| Carole Bouquet | ... | Hélène | |
| Aymará Rovera | ... | Juana | |
| Mercedes Sampietro | ... | Sor Beatriz | |
| Ignacio Jiménez | ... | Martín (as Ignacio Ramon Gimenez) | |
| Emilio Bardi | ... | Teodoro | |
| Juan Pablo Domenech | ... | Gustavo | |
| Jorge Román | ... | Alberto | |
| Rodrigo Alejandro Hornos | ... | Angel | |
| Esteban Luis Gonzáles | ... | El Pelado | |
| Mario Marcelo Reinoso | ... | Tito | |
| Daniel Valenzuela | ... | Enrique | |
| Enrique Otranto | ... | Abogado | |
| Marcela Sánchez | ... | Aurora | |
| Carlos Bermejo | ... | Pediatra | |
| César Ramón 'Capullo' Medina | ... | Rudy | |
| listado alfabético del resto del reparto: | |||
| Enrique Piñeyro | ... | Federico | |
Dirigida por | |||
| Juan Diego Solanas | (as Juan Solanas) | ||
Créditos del guión(en orden alfabético) | ||
| Eduardo Berti | writer | |
| Juan Diego Solanas | writer (as Juan Solanas) | |
Producida por | |||
| Genevieve Lemal | .... | executive producer | |
| Alexandre Lippens | .... | executive producer | |
| Iker Monfort | .... | producer | |
| Pablo Salomon | .... | executive producer | |
| Juan Diego Solanas | .... | producer | |
| Aton Soumache | .... | producer | |
| Alexis Vonarb | .... | producer | |
| Luc Besson | .... | associate producer (uncredited) | |
| Pierre-Ange Le Pogam | .... | associate producer (uncredited) | |
Música original por | |||
| Eduardo Makaroff | |||
| Sergio Malakoff | |||
Fotografía por | |||
| Félix Monti | |||
| Juan Diego Solanas | |||
Montaje por | |||
| Fernando Franco | |||
Casting | |||
| María Inés Teyssié | |||
Diseño de vestuario por | |||
| Paula Moore | |||
Dirección de producción | |||
| Axel Linari | .... | unit production manager | |
| Karina Reismann | .... | assistant unit manager | |
| Pierre Reyssat | .... | post-production supervisor | |
| Pablo Salomón | .... | executive in charge of production | |
| Victoria Solanas | .... | production supervisor | |
| Guadalupe Balaguer Trelles | .... | production manager | |
Departamento de sonido | |||
| José Caldararo | .... | boom operator | |
| Juan Ferro | .... | sound editor | |
| María Steinberg | .... | sound editor | |
| Ricardo Steinberg | .... | sound | |
Visual Effects | |||
| François Dumoulin | .... | visual effects supervisor | |
| Michael Marques | .... | restoration artist | |
| Micha Sher | .... | restoration artist | |
Departamento de Edición | |||
| Virginie Deroubaix | .... | post-production assistant | |
| Ana Rubio López | .... | assistant editor | |
Otros miembros del equipo | |||
| Valeria Pivato | .... | script supervisor | |
| Leticia Tapia | .... | production assistant | |
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| Machuca | Los lunes al sol | Todo sobre mi madre | Germinal | El crimen del padre Amaro |
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Drama section | IMDb Argentina section | Add this title to MyMovies |
I was profoundly touched by this movie. There are two main stories. One about a french woman, Hélène, living in modern world, going to Argentina to adopt a baby. The other one is about Juana, a woman living in a rural world with her son, hopelessly left behind by the bolting modernization and capitalism of her native country.
The two womens paths will cross and they will try and find support and comfort in each others misery.
The performances by the actors in this movie, especially by Aymará Rovera, are truly exceptional. It is a great story telling us that we are sharing one world, having different problems and sooner or later will be forced to acknowledge each others co-existence.
It is a hard kick in solar-plexus of the roaring capitalism, exploiting the poorest and leaving them helpless behind. Go and see this movie if you get the chance. Please do.