| Photos (see all 43 | slideshow) | Videos (see all 20 videos) |
Dirigida por | |||
| David Ayer | |||
Créditos del guión(WGA) | ||
| James Ellroy | (screenplay) and | |
| Kurt Wimmer | (screenplay) and | |
| Jamie Moss | (screenplay) | |
| James Ellroy | (story) | |
Producida por | |||
| Bruce Berman | .... | executive producer | |
| Lucas Foster | .... | producer | |
| Alexandra Milchan | .... | producer | |
| John Ridley | .... | co-producer | |
| Erwin Stoff | .... | producer | |
| Julian Wall | .... | associate producer | |
| Michele Weisler | .... | executive producer | |
| Bob Yari | .... | executive producer | |
Música original por | |||
| Graeme Revell | |||
Fotografía por | |||
| Gabriel Beristain | |||
Montaje por | |||
| Jeffrey Ford | |||
Diseño de producción por | |||
| Alec Hammond | |||
Decorados | |||
| Hilton Rosemarin | |||
Diseño de vestuario por | |||
| Michele Michel | |||
Departamento de maquillaje | |||
| Dean Jones | .... | makeup effects supervisor | |
| Starr Jones | .... | makeup designer | |
| Nicole Michaud | .... | special effects hair: American Make-up Effects | |
| Timothy A. Miguel | .... | additional makeup artist | |
| Ken Niederbaumer | .... | special makeup effects artist | |
| Alicia M. Tripi | .... | key hair stylist | |
| Soo-Jin Yoon | .... | hair stylist: Chris Evens | |
| Clint Zoccoli | .... | sculptor/painter | |
Dirección de producción | |||
| Joan Kelley Bierman | .... | post-production supervisor | |
| Robert West | .... | production supervisor | |
Ayudante de dirección | |||
| Frederic Roth | .... | first assistant director: second unit | |
| Julian Wall | .... | first assistant director | |
Art Department | |||
| Richard Bloom | .... | art department coordinator | |
| Andrew Campbell | .... | graphic designer | |
| Sara Ghaffar | .... | art department assistant | |
| Michael A. Heath | .... | prop paperwork | |
| Al Hobbs | .... | set designer | |
| Mark R. LaPresle | .... | construction coordinator | |
| Angela Simpson | .... | construction estimator | |
| Gary Tuers | .... | property master | |
Departamento de sonido | |||
| James Bolt | .... | sound re-recording mixer | |
| Derek Casari | .... | adr engineer | |
| Steve Copley | .... | foley mixer | |
| Lori Dovi | .... | sound mixer | |
| Albert Gasser | .... | sound effects editor | |
| Craig Heath | .... | sound recordist (as Craig 'Pup' Heath) | |
| John Kwiatkowski | .... | dialogue editor | |
| Ross Levy | .... | utility sound technician | |
| Piero Mura | .... | sound designer | |
| Piero Mura | .... | supervising sound editor | |
| Rodrigo Ortiz-Parraga | .... | sound engineer | |
| John Sievert | .... | foley artist | |
| David A. Smith | .... | boom operator | |
| Eric Thompson | .... | adr mixer | |
| Elliot Tyson | .... | sound re-recording mixer | |
| Robert Ulrich | .... | supervising adr editor | |
Efectos especiales | |||
| Bruno Van Zeebroeck | .... | special effects coordinator | |
| George Zamora | .... | pyrotechnician | |
Visual Effects | |||
| Suzette Barnett | .... | compositor | |
| Danny Braet | .... | digital effects supervisor | |
| Matthew Collorafice | .... | digital compositor | |
| Rif Dagher | .... | effects animation supervisor | |
| Ante Dekovic | .... | digital compositor | |
| Pallavi Devabhaktuni | .... | digital compositor: CafeFX | |
| Philip Fraschetti | .... | digital artist: At The Post | |
| Vicki Galloway-Weimer | .... | visual effects executive producer: Cafe FX (as Vicki Galloway Weimer) | |
| Jeremy Hunt | .... | visual effects artist | |
| Shant Jordan | .... | compositing supervisor | |
| Apirak Kamjan | .... | matchmover: CafeFx | |
| Desi Ortiz | .... | visual effects managing editor: CafeFX | |
| Madhava Reddy | .... | digital intermediate | |
| Mark Robben | .... | digital compositor: At The Post | |
| Wayne A. Shepherd | .... | compositing supervisor: At The Post | |
| Adam Stern | .... | digital compositor: Cafe FX | |
| Wilson Tang | .... | digital restoration | |
| Danny Torres | .... | systems admistrator | |
| Chris Watts | .... | visual effects supervisor | |
| O.D. Welch | .... | production executive: CafeFX | |
| Jason Michael Zimmerman | .... | digital compositor | |
