| Fotos (ver todos los 5 | slideshow) |
| José Garcia | ... | Le commissaire Jean-Baptiste Adamsberg | |
| Lucas Belvaux | ... | Danglard | |
| Marie Gillain | ... | Marie | |
| Olivier Gourmet | ... | Joss Le Guern | |
| Nicolas Cazalé | ... | Damas | |
| Linh Dan Pham | ... | Camille | |
| Michel Serrault | ... | Hervé Decambrais / Hervé Ducouëdic | |
| Nadine Alari | ... | Clémentine / Grandmother of Damas | |
| Sophie Aubry | ... | Eva | |
| Félicité N'Gijol | ... | Lisbeth | |
| Jean-Gilles Barbier | ... | Favre | |
| Philippe Bas | ... | Maurel | |
| Laëtitia Lacroix | ... | Retancourt | |
| Dominique Bettenfeld | ... | