| Fotos (ver todos los 3 | slideshow) |
| Parviz Shahinkhou | ... | Bab'Aziz | |
| Maryam Hamid | ... | Ishtar | |
| Hossein Panahi | ... | Red dervish | |
| Nessim Khaloul | ... | Zaid | |
| Mohamed Graïaa | ... | Osman | |
| Maryam Mohaid | |||
| Golshifteh Farahani | ... | Nour | |
| listado alfabético del resto del reparto: | |||
| Soren Mehrabiar | ... | Dervish | |
| Reza Najifi | |||
Dirigida por | |||
| Nacer Khemir | |||
Créditos del guión(en orden alfabético) | ||
| Tonino Guerra | collaboration | |
| Nacer Khemir | writer | |
Producida por | |||
| Cyriac Auriol | .... | producer | |
| Karl Baumgartner | .... | co-producer | |
| Lauraine Heftler | .... | assistant producer | |
| András Muhi | .... | co-producer | |
| Ali Reza Shoja-Nuri | .... | producer | |
Música original por | |||
| Armand Amar | |||
Fotografía por | |||
| Mahmoud Kalari | |||
Montaje por | |||
| Isabelle Rathery | |||
Casting | |||
| Leila Fournier | |||
| Sarah Teper | |||
Diseño de vestuario por | |||
| Maud Perl | |||
Dirección de producción | |||
| Asen Kanchev | .... | music production manager | |
Ayudante de dirección | |||
| Benjamin Blanc | .... | assistant director | |
| Iraj Habashi | .... | second assistant director: Iran | |
| Amin Mahdavi | .... | first assistant director | |
Departamento de Arte | |||
| Majid Mir-fakhrai | .... | artistic advisor | |
| Issa Traverdian | .... | props: Iran | |
Departamento de sonido | |||
| Ahmad Ardalan | .... | boom operator: Iran | |
| Bahman Ardalan | .... | sound (as Bahman Bani Ardalan) | |
| Franck Desmoulins | .... | sound editor | |
| Séverin Favriau | .... | sound editor | |
| Amir-Hossein Ghasemi | .... | sound editor | |
| Steve Higgs | .... | sound | |
| Gábor ifj. Erdélyi | .... | sound editor | |
| Róbert Juhász | .... | sound re-recording mixer | |
| Anne Maisonhaute | .... | foley recordist | |
| Stuart Wilson | .... | sound | |
Visual Effects | |||
| Manfred Büttner | .... | visual effects producer | |
| Erich Eder | .... | visual effects supervisor | |
| Yves Göbel | .... | digital effects artist | |
| Daniel Lo Iacono | .... | digital effects artist | |
| Sandra Moll | .... | visual effects producer | |
| Heiko Schweizer | .... | digital effects artist | |
Cámara y Departamento Eléctrico | |||
| Shahrad Banki | .... | still photographer | |
| Mondher El Gaied | .... | grip: Tunisia | |
Departamento de Edición | |||
| Nicolas Novak | .... | post-production assistant | |
| Béraud Valentine | .... | post-production coordinator | |
Otros miembros del equipo | |||
| Fethi Baccouchi | .... | location manager | |
| Monica Donati | .... | unit publicist | |
| Margaret Dowling | .... | accountant: Britain | |
| Hosni Mihol | .... | caterer: Tunisia | |
| Recent Posts (updated daily) | User |
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Drama section | IMDb Switzerland section | Add this title to MyMovies |
Although there are moments when the movie may seem to progress slowly; nonetheless it kept the audience at the cinema glued to their seats. I went to watch the movie twice. It did not attract huge audiences; which in great part may be due to its lack of adequate advertising; but those few who did come to see the movie were glued to their seats. The movie has two great features. One is the soul stirring choice of music and its perfect adaptation to the scenes. Secondly, the movie successfully achieves the difficult undertaking of introducing and explaining in graphic terms and with simple stories the almost exclusively Oriental world of mysticism. The setting might not reflect the physical or material reality of the East, but it definitely does add to the magic and facilitates the viewer's transit from the material world outside to the spiritual world within. Highly recommended.