| Elías Álvarez | ... | Himself | |
| Mercedes Álvarez | ... | Herself (voice) | |
| Peio Azketa | ... | Himself | |
| Hicham Chate | ... | Himself | |
| Cirilo Fernández | ... | Himself | |
| José Fernández | ... | Himself | |
| Josefa García | ... | Herself | |
| Román García | ... | Himself | |
| Silvano García | ... | Himself | |
| Valentina García | ... | Herself | |
| Alfredo Jimeno | ... | Himself | |
| Crispina Lamata | ... | Herself | |
| Antonino Martínez | ... | Himself | |
| Blanca Martínez | ... | Herself | |
| Áurea Mingo | ... | Herself | |
| Milagros Monje | ... | Herself | |
| Salah Rafia | ... | Himself |
Dirigida por | |||
| Mercedes Álvarez | |||
Créditos del guión(en orden alfabético) | ||
| Mercedes Álvarez | writer | |
| Arturo Redin | writer | |
Producida por | |||
| José María Lara | .... | producer | |
Fotografía por | |||
| Alberto Rodríguez | |||
Montaje por | |||
| Laurent Dutreche | |||
| Guadalupe Garcia | |||
| Julia Juaniz | |||
| Sol López | |||
| Guadalupe Pérez | |||
Ayudante de dirección | |||
| Abel García | .... | assistant director | |
Departamento de Edición | |||
| Carolina Martínez Urbina | .... | assistant editor | |
Otros miembros del equipo | |||
| Ainara Porron | .... | production assistant | |
Gracias | |||
| Víctor Erice | .... | thanks | |
| José Luis Guerín | .... | thanks | |
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| Los victorero | Japón | 30 veces 31 | Piedra sobre piedra | El espíritu de la colmena |
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Documental section | IMDb Spain section | Add this title to MyMovies |
This film is perhaps a little weak in conclusions or opinions, unlike many documentaries that set out to make a persuasive or political point. Instead, it reminds me of evidential films made by cultural anthropologists. It presents a stirringly beautiful slice of lifestyle that is disappearing from the developed world, showing elderly people who maintain joys, comfort, and wisdom in spite of poverty and a lack of modern education. Regardless of what you expect or read into it, however, the filming is stunningly beautiful at times. The photographer used natural light to great effect in saturated, well-composed video. Also, there was an engaging tendency to keep the camera rock still during long shots, while characters moved through the space. It was very refreshing to watch these stable, gorgeous environments with calm people occupying them; a stark contrast to the modern, jittery, hand-held style, and almost a remedy for a jittery, modern lifestyle. I saw an un-subtitled version and know little Spanish, but found it very enjoyable anyway, just enjoying the visual aspects.