation coordinator | |
Otros miembros del equipo | |||
| Jill Antal | .... | payroll accountant | |
| Liat Baruch | .... | assistant: Mr. Gyllenhaal | |
| Karen Bédard | .... | script supervisor | |
| Neil Bell | .... | assistant: Mr. Ledger | |
| David Benning | .... | production assistant | |
| T.J. Bews | .... | wrangler coordinator | |
| Cameron Chapman | .... | production assistant | |
| Hudson Cooley | .... | production coordinator | |
| Rob Doak | .... | video coordinator | |
| Joy Ellison | .... | dialect coach | |
| Sean Finnan | .... | trainee assistant location manager | |
| Jay Floyd | .... | clearance administrator | |
| Jennifer Zolten Freed | .... | post-production accountant: Trevanna Post | |
| Paul Getto | .... | assistant: Mr. Schamus | |
| Flax Glor | .... | publicist | |
| Evan Godfrey | .... | production assistant | |
| Darren Grout | .... | set paramedic | |
| Steven Hanulik | .... | office production assistant | |
| Christine Kilpatrick | .... | assistant to cast | |
| Flo Krisko | .... | animal trainer | |
| Ross L. Kulma | .... | medical advisor | |
| Dan Kuzmenko | .... | key location production assistant | |
| Ruth LaBarge | .... | head bear trainer | |
| David Lee | .... | assistant: Mr. Lee, New York | |
| David Linck | .... | unit publicist | |
| Catherine McGovern | .... | assistant production coordinator | |
| Anikah McLaren | .... | assistant: Mr. Schamus | |
| Tony Muro | .... | publicist | |
| Mathew Provost | .... | assistant to producers | |
| Karen Redford | .... | assistant: Mr. Lee | |
| Robert Roscorla | .... | assistant accountant | |
| Aron Scraba | .... | assistant wrangler | |
| Jodi Shapera | .... | post-production accountant | |
| Trisha Leigh Short | .... | daily production assistant: locations | |
| Darryl Solly | .... | location manager | |
| Jay St. Louis | .... | assistant location manager | |
| Jamie Switch | .... | stand-in: male lead | |
| Dave Targan | .... | assistant: Mr. Schamus | |
| Chantal Teasdale | .... | head craft service | |
| James Tyce | .... | stand-in: Heath Ledger (as Scott Urquhart) | |
| Timothy Schwalk | .... | assistant dialect coach (uncredited) | |
Thanks | |||
| Rick Garcia | .... | special thanks | |
| Alejandro González Iñárritu | .... | special thanks | |
| Geraldine Peroni | .... | in loving memory of | |
| Gustavo Santaolalla | .... | special thanks | |
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I'm 23, and I find it hard to write this review. I saw the film exactly one week ago today and not a moment has gone by when I don't ache. It finds me in the shower; it haunts me in bed; it has filled my mind and clings to my thoughts, and it won't let up. I try to lie to myself, to find some solace by saying that it's just a movie, but I know better. Jack and Ennis are alive, and they represent so many aching people, so many untold stories. There is no contrivance, no manufactured importance; there are no tricks. Brokeback Mountain tells, with painful honesty and frankness, the story of two men's lives and nothing more. Whether you are gay or straight, it doesn't hit close to home: it hits you. Brokeback Mountain is a place we all most desperately yearn to go. It's where we can be free. It feels funny to say that Brokeback Mountain is my favorite film of all time, because I think it almost an injustice to call it a film at all, or to critique its incredible technical sophistication. Somehow Brokeback Mountain transcends that. I could hear a thousand speeches celebrating diversity or read a hundred love stories and not be absolutely broken in just two hours as I was after this film. I've never felt waves of nausea come over me as I did sitting in that theater, my face contorted as I watched truth and honesty spill from the screen and onto moviegoers who had no idea what they were in for. I am usually the first to point out bias, so I know my words might be mistaken for favoritism or blind loyalty. They should not. This movie will change your existence. I find so many things in my life trivial now in the wake of this film---for me, watching it was truly like having a near-death experience. And am I better for it? Yes. Broken and undone, but better. For once in my life, I feel hope, and I've seen love.