The Namesake (2006)

Calificación de los usuarios:

7.6/10   

Director:

Mira Nair

Escritores (WGA):

Sooni Taraporevala (screenplay)
Jhumpa Lahiri (novel)

Fecha de Lanzamiento:

9 marzo 2007 (USA)

Género:

Drama

Frase comercial:

Two Worlds. One Journey.

Plot:

American-born Gogol, the son of Indian immigrants, wants to fit in among his fellow New Yorkers, despite his family's unwillingness to let go of their traditional ways.

Plot Keywords:

Train | Singer | Bengali | Death | Parents

Premios:

1 win & 3 nominations

Comentarios de los usuarios:

An enduring story of love, courage and struggles faced by American immigrants

Reparto

Kal Penn	...	Gogol / Nikhil
Tabu	...	Ashima
Irrfan Khan	...	Ashoke
Jacinda Barrett	...	Maxine
Zuleikha Robinson	...	Moushumi Mazumdar
Brooke Smith	...	Sally
Sahira Nair	...	Sonia
Jagannath Guha	...	Ghosh
Ruma Guha Thakurta	...	Ashoke's Mother
Sandip Deb	...	Music Teacher
Sukanya	...	Rini
Tanushree Shankar	...	Ashima's Mother
Sabyasachi Chakraborty	...	Ashima's Father
Tamal Ray Chowdhury	...	Ashoke's Father
Dhruv Mookerji	...	Rana

También conocida como:

El buen nombre (Argentina) (DVD title) [es]

MPAA:

Rated PG-13 for sexuality/nudity, a scene of drug use, some disturbing images and brief language.

Duración:

122 min

País:

India | USA

Idioma:

Hindi | Inglés | Bengalí | Francés

Color:

Color

Relación de Aspecto:

1.85 : 1

Sonido:

DTS | SDDS | Dolby Digital

Clasificación:

USA:PG-13 | Ireland:12A | Singapore:NC-16 | Switzerland:10 (canton of Vaud) | Switzerland:10 (canton of Geneva) | Netherlands:12 | Germany:6 | Portugal:M/12 | Brazil:12 | Argentina:13 | Australia:M | Finland:K-11 | Philippines:PG-13 (MTRCB) | New Zealand:M | South Korea:15 | Norway:11

Locaciones de Filmación:

Calcutta, West Bengal, India

Compañía:

Fox Searchlight Pictures

Trivialidades:

Many of the "New York" interiors, such as the disco, Moushimi's apartment, the honeymoon suite, etc., were actually filmed in Calcutta to save costs.

Errores:

Errores Reales: The Gangulis' dark green Volvo 240 sedan has a New York license plate up front and a California one on the back, when the movie is set in New York and a registered vehicle in the state of New York must have a license plate from the state in which it is registered.

Citas:

Gogol Ganguli: [after being told the origin of his name] Baba, is that what you think of when you think of me? Do I remind you of that night?
Ashoke Ganguli: Not at all. You remind me of everything that followed. Everyday since then has been a gift... Gogol.

Conexiones de Película:

Referenced in The Bong Connection (2006)

Banda de Sonido:

Bhor Holo Dor Kholo

An enduring story of love, courage and struggles faced by American immigrants

We arrived early for the movie. The city of Stamford in Connecticut boasts a big Indian population, due partly to the presence of many large firms. It's proximity to NYC makes Stamford a fitting place for immigrant settlements. Surprisingly, contrary to expectations, Americans at the Namesake showing far outnumbered their Indian counterparts. I could not help observing the sombre look on the faces of the visitors as they left, and I convinced myself that this wasn't another ABCD-flick as some reviewers had complained. I grew up in Calcutta, and such movies, although rare, is a chance to revisit a treasured past, a temptation I couldn't resist.

The movie, to some extent portrays an almost autobiographical recollection of Jhumpa Lahiri's experiences as an young adult growing up in Philly. She was born "Nilanjana" (as her good name), but due to a chain of events, her 'pet name', Jhumpa persisted, being both terse and less cryptic than her more Indian-ised first name. Nikhil (or Nick), played wonderfully by Kal Penn, faces a similar dilemma. Named Gogol, by his father in memory of the Russian writer, Nikolai Gogol, Nikhil finds himself estranged by his unusual non-American name in the midst of the American culture. He tries, in vain to convince his parents that he should change his name from Gogol to Nikhil. Gogol's father, played by Irfhan Khan, genuinely believes that there could be a name no more fitting for his son. The name carries a strong emotional value for him, which, understandably the Americanised Gogol cannot relate to.

The story outlines the stark differences between Indians raised in the States trying to embrace parental Indian values whilst also seeking inclusion in the American way of living. As such, this leads to a hybrid of Indian vs American ways of living, oftentimes leaving young adults direction-less in times when their Indian-ness is challenged. The movie is extremely realistic and offers no bollywood style twists or long drawn Hindi pop songs. Instead what you get is raw emotion, real struggles and a frightfully original storyline.

Irfhan Khan, plays a moving role as a parent trying to come to terms with his son's Western outlook. Alas, he's not able to inculcate his ideals into Gogol, and the phrase "In this country, you can do what you like" is oft repeated to pardon Nick's un-Indian disposition. Gogol's mother, Ashima, played again stirringly by Tabu, is the story of a mother adopting to an American lifestyle in Queens with her husband. Although, Tabu is a well known Bollywood star, her acting in this movie bears little semblance to Bollywood-ish pretension.

She is very real in her role of a mother trying to make ends meet, to accept her son's boycott of Indian customs, and his independent lifestyle. In India, where family values are closely guarded, the notion of separation from children is not so commonplace as it is in the Western world. It is even more challenging in America, where Indian parents have their immediate families as their only ties to homeland. In the movie, Tabu echoes the loneliness that families and immigrants feel abroad, made worse by revolting kids who don't understand their point of view, and the hardships they face that are dealt with resolution and immense strength of mind.

The original theme, although Indian, must not detract the viewer into thinking that it is reserved only for immigrants. Albeit, Jhumpa Lahiri, who won the Pulitzer Prize in 2000 for her book, Interpreter of Maladies, layers an otherwise plain story with human emotions and displays of courage and trials that are so honest, one can relate to them effortlessly and draw parallels with one's own experiences.

Last, but not the least, I must mention of Mira Nair. She has spun yet another masterpiece following Monsoon Wedding bordering on the immigrant theme. Mira Nair, who spent her early years in Calcutta was able to depict the Bengali theme effectively. The choice of cast is excellent and not for a moment did I feel that the movie was directed by an "Indian" person, in fact it was just as unbiased and forthcoming as other good Italian or French movies I have seen. There were also scenes of the Victoria Memorial Hall of Calcutta, scenes of Howrah Station, the Howrah Bridge and other locations that are readily identifiable with the city. Indeed, her class is distinct from the rest of Bollywood and Indian wannabes who sport themselves as literary and movie geniuses, the like that are commonly spotted in Westport and Greenwich, CT.

I'm very conservative with my reviews, but this is a movie that deserves an 8/10. When we left the movie theater, the audience was silent and couples walked slowly and grimly out of the theater. It was, to me a testimony to how moving this film was, and I'm sure it will dwell in your memory a long time to come. Cheers to Nair, the cast, and Lahiri for a great collaboration and a timeless movie.