| Photos (see all 34 | slideshow) | Videos (see all 9) |
| Al Pacino | ... | Dr. Jack Gramm | |
| Alicia Witt | ... | Kim Cummings | |
| Leelee Sobieski | ... | Lauren Douglas | |
| Amy Brenneman | ... | Shelly Barnes | |
| William Forsythe | ... | Special Agent Frank Parks | |
| Deborah Kara Unger | ... | Carol Johnson | |
| Benjamin McKenzie | ... | Mike Stempt | |
| Neal McDonough | ... | Jon Forster | |
| Leah Cairns | ... | Sara Pollard | |
| Stephen Moyer | ... | Guy LaForge | |
| Christopher Redman | ... | Jeremy Guber | |
| Brendan Fletcher | ... | Johnny D'Franco | |
| Michael Eklund | ... | J.T. Rycker | |
| Kristina Copeland | ... | Dale Morris | |
| Tammy Hui | ... | Janie Cates | |
| Vicky Huang | ... | Joanie Cates | |
| Victoria Tennant | ... | Kate | |
| Michal Yannai | ... | Leeza Pearson | |
| Paul Campbell | ... | Albert Jackson | |
| Brenda McDonald | ... | Mrs. Lowinsky | |
| Carrie Genzel | ... | Stephanie Parkman | |
| Kaj-Erik Eriksen | ... | Matt Wilner | |
| Heather Dawn | ... | Heather | |
| Julian Christopher | ... | Special Agent Mactire (as Julian D. Christopher) | |
| Tim Henry | ... | Sean McBain | |
| Mike Dopud | ... | Detective | |
| Brad Turner | ... | Fireman #1 | |
| Michael Adamthwaite | ... | Fireman #2 | |
| Jean Montanti | ... | Woman in Crowd | |
| Timothy Paul Perez | ... | Cabbie #1 | |
| Marcus Hondro | ... | Cabbie #2 (as Marcus Hondo) | |
| listado alfabético del resto del reparto: | |||
| Trilby Glover | ... | Miss Bennett - Defense Attorney | |
Dirigida por | |||
| Jon Avnet | |||
Créditos del guión(WGA) | ||
| Gary Scott Thompson | (written by) | |
Música original por | |||
| Ed Shearmur | (as Edward Shearmur) | ||
Fotografía por | |||
| Denis Lenoir | (director of photography) | ||
Montaje por | |||
| Peter E. Berger | |||
| Don Shore | |||
Casting | |||
| Richard Pagano | |||
| Maureen Webb | |||
Diseño de producción por | |||
| Tracey Gallacher | |||
Dirección artística | |||
| Jeremy Stanbridge | |||
Decorados | |||
| Dominique Fauquet-Lemaitre | |||
Diseño de vestuario por | |||
| Mary E. McLeod | (as Mary McLeod) | ||
Departamento de maquillaje | |||
| Marisa Cappellaro | .... | assistant hair stylist | |
| Yvonne Connor | .... | first makeup artist | |
| Sandy Cooper | .... | exclusive makeup artist | |
| Tanya Howard | .... | assistant makeup artist | |
| Thom MacIntyre | .... | exclusive hair stylist (as Thom McIntyre) | |
| Gina Sherritt | .... | key hair stylist | |
| Brenda Turner | .... | assistant hair stylist | |
| Margaret Yaworski | .... | key makeup artist | |
Dirección de producción | |||
| Padi Mills | .... | unit production manager | |
| Todd Pittson | .... | unit production manager | |
| Oren Senderman | .... | production supervisor | |
Ayudante de dirección | |||
| Josy Capkun | .... | second assistant director | |
| Jennifer Carpenter | .... | third assistant director | |
| Molly Clayton | .... | trainee assistant director | |
| Scott Kinniburgh | .... | trainee assistant director | |
| Rob Larson | .... | additional third assistant director | |
| Conte Matal | .... | second assistant director | |
| Dan Miller | .... | trainee assistant director | |
| Linda Montanti | .... | first assistant director | |
| Troy Rudolph | .... | trainee assistant director | |
Art Department | |||
| Troy Eirich | .... | truck supervisor | |
| Joseph Fedo | .... | property master: re-shoot | |
| Michelle Gasque | .... | art coordinator | |
| Scott Holburn | .... | set dresser | |
| Jim LeBlanc | .... | property master | |
| Mike Lilley | .... | graphic designer | |
| Marko Lytviak | .... | paint coordinator (as Marko T. Lytviak) | |
| Bill Morrill | .... | construction coordinator | |
| Damon Rasmussen | .... | scenic artist | |
| David Rosychuk | .... | assistant property master (as Dave Rosychuk) | |
| Joshua Stricklin | .... | leadman: additional photography | |
| Mark Tompkins | .... | painter | |
Efectos especiales | |||
| Chris Flemington | .... | on set special effects supervisor | |
| Bill Mills | .... | special effects coordinator | |
| Edward M. Sweet | .... | special effects supervisor | |
Visual Effects | |||
| Javor Asenov | .... | digital compositor | |
| Angelina Borisowa | .... | visual effect assistant editor | |
| Scott Coulter | .... | visual effects producer | |
| Yasen Denev | .... | digital matte painter | |
| Stoycho Dimitrov | .... | digital effects artist | |
| Iva Gorcheva | .... | digital artist | |
| Velislava Gospodinova | .... | senior compositor | |
| Velichko Ivanov | .... | digital effects artist | |
| Ivet Jordanova | .... | digital effects artist | |
| Delyan Ketipov | .... | digital effects artist | |
| Momchil Kirov | .... | digital compositor | |
| Nikolay Kolev | .... | digital effects artist | |
| Dimitar Kovachev | .... | technical support staff | |
| Danail Lazarov | .... | visual effects editor | |
| Jordan Markov | .... | visual effects supervisor | |
| Maria Mavrova | .... | 3D lead artist | |
| Svetoslav Mitev | .... | assistant visual effects coordinator | |
| Dian Mitov | .... | digital artist | |
| Diana Moneva | .... | digital compositor | |
| Nikolay Pachov | .... | visual effect assistant editor | |
