Million Dollar Baby (2004)

Director:

Clint Eastwood

Writers (WGA):

F.X. Toole (stories)
Paul Haggis (screenplay)

Release Date:

28 enero 2005 (USA)

Genre:

Drama | Sport

Frase comercial:

Beyond his silence, there is a past. Beyond her dreams, there is a feeling. Beyond hope, there is a memory. Beyond their journey, there is a love.

Plot:

A hardened trainer/manager works with a determined woman in her attempt to establish herself as a boxer.

Plot Keywords:

No Opening Credits | Irish American | Death | Age Difference | Suicide Attempt

Awards:

Won 4 Oscars. Another 45 wins & 29 nominations

Comentarios de los usuarios:

Swank! Eastwood! Freeman!

Cast

Clint Eastwood	...	Frankie Dunn
Hilary Swank	...	Maggie Fitzgerald
Morgan Freeman	...	Eddie Scrap-Iron Dupris
Jay Baruchel	...	Danger Barch
Mike Colter	...	Big Willie Little
Lucia Rijker	...	Billie 'The Blue Bear'
Brian F. O'Byrne	...	Father Horvak (as Brian O'Byrne)
Anthony Mackie	...	Shawrelle Berry
Margo Martindale	...	Earline Fitzgerald
Riki Lindhome	...	Mardell Fitzgerald
Michael Peña	...	Omar
Benito Martinez	...	Billie's Manager
Bruce MacVittie	...	Mickey Mack
David Powledge	...	Counterman at Diner
Joe D'Angerio	...	Cut Man

También conocida como:

Rope Burns (USA) (working title)
Golpes del destino (Mexico) (Venezuela) [es]
Million Dollar Baby (Argentina) (Spain) [es]

MPAA:

Rated PG-13 for violence, some disturbing images, thematic material and language.

Duración:

132 min

País:

USA

Idioma:

English | Irish Gaelic

Color:

Color

Aspect Ratio:

2.35 : 1

Sonido:

DTS | Dolby Digital | SDDS

Clasificación:

Spain:13 | Malaysia:18SG | Taiwan:PG-12 | Portugal:M/16 | Canada:14 (Nova Scotia) | Iceland:14 | Canada:14A (Manitoba) | Canada:PG (Alberta/British Columbia/Ontario) | Argentina:16 | Australia:M | Canada:13+ (Quebec) | Chile:14 | Finland:K-11 | France:U | Germany:12 | Hong Kong:IIB | Ireland:16 | Japan:PG-12 | Netherlands:12 | New Zealand:M | Norway:15 | Philippines:PG-13 | Singapore:PG | South Korea:12 | Sweden:11 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | Switzerland:14 (canton of Zurich) | UK:12A | USA:PG-13 | Ireland:15 (video rating) | Brazil:12

Filming Locations:

Hollywood Athletic Club - 6525 W. Sunset Blvd., Hollywood, Los Angeles, California, USA

Company:

Warner Bros. Pictures

Trivialidades:

Hilary Swank contracted a bacterial infection from a blister she developed on her foot during training for her role. The infection was so serious that she almost had to be hospitalized for three weeks. Catching the infection in the nick of time, she instead chose to take a week off for medicated rest and didn't tell Clint Eastwood or the producers of the film about the injury, because she didn't believe it was in character.

Goofs:

Crew or equipment visible: When Frankie introduces Maggie to one of the managers at the gym, movie lights can be seen reflected in the sunglasses hanging on his shirt.

Quotes:

[first lines]
Eddie Scrap-Iron Dupris: [Narrating] Only ever met one man I wouldn't wanna fight. When I met him he was already the best cut man in the business. Started training and managing in the sixties, but never lost his gift.

Movie Connections:

Referenced in "The Office: Money (#4.4)" (2007)

Soundtrack:

Blue Diner

Swank! Eastwood! Freeman!

It would be difficult to imagine a more perfect trio of performers the likes of Hilary Swank, Clint Eastwood, and Morgan Freeman in their respective roles in the emotionally-charged "Million Dollar Baby."

My favorite scenes were the early sequences in which Maggie (Swank) visits the dowdy boxing gym and co-opts Eastwood's crusty boxing trainer Frankie into becoming her mentor. Along with the veteran, retired boxer Eddie, played by Freeman, the performances were as electric as the Ali shuffle.

In the overall arc of the story of "Million Dollar Baby," there were three extraneous subplots: (1) Frankie's visits to church and his talks with the priest; (2) the story of the mentally-challenged young man named Danger, who appears in the gym and is taunted by the boxers; and (3) Maggie's family members introduced in two scenes filled with such vulgarity that much of the film's hard-earned credibility was lost. Not only would the film have worked effectively without the subplots, it would have been a much better film without them.

While Eastwood's direction was superb, much credit should also go to the designers, especially the stylish work with lighting. I cannot recall a film as dimly lit as this one, and the subdued lighting contributed substantially to the characters and mood evoked in this sensitive film. The three main performances were standouts. But this film was also a very successful team effort.