| Ernesto Alterio | ... | Serafín | |
| Leticia Dolera | ... | Ariadna / Penélope | |
| Héctor Alterio | ... | Emilio | |
| María Isbert | ... | Señora mayor | |
| María Pujalte | ... | Gloria | |
| Malena Alterio | ... | Enfermera años 70 | |
| Janfri Topera | ... | Dueño bar | |
| Jesús Olmedo | ... | Emilio joven | |
| Elena Vilaplana | ... | Madre de Serafín | |
| David Martínez Blanco | ... | Serafín 6 años | |
| Inés París | ... | Natalia | |
| Rosario Lara | ... | Matroña años 70 | |
| David Becerra | ... | Dieguito | |
| Miriam Raya | ... | Inesita | |
| Perpe Caja | ... | Doña Mariana | |
| Rulo Pardo | ... | Presentador circo | |
| Momoyo Miya | ... | Camarera Japonesa (as Momoyo) | |
| Raúl Fernández | ... | Chaval bar (as Raúl Fernández de Pablo) | |
| Gorka Mínguez | ... | Enfermero | |
| Paula Soldevila | ... | Comadrona | |
| Marian Álvarez | ... | Enfermera nido | |
| Inge Martín | ... | Madre bebé parque | |
| Daniela Féjerman | ... | Mujer Embarazada | |
| Anna Ycobalzeta | ... | Mujer con bebé | |
| Mariana Bassas | ... | Chica jóven bar | |
| Marina Bassas | ... | Chica joven bar | |
| Emilio Buale | ... | Bombero negro | |
| Aitzpea Goenaga | ... | Madre Estación | |
| Betsy Túrnez | ... | Mujer WC estación | |
| Cristóbal Gwizdala | ... | Tipo Enorme | |
| Cristóbal Owizdala | ... | Tipo enorme | |
| listado alfabético del resto del reparto: | |||
| Carlos Arias Navarro | ... | Himself (archive footage) | |
| Amparo Valle | |||
Dirigida por | |||
| Daniela Féjerman | |||
| Inés París | |||
Créditos del guión(in alphabetical order) | ||
| Daniela Féjerman | writer | |
| Inés París | writer | |
Producida por | |||
| César Benítez | .... | producer | |
| Stephen Margolis | .... | co-producer | |
| Albert Martinez Martin | .... | co-producer | |
| Emilio A. Pina | .... | executive producer | |
| Emilio A. Pina | .... | line producer | |
Música original por | |||
| Christopher Slaski | |||
Fotografía por | |||
| Néstor Calvo | |||
Montaje por | |||
| Iván Aledo | |||
Casting | |||
| Carmen Utrilla | |||
Dirección artística | |||
| Luis Vallés | |||
Diseño de vestuario por | |||
| Sonia Grande | |||
Departamento de maquillaje | |||
| Fermín Galán | .... | hair stylist | |
| Sara Márquez | .... | assistant makeup artist | |
| Mar Paradela | .... | assistant makeup artist (as Mª del Mar Paradela) | |
| José Quetglás | .... | makeup artist | |
| Ana Belén Ramírez | .... | assistant makeup artist | |
Ayudante de dirección | |||
| Susana González | .... | first assistant director | |
| Jacob Santana | .... | trainee assistant director | |
| Victor Taberner | .... | second second assistant director | |
| Nuria Velasco | .... | second assistant director | |
Art Department | |||
| Purificación Adorna | .... | assistant set decorator | |
Departamento de sonido | |||
| Steve Cook | .... | post-production sound supervisor | |
| Tomás Erice | .... | boom operator | |
| Iván Marín | .... | sound recordist | |
| Iván Marín | .... | sound | |
| Peter Maxwell | .... | sound re-recording mixer | |
| Kath Pollard | .... | sound re-recording mixer | |
| Naiki Rossell | .... | dialogue editor | |
| Keith Tunney | .... | sound editor | |
Visual Effects | |||
| Safiya Ravat | .... | digital effects artist | |
| Pablo Urrutia | .... | digital effects artist | |
Especialistas | |||
| Miguel Pedregosa | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Pipo Fernández | .... | still photographer | |
| Rafael García Martos | .... | chief electrician | |
| Eugenio Martínez | .... | electrician | |
| Jose Sergio Morales | .... | electrician | |
| Enrique Pérez | .... | electrician | |
Editorial Department | |||
| Laurent Treherne | .... | digital intermediate supervisor | |
Music Department | |||
| John Bell | .... | orchestrator | |
| Andy Chango | .... | musician | |
| Tony Jurado | .... | musician | |
| Fernando Lupano | .... | musician | |
| José Norte | .... | musician | |
| Ariel Rot | .... | musician | |
| Christopher Slaski | .... | conductor | |
| Christopher Slaski | .... | orchestrator | |
Transportation Department | |||
| Andrés García | .... | driver | |
| Ángel Prada | .... | driver | |
Otros miembros del equipo | |||
| Moresco Alessandra | .... | production coordinator | |
| María Victoria de la Rosa | .... | production trainee | |
| Veronica Diaz | .... | production secretary | |
| Lina Gómez | .... | manager of official aids | |
| Julia Guillén | .... | storyboard illustrator | |
| Iván Jareño | .... | cashier | |
| Alessandra Moresco | .... | production executive | |
| Lourdes Navarro | .... | script supervisor | |
| Javier Ruiz | .... | production trainee | |
| Alicia Torres | .... | production coordinator | |
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| A mi madre le gustan las mujeres | A mí quién me manda meterme en esto | Mirada violeta, La | Miguel and William | Apasionados |
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Spain section | Add this title to MyMovies |
Being Spanish in a foreign country, sometimes I found myself excusing the Spanish cinema, as 'not everything is Almdovar', and invite people to watch other Spanish films. This is not the case, this is not the kind of film that I'd recommend.
This is one of the most boring films that I've seem in ages. The plot is nonsense, even when at the beginning seems to be different, the story development is ridiculous.
Ernesto and Héctor Alterio, saved the film, the actress, Leticia Dolera, who is coming from TV, is not at the same level and the main problem of this film is, the lack of supporting actors. It seems too much responsibility for the three of then to hold the interest in the story and whether she plays twins, and we could count it as four, both sisters are the same, there's no difference in their characters at all.
Concerning supporting actors, we can underline Maria Isbert and Maria Pujalte, but both of them are such a small interventions, that something is missing.
6 out of 10 for father and son, 2 out of 10 for the twins. 4 out of 10 for the film. Spanish cinema is not all Almodovar, but I also hope that they haven't turn it into that kind of easy-silly films.