Stranger Than Fiction (2006)

Director:

Marc Forster

Guionista (WGA):

Zach Helm (written by)

Release Date:

10 noviembre 2006 (USA)

Genre:

Drama | Fantasy | Romance

Frase comercial:

Harold Crick isn't ready to go. Period.

Plot:

An IRS auditor suddenly finds himself the subject of narration only he can hear: narration that begins to affect his entire life, from his work, to his love-interest, to his death.

Plot Keywords:

Cookie | Writer's Block | Insanity | Surreal | Cigarette Smoking

Awards:

Nominated for Golden Globe. Another 1 win & 11 nominations

Comentarios de los usuarios:

Detailed, Astute, Eclectic, and Entertaining Pseudo-Comedy

Cast

Will Ferrell	...	Harold Crick
William Dick	...	IRS Co-Worker #1
Guy Massey	...	IRS Co-Worker #2
Martha Espinoza	...	IRS Co-Worker #3
T.J. Jagodowski	...	IRS Co-Worker #4
Peter Grosz	...	IRS Co-Worker #5
Ricky Adams	...	Young Boy
Christian Stolte	...	Young Boy's Father
Denise Hughes	...	Kronecker Bus Driver
Peggy Roeder	...	Polish Woman
Tonray Ho	...	IRS Co-Worker #6
Tony Hale	...	Dave
Maggie Gyllenhaal	...	Ana Pascal
Danny Rhodes	...	Bakery Employee #1
Helen Young	...	Bakery Customer #1

También conocida como:

Killing Harold Crick (USA) (working title)
Más extraño que la ficción (Argentina) (Spain) (Venezuela) [es]

MPAA:

Rated PG-13 for some disturbing images, sexuality, brief language and nudity.

Duración:

113 min

País:

USA

Idioma:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sonido:

Dolby Digital | DTS | SDDS

Clasificación:

Brazil:10 | UK:12A | South Korea:12 | Portugal:M/12 | Switzerland:12 (canton of Vaud) | Sweden:7 | Canada:G (British Columbia/Quebec) | Malaysia:U | Netherlands:6 | Norway:11 | Germany:6 | Australia:M | Argentina:Atp | New Zealand:M | Finland:K-7 | USA:PG-13 (certificate #42015) | Ireland:12A | Singapore:PG | Switzerland:12 (canton of Geneva) | Canada:PG (Alberta/Manitoba/Nova Scotia/Ontario) | Denmark:7

Filming Locations:

25th Street & Christiana Avenue, South Lawndale, Chicago, Illinois, USA

Company:

Columbia Pictures

Trivialidades:

In an early scene, on-screen graphics appear that resemble an image used to illustrate the golden ratio. In mathematics and the arts, two quantities are in the golden ratio if the ratio between the sum of those quantities and the larger one is the same as the ratio between the larger one and the smaller. This ratio can be expressed as a mathematical constant, usually denoted by the Greek letter Phi.

Goofs:

Continuity: When Harold runs up to Ana with the flours, the front of the cardboard box he is holding is creased. The box is uncreased moments later in a close-up.

Quotes:

Harold Crick: [on bus, and sees Ana get on the same bus] Miss Pascal! Miss Pascal!
Ana Pascal: [she sees him and moves away so that she is standing in the aisle]
Harold Crick: It's Harold Crick from the IRS.
Ana Pascal: [embarrassed] Hi.
Harold Crick: Hey, do you want a seat?
Ana Pascal: No.
Harold Crick: Because there are 11 empty ones.
Ana Pascal: No. I'm fine.
Ana Pascal: [Ana tries to fit, hanging onto a pole that is already full of people. The bus jolts, and she is flung into a seat that is next to, Harold. Embarrassed, she stays there and tries to ignore him]
Harold Crick: So, how are you?
[...]

Movie Connections:

References The Silence of the Lambs (1991)

Soundtrack:

Rave

Detailed, Astute, Eclectic, and Entertaining Pseudo-Comedy

"Stranger than Fiction" is the complex tale of a simple IRS man named Harold Crick (an appealing Will Ferrel) who one day awakes to his own voice-over narration only to find he is the unwitting main character in the new tragic novel from acclaimed author Karen Eiffel (an excellent return to form for Emma Thompson). Imagine a Charlie Kaufman penned film where all the cynicism and nihilism is replaced with an endearing and heartfelt melancholy that creates a surprising amount of emotional involvement in characters who would've otherwise been over-reaching literacy devices, and you'll get a feel for the sincere type of entertainment Marc Forster's film provides.

Forster, with his keen eye and eclectic visual sense, populates the film the sharp and contrasting visual angles, camera tricks, and in-frame oddities (like the play with numbers) constantly keeping the viewer engaged and on their toes. Fun supporting turns from Dustin Hoffman as a literary theorist employed by Krick to help find out if the story he is in is a comedy or tragedy, and Queen Latifah as Eiffel's no-nonsense publishing assistant help guide the viewers through imaginative stretches that are occasionally too clever by half. Ferrel gets to show some nice range here, and much like Robin Williams did with "The World According to Garp" and Jim Carrey did with "The Truman Show," graduates with honors into more high-minded quasi-serious roles. His co-lead Thompson is subtly method and well studied as the reclusive sociopathic author who just can't help killing her characters.

What really seals the deal is Maggie Gyllenhal as Farrell's love interest, the anti-establishment baker he is assigned to audit. She literally lights up the screen. There's one expertly framed and perfectly lit shot of her standing outside her townhouse inviting Farrel in for the night where the light from street lamp off screen is filtered in through the shadows of tree branches and hits her face in such a way that in that brief flickering frame you become insanely happy to be watching such a pleasant marriage of literary concepts inside a visual medium. At this point you don't care how the film ends. You're just grateful to experience that giddy moment of pure movie entertainment.