| Fotos (ver todos los 1 | slideshow) |
| Andreu Buenafuente | ... | Sancho (voice) | |
| David Fernández | ... | Rocinante (voice) | |
| Sonia Ferrer | ... | Dulcinea (voice) | |
| José Luis Gil | ... | Quijote (voice) | |
| Jordi González | ... | Narrador (voice) | |
| Sancho Gracia | ... | Sansón (voice) | |
| Luis Posada | ... | Rucio (voice) |
Dirigida por | |||
| Jose Pozo | |||
Créditos del guión(en orden alfabético) | ||
| Miguel de Cervantes y Saavedra | writer | |
| Angel E. Pariente | writer | |
Producida por | |||
| Carlo Alfano | .... | co-executive producer | |
| Carlos Fernández | .... | executive producer | |
| Julio Fernández | .... | producer | |
| Giulia Marletta | .... | executive producer | |
| Paco Rodríguez | .... | executive producer | |
| Sergio Toffetti | .... | producer | |
Música original por | |||
| Andrea Guerra | |||
Montaje por | |||
| Félix Bueno | |||
Dirección artística | |||
| Esteban Martin | |||
Dirección de producción | |||
| Stefania Busca | .... | assistant production manager | |
| Ana Garcia Iglesias | .... | production lead: Bren Entertainment | |
| Ivan Gonzalez Penedo | .... | head of production | |
| Alberto Neira | .... | production manager | |
| Jesús L. Pérez Villar | .... | post-production manager | |
Departamento de Arte | |||
| Sergio Casas | .... | color designer | |
| Alfred Llupiá | .... | set designer | |
| Jacobo Navarro | .... | storyboard artist | |
| Carlos Ruano | .... | set designer | |
| Antonio Santamaría | .... | storyboard artist | |
Departamento de sonido | |||
| Jordi Casugas | .... | sound re-recording mixer | |
| Edgar Vidal | .... | foley artist | |
| Edgar Vidal | .... | sound effects designer | |
| Kiku Vidal | .... | foley artist | |
Efectos especiales | |||
| Montse Sonsona | .... | layout operator | |
Visual Effects | |||
| Borja Abeijón | .... | vfx compositor | |
| Katrin Arndt | .... | line producer: Trixter Film GmbH | |
| Sebastien Bruneau | .... | animator | |
| Francesco Canonico | .... | lighting technical director | |
| Carlos Casado | .... | visual effects & props | |
| Justine Codron | .... | lighting artist | |
| Massimo Comuzio | .... | digital supervisor | |
| Sergio Cremasco | .... | color designer | |
| Adolfo Dalda | .... | character modeling artist | |
| Chema del Fresno | .... | modeler | |
| Merche Delgado | .... | lead lighting technical director | |
| José A. Eiroa | .... | lighting artist | |
| Diego Fernández Goberna | .... | digital artist | |
| Mauro Frau | .... | lighting artist | |
| Vidina Garcia | .... | layout artist | |
| Marga García Visdómine | .... | layout artist | |
| Lorena G. Romero | .... | layout artist | |
| Lorena G. Romero | .... | lighting artist | |
| Lorena G. Romero | .... | rendering & optimization artist | |
| Wolfgang Haas | .... | animator | |
| Silvio Jemma | .... | visual effects supervisor | |
| Robert Kuczera | .... | senior character animator | |
| Pietro Materossi | .... | lighting technical director | |
| 'Txolo' Fernando Medrano | .... | modeler | |
| Fabrizio Nastasi | .... | post production coordinator | |
| Jean Claude Nouchy | .... | visual effects: technical director | |
| Matteo Pastorino | .... | render supervisor | |
| Cinzia Pegorin | .... | lead color & lighting technical director | |
| Antonio Carranza Perez | .... | set modeler | |
| Antonio Carranza Perez | .... | visual effects | |
| Ariele Podreider Lenzi | .... | final layout artist | |
| Orash Rahnema | .... | lighting technical director | |
| Charlie Ramos | .... | layout supervisor | |
| Alessandro Riberti | .... | lighting technical director | |
| Milo Riccarand | .... | animator | |
| D'Ippolito Roberto | .... | digital compositor | |
| Sascha Robitzki | .... | pipeline technical director/production support: Trixter Film GmbH | |
| Matteo Rostagno | .... | visual effects animator | |
| Guillaume Ruegg | .... | digital artist | |
| Jesús Ruiz Torres | .... | character animator | |
| Jesús Ruiz Torres | .... | character rigger | |
| Valter Sagrillo | .... | final layout supervisor | |
| Valter Sagrillo | .... | technical director | |
| Gustavo Sanchez-Perez | .... | senior visual effects artist | |
| Debora Sangermano | .... | compositing supervisor | |
| Francesco Sansoni | .... | lighting supervisor | |
| Armando Sepulveda | .... | modelling lipsync and effects | |
| Nathan Stone | .... | character animator | |
