- 4 wins & 4 nominations.
- See more »
Photos and Videos
Cast
Vahina Giocante | ... |
Lila
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Moa Khouas | ... |
Chimo
(as Mohammed Khouas)
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Karim Ben Haddou | ... |
Mouloud
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Lotfi Chakri | ... |
Bakary
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Hamid Dkhissi | ... |
Big Jo
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Edmonde Franchi | ... |
Lila's Aunt
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Carmen Lebbos | ... |
Chimo's Mother
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Ghandi Assad | ... |
Sammy
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Dominique Bluzet | ... |
Priest
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Stéphanie Fatout | ... |
Claire Soulier
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Barbara Chossis | ... |
Chinese Prostitute
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Bruno Esposito | ... |
Police Inspector
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Directed by
Ziad Doueiri |
Written by
Chimo | ... | (book) |
Ziad Doueiri | ... | () |
Mark Lawrence | ... | () |
Joelle Touma | ... | () |
Produced by
John Battsek | ... | co-producer |
Patricia Biancamano | ... | associate producer |
Bernadette Carranza | ... | co-producer |
Luigi Ferrara Santamaria | ... | co-producer |
Marina Gefter | ... | producer |
Bruno Levy | ... | associate producer |
Andrew Ruhemann | ... | executive producer |
Paul Trijbits | ... | executive producer |
Fabienne Vonier | ... | co-producer |
Music by
Nitin Sawhney |
Cinematography by
John Daly |
Editing by
Tina Baz |
Editorial Department
Paul Ensby | ... | colorist |
Géraldine Rétif | ... | assistant editor |
Bérengère Saint-Bezar | ... | assistant editor |
Casting By
Juliette Ménager | ||
Maya Seuleyvan | ... | (as Maya Sevleyan) |
Production Design by
Yves Bernard |
Art Direction by
Arnaud Le Roch |
Costume Design by
Pierre Matard |
Makeup Department
Heidi Baumberger | ... | key makeup artist |
Anne Beroul | ... | makeup artist |
Production Management
Bruno Ghariani | ... | unit production manager |
Malek Hamzaoui | ... | production manager |
Nicolas Royer | ... | post-production supervisor |
Second Unit Director or Assistant Director
Eric Bartonio | ... | first assistant director |
Teddy Laroutis | ... | third assistant director |
Alexandre Schmitt | ... | second assistant director |
Art Department
Emmanuel Falconnet | ... | property master |
Arnaud Le Roch | ... | assistant art director (as Laurent Le Roch) |
Salomé Aubry | ... | assistant art director (uncredited) |
Sound Department
Nicolas Cantin | ... | boom operator |
Boris Chapelle | ... | assistant sound editor |
Franck Desmoulins | ... | assistant sound editor |
Philippe Garnier | ... | assistant sound |
Laurent Lafran | ... | sound |
Sylvain Lasseur | ... | sound editor |
Nicolas Naegelen | ... | sound mixer |
Philippe Penot | ... | foley artist |
Visual Effects by
Raphael Hattab | ... | digital artist |
Jean-Francois Michelas | ... | digital compositor |
Olivier Poujaud | ... | visual effects supervisor |
Stunts
Hervé Décalion | ... | stunts |
Jean-Benoit Guillon | ... | stunts |
Jean-Michel Mièle | ... | stunts |
Laurent Mulot | ... | stunts |
Catherine Robert | ... | stunts |
Alexandrine Roux | ... | stunts |
Camera and Electrical Department
Gérard Bonnet | ... | still photographer |
Séverine Brigeot | ... | still photographer |
Phil Brookes | ... | gaffer |
Lionel Catelan | ... | steadicam operator |
Hugues Gemignani | ... | assistant camera |
Brice Gomez | ... | gaffer |
Virgil Gomez | ... | gaffer |
Philippe Leroy | ... | electrician / gaffer |
Patrick Llopis | ... | key grip |
Philippe Marton | ... | grip |
Béatrice Mermet | ... | assistant camera |
Thierry Montendre | ... | electrician |
The Zoom N'guyen | ... | steadicam operator (as Zoom Nguyen) |
Nicolas Petris | ... | assistant camera |
Thierry Pouffary | ... | first assistant camera: second unit |
Yves Pouffary | ... | cinematographer: second unit |
Charlotte Vitroly | ... | camera trainee |
Steve Wallace | ... | first assistant camera |
Costume and Wardrobe Department
Karyn Atmar | ... | costumer |
Location Management
Pierre Hue | ... | assistant location manager |
Script and Continuity Department
Catherine Magnan | ... | script supervisor |
Additional Crew
Marie-Laure Calmette | ... | production assistant |
Himesh Kar | ... | senior executive |
Jessica Ludgrove | ... | production coordinator |
Nicole Stott | ... | head of development |
Production Companies
- Huit et Demi Productions
- Zeal S.r.l.
- Passion Pictures
- France 2 Cinéma
- Pyramide Productions
- New Cinema Fund (participation)
- UK Film Council (participation)
- Canal+ (participation)
- Move Movie (in association with)
- Cofimage 15 (participation)
- Région Provence-Alpes-Côte d'Azur (participation)
- Société des Producteurs de Cinéma et de Télévision (Procirep) (participation)
- Angoa-Agicoa (participation)
Distributors
- Inspire Pictures (2005) (Netherlands) (theatrical)
- Lionsgate UK (2004) (United Kingdom) (theatrical)
- Pyramide Distribution (2005) (France) (theatrical)
- Samuel Goldwyn Films (2005) (United States) (theatrical) (subtitled)
- Lumière Home Entertainment (2009) (Netherlands) (DVD)
- Sony Pictures Home Entertainment (2005) (United States) (DVD)
- Video Film Express (2005) (Netherlands) (DVD)
Special Effects
Other Companies
- Cine Image Film Opticals (titles)
- South By Southwest Film Festival (SXSW) (festival)
- Sundance Film Festival (festival)
Storyline
Plot Summary |
In a poor Arab neighborhood, the nineteen years old Chimo lives alone with his mother and is a talented natural writer. His school teacher offers him the chance to study in Paris, inclusive with a letter of recommendation, but his mother can not afford and Chimo stays. His three best friends are completely losers and scoundrels. When the shy Chimo meets the gorgeous and sexy new-arrival in the ghetto Lila, who lives with a deranged aunt, his gross friend Mouloud falls for her. However, Chimo becomes close to Lila, who seduces him with her sexual games, telling him about her perverted sexual experience. The inexperienced Chimo falls in love for her, but he does not know how to declare his love for the girl. When Mouloud sneaks and listens to a private conversation between Lila and Chimo, he concludes that the girl is a whore, with tragic consequences. Written by Claudio Carvalho, Rio de Janeiro, Brazil |
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Parents Guide | View content advisory » |
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Did You Know?
Goofs | At the beginning, Chimo says that he started the notebook "backwards, so the red line's on the right, like in Arabic." But when the camera shows him writing, he is writing left to right, not right to left, and the binding is on the left, which where the red line would be, so he is writing and using the notebook in the conventional western mode. See more » |
Soundtracks | El Kalam Da Kebir See more » |
Quotes |
Lila:
I'm like a Ferrari in a junkyard. See more » |