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Samaria (2004)
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Overview
Release Date:
5 marzo 2004 (South Korea) másPlot:
Jae-Young is an amateur prostitute who sleeps with men while her best friend Yeo-Jin "manages" her, fixing dates... más | add synopsisAwards:
1 win & 1 nomination másComentarios de los usuarios:
Brilliant and frustrating at an equal measure. másCast
(Vista general del reparto en créditos)| Yeo-reum Han | ... | Jae-yeong (as Min-jeong Seo) | |
| Ji-min Kwak | ... | Yeo-jin | |
| Eol Lee | ... | Yeong-ki | |
| Kwon Hyun-Min | ... | Salesman | |
| Oh Young | ... | Musician | |
| Gyun-Ho Im | ... | Tidily Guy | |
| Lee Jong-Gil | ... | Happy Guy | |
| Shin Taek-Ki | ... | Suicide | |
| Jung-gi Park | ... | Murder Victim | |
| Gul-seon Kim | ... | Second Salesman | |
| Seung-won Seo | ... | Man in his 30s | |
| Yoo Jae-Ik | ... | Pedestrian | |
| In-gi Jung | ... | Ki-Su | |
| Jin-bae Jeon | ... | Policeman #1 | |
| Yook Sae-Jin | ... | Policeman #2 |
Additional Details
También conocida como:
Samaritan Girl (International: English title)Por amor o por deseo (Mexico) (festival title) [es]
Samaritan Girl (Spain) [es]
más
MPAA:
Rated R for violence and sexual content.Parents Guide:
Add content advisory for parentsDuración:
Germany:95 minPaís:
South KoreaIdioma:
KoreanColor:
ColorAspect Ratio:
1.85 : 1 másClasificación:
Portugal:M/16 | Spain:18 | Iceland:16 | Finland:K-15 | South Korea:18 | France:-12 | Hong Kong:IIB | USA:R | Germany:16 | Japan:R-15 | Sweden:15MOVIEmeter: 
Cosas divertidas
Goofs:
Continuity: The flowers in the vase when the father is waking her in bed. máspreguntas frecuentes
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Related Links
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb South Korea section | Add this title to MyMovies |








This is undeniably a work of considerable formal rigor. Director Kim Ki-Duk uses deceptively simple but tellingly precise visual compositions to narrate his seemingly simple tale of loss of innocence, guilt and redemption. Initially everything seems transparent and self-evident in the story until intangible elements slowly seep into the structure causing ambiguity and bringing emotional turmoil that remains mostly subdued. The main plot premise, however, might seem a bit exaggerated or overblown to someone who cannot easily accept the depicted motivations for the actions of the two main characters (the girl and its father), especially considering the scarcity of social or psychological signifiers. Consequently, the movie works better on a symbolic than dramatic level, as its wonderfully concise final scene demonstrates. A must see.