| Oscar Tornincasa | .... | technical director | |
| Jon Uriarte | .... | color and lighting supervisor | |
| Celine Velasco | .... | lighting artist | |
| Tilmann Vogt | .... | character animator: Trixter Film GmbH | |
| Jörg Volk | .... | animator | |
Departamento de Animación | |||
| Borja Abeijón | .... | lead modeler | |
| Terence Bannon | .... | animator | |
| Giorgio Bellasio | .... | animation director | |
| Francesco Canonico | .... | animator | |
| Jesus del Campo | .... | character animator | |
| Pepe de Lucas | .... | animator | |
| Maximino Diaz Gerveno | .... | animator (as Maxi Diaz) | |
| Valentina D'Orsi | .... | character animator | |
| Hartmut Engel | .... | character animator | |
| Cristina Falcon | .... | character animator | |
| Giuliano Fontanelli | .... | character animator | |
| Aldo Gagliardi | .... | animator | |
| Roger Gimenez | .... | animator | |
| Jordi Oñate Isal | .... | character animator | |
| Andrea Pecora | .... | animator | |
| A. Martin Puentes Max | .... | animator | |
| Carlo Rotolo | .... | animator | |
| Jesús Ruiz Torres | .... | character animator | |
| Jesús Ruiz Torres | .... | character rigger | |
| Alberto Sanz Mariscal | .... | animator | |
| Daniel Sappa | .... | animator | |
| Julien Soret | .... | animator | |
Departamento de Música | |||
| Antongiulio Frulio | .... | orchestrator | |
| Simon Rhodes | .... | music scoring mixer | |
Otros miembros del equipo | |||
| Diego Cortassa | .... | computer engineering supervisor | |
| Oscar Garcia Amor | .... | systems engineer | |
| Ana Gómez Alcalde | .... | software engineer | |
| Rubén López Gómez | .... | software engineer | |
| Alberto Marini | .... | story editor | |
| Elena Serra | .... | development executive | |
| José Carlos Trillo Caamaño | .... | software engineer | |
| Jorge Tuca | .... | head of development | |
| Recent Posts (updated daily) | User |
|---|---|
| ???What's This??? | iLuvPoopsie |
| If Ed Wood did 3D Animation | zegras_welfsin |
| Cast for English version???? | Castelo |
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| Gisaku | Dulcinea | Voodoo Doll | Thy Kingdom Come | The Tell Tale Heart |
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Animación section | IMDb Spain section | Add this title to MyMovies |
Seriously, if you want to enjoy this movie, and I really mean this, watch this at like 3 in the morning when you're half tired but just CANNOT get to sleep. It really enhances the bizarreness of it all, the Pythonesque presence of Spanish text mixed with the fact it's hard to tell it's a dub, the fact that the Spanish don't need to make films so you wonder what's up anyway, the near-David Lynchian quality of insanity. Still, it's a hole lot better than vomitous Shrek, and they made three of those urinary-tract-infecting things so far.
It was night impossible for me to tell just what exactly was this movie's technique. It dawned upon me after a while that this movie is an expert at making inaction seem like action. Things almost happen until a character makes a complete 180 turn to detour everything to a halt. This sort of leads the movie to being told in almost episodic fashion. Although the movie almost touches on interesting aspects, details are nigh on impossible to follow, especially when you try to get to know who any of the characters are. The best scene to explain the bizarre behavior of the characters is when Sancho and QuiXote are being smacked across the face repeatedly without questioning why.
There are so many bizarre moments that will stand out in your memory as you watch this movie. It's as though this movie just comes AT your face. Primarily there's the scene with the horse enjoying himself just WAY too much at relieving himself, the manic ditzy girl grabbing her own boobs, Ed Wood's horse, the seemingly inappropriate insertion of dated pop songs, and still more.
The plot made as much sense as an episode of Twin Peaks, and the dialogue was like talking to a character from an Ed Wood film. But unfortunately you need to be able to understand these things before you'll get this movie. It's a good thing this was dubbed and not subbed, because otherwise you could just chalk everything up to mistranslation, and listening to Spanish would just make things even more confusing.
Just tell yourself one thing as you watch this: This movie's from Barcelona.