The film is made out only of original films most of them from the propaganda and art films of the 3rd Reich period. There is no commentary, the whole soundtrack is only made of songs of the period. And yet it is one of the most powerful documentary about the horrors of the 3rd Reich that I have ever seen.
I lived through the communist era and I know very well how it worked. The propaganda machine and the prostituted art enrolled by the dictatorial regime built a parallel world, idealized and colorful, which allowed to most of the citizens to take refuge and helped believe whoever was ready to accept the lie that they were living in the best possible world.
Two aspects are chilling. The first is visible especially in the first half of the movie. The ideal world that the Nazi 'art' and propaganda was building had very similar sounds and images to the ideal world of the American cinema and pop art of the same period. After all, masses are what they are all over the world, and the same type of music, cartoons, beauty symbols, consumer objects applied. The second chilling aspect relates to the combination that the authors start to make in the second part of the movie between the ideal world and the horrors of the war and of the Holocaust. Images of false beauty and horror seem to integrate smoothly under the sound of the same sweetened music, as horror was banality and the Germany's march to perdition was paved by the beauty of the propaganda images.
A thrilling combination. Images and no words speak more and better in this documentary than any commentary in words could have done.
I lived through the communist era and I know very well how it worked. The propaganda machine and the prostituted art enrolled by the dictatorial regime built a parallel world, idealized and colorful, which allowed to most of the citizens to take refuge and helped believe whoever was ready to accept the lie that they were living in the best possible world.
Two aspects are chilling. The first is visible especially in the first half of the movie. The ideal world that the Nazi 'art' and propaganda was building had very similar sounds and images to the ideal world of the American cinema and pop art of the same period. After all, masses are what they are all over the world, and the same type of music, cartoons, beauty symbols, consumer objects applied. The second chilling aspect relates to the combination that the authors start to make in the second part of the movie between the ideal world and the horrors of the war and of the Holocaust. Images of false beauty and horror seem to integrate smoothly under the sound of the same sweetened music, as horror was banality and the Germany's march to perdition was paved by the beauty of the propaganda images.
A thrilling combination. Images and no words speak more and better in this documentary than any commentary in words could have done.