| Nick Peshunoff | .... | visual effects coordinator | |
| Iavor Radev | .... | visual effects coordinator | |
| Shero Rauf | .... | digital effects artist | |
| Stefan Tchakarov | .... | visual effects production supervisor | |
| Peter Tomov | .... | digital artist | |
| Dimitrina Torneva | .... | digital compositor | |
| Filip Uzunov | .... | digital effects artist | |
| Adriana Valcheva | .... | lead artist | |
| Desislava Valcheva | .... | digital compositor | |
| Bob Wiatr | .... | digital effects compositor: Pacific Title | |
| Borislava Zahova | .... | digital artist | |
| Vladimir Zdravkov | .... | visual effects technical support staff | |
| Antonio Torres | .... | digital artist: Digital Intermediate, Pacific Title (uncredited) | |
Casting Department | |||
| Carmen Amos | .... | casting assistant | |
| Michele Berumen | .... | casting assistant | |
| Sandra-Ken Freeman | .... | background casting | |
| Barbara Harris | .... | adr voice casting | |
| Colleen Rogers | .... | casting associate: Canada | |
| Alicia Scott | .... | extras casting associate | |
| Maureen Webb | .... | casting: Canada | |
Costume and Wardrobe Department | |||
| Jessica Costa | .... | wardrobe preparation | |
| Jennifer Dawson | .... | wardrobe extra (as Jen Dawson) | |
| Michelle Hunter | .... | costume supervisor | |
| Debra McGuire | .... | wardrobe designer: Mr. Pacino | |
| Paula Plachy | .... | wardrobe set supervisor | |
Editorial Department | |||
| David Bilow | .... | first assistant editor: avid | |
| Cindy Bond | .... | digital intermediate producer | |
| Joseph Butler | .... | assistant editor: Los Angeles (as Joe Butler) | |
| Gary Lam | .... | assistant editor | |
| Candice Levy | .... | post-production assistant | |
| Jerimiah Morey | .... | assistant colorist | |
| Sarah Parker | .... | post-production coordinator (as Sarah R. Parker) | |
| Robert Raring | .... | colorist | |
| Ron Rauch | .... | assistant editor | |
| Amy Tompkins | .... | digital intermediate editor | |
Music Department | |||
| Selena Arizanovic | .... | music supervision coordinator | |
| Kyle Kenneth Batter | .... | score preparation and production assistance | |
| Bryan Carrigan | .... | music editor | |
| Bodin Draskoci | .... | orchestra contractor | |
| Chris Fogel | .... | score mixer | |
| Sasha Jankovic | .... | music recordist | |
| Zoran Maksimovic | .... | music recordist | |
| Zoran Marinkovic | .... | music recording assistant | |
| Ashley Miller | .... | music supervisor | |
| Aleksandar Perisic | .... | music recording assistant | |
| Ognjen Popic | .... | music recording assistant | |
| Ed Shearmur | .... | score producer (as Edward Shearmur) | |
| Rebekah Touma | .... | music supervisor intern | |
Transportation Department | |||
| Gerard Boileou | .... | driver (as Gerard Boileau) | |
| Shay Morgan Brook | .... | driver: reshoots | |
| Dave Byerley | .... | driver: cast | |
| Steven 'Sparky' Carr | .... | personal driver (as Steve Carr) | |
| Scott Delaplace | .... | transportation co-captain | |
| L. Michael Eddy | .... | driver (as Mike Eddy) | |
| Judith Feller | .... | wardrobe truck driver | |
| Theodore Giapapas | .... | driver | |
| Clif Kosterman | .... | transportation coordinator | |
| Larry Tardif | .... | driver: insert car | |
| Patricia Thorn | .... | driver: cast (as Tricia Thorn) | |
Thanks | |||
| Philipp Belter | .... | special thanks | |
| Brigitte Dietl | .... | special thanks | |
| Ulrike Gerth | .... | special thanks | |
| Thomas Haseneder | .... | special thanks | |
| Marion Jäger | .... | special thanks | |
| Mirjam Pröschel | .... | special thanks | |
| Julia Staab | .... | special thanks | |
| Bobby Stamps | .... | special thanks | |
| Andrea Timmers | .... | special thanks | |
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| Basic Instinct | Chik yeung tin si | Red Dragon | Sin City | Corpi presentano tracce di violenza carnale, I |
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This is such a poor movie, it is unbelievable. Especially considering it has such a solid actor like Al Pacino. Fans of his will wish they never saw it.
Al plays the role of a psychologist consultant for the police who is also a teacher of forensic psychology. The movie starts the day a serial killer who was convicted based on his testimony is about to executed. But it is a bad day for Al's character because there is new evidence that suggests he helped convict the wrong man. Oh, not only that, but he receives an anonymous phone call telling him he has 88 minutes to live.
Al Pacino plays a hardcore guy in most of his films, that is usually what makes them great. It seems like they tried to do the same thing with this movie and accomplished the opposite. His character is surrounded by bimbo 20-year-olds throwing themselves at him and guys with leather jackets for him to beat up. But it just ends up feeling like a desperate attempt to prove he "still has it." The only thing floating this movie is a gimmick for a plot (the whole 88 minutes to live thing) which sort of ends of being a subplot anyway. Al Pacino fans are going to hate me for saying all this until they see it for themselves.