Especialistas | |||
| Robert Alonzo | .... | stunt double | |
| Troy Brown | .... | stunts | |
| Joe Bucaro III | .... | stunt double | |
| Clay Cullen | .... | stunts | |
| Jeffrey J. Dashnaw | .... | stunts | |
| Kevin Derr | .... | stunt double | |
| Brian Duffy | .... | stunts | |
| Annie Ellis | .... | stunt driver | |
| Annie Ellis | .... | stunt performer | |
| Tad Griffith | .... | stunts | |
| Mike Gunther | .... | stunt coordinator: second unit | |
| Mike Gunther | .... | stunt double: Keanu Reeves | |
| Riley Harper | .... | stunts | |
| Thomas Robinson Harper | .... | stunts | |
| Freddie Hice | .... | stunts | |
| Oakley Lehman | .... | stunt double | |
| Oakley Lehman | .... | stunts | |
| Eddie Perez | .... | stunt double | |
| R.A. Rondell | .... | stunt coordinator | |
| Debby Lynn Ross | .... | stunts | |
| Michael Runyard | .... | stunts | |
| Courtney Schwartz | .... | precision driver | |
| Myke Schwartz | .... | stunt co-pilot | |
| Kevin Scott | .... | stunts | |
| Ray Siegle | .... | stunt double: Noel Guglielmi | |
| Jon Valera | .... | stunt double | |
| Kerry Wong | .... | stunt performer | |
| Scott Workman | .... | stunt double | |
Casting Department | |||
| Lindsay Graham | .... | casting associate | |
Costume and Wardrobe Department | |||
| Christine Bean | .... | assistant costume designer | |
| Anette Czagany | .... | set costumer | |
| Michelle Liu | .... | key costumer | |
| Alma Magaña | .... | set costumer | |
| Kanani Wolf | .... | set costumer | |
| Leslie Schilling | .... | wardrobe (uncredited) | |
Editorial Department | |||
| Jill Bogdanowicz | .... | digital film colorist | |
| Kiran Pallegadda | .... | associate editor | |
| Jim Passon | .... | color timer | |
| Everette Webber | .... | digital intermediate editor | |
Music Department | |||
| Mark Curry | .... | score mixer | |
| John Houlihan | .... | music supervisor | |
| Season Kent | .... | music supervisor | |
| Ashley Revell | .... | music editor | |
| Bryon Rickerson | .... | additional music editor | |
Transportation Department | |||
| Lyle Christensen | .... | shotmaker driver | |
| Steve Duncan | .... | transportation coordinator | |
| Ken Farnell | .... | driver | |
| Tim Sisson | .... | transportation captain | |
| Bonnie Yamahiro | .... | driver | |
| Kenny Youngblood | .... | driver | |
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(Synopsis) Tom Ludlow (Keanu Reeves), a veteran LAPD Detective, works in a Special Vice Squad Unit in Los Angeles. Ludlow has been suffering from depression since his wife died. On top of that, his former partner, Detective Terrance Washington (Terry Crews) is murdered by two gang members. Ludlow goes on a wild and reckless quest through the mean streets of Los Angeles to track them down and get justice for Washington. Captain Jack Wander (Forest Whitaker) is Ludlow's supervisor who must keep him from going over the edge and out of the cross-hairs of Internal Affairs Captain James Biggs (Hugh Laurie).
(My Comment) Keanu Reeves and Forest Whitaker were excellent in playing their parts. In the first 10 minutes, we get to see how good Ludlow is in using his guns. The movie races at such a fast pace, and it is so intense at times that you don't know who is the good guy or the bad guy. There are some great shootout scenes, and whatever you do, don't get in Ludlow's way, because he will take you out. Usually, the police have this cop culture of protecting each other. After they imply that Ludlow had something to do with the murder of Detective Washington, he begins to question his loyalty to his fellow officers, especially, when they hang him out to dry. At that point the movie gets real interesting. The only problem I had with the script was that it put the tough cop Ludlow in a gloomy mood the whole movie. I would have preferred him to be a cop with self-control and strength of mind. If you enjoy cop dramas, you will like this one, because it has so many twists and turns and back stabbing to keep you interested and wanting more. You will love some of Ludlow's interrogation techniques of the bad guys. (Fox Searchlight, Run Time 1:49, Rated R)(8/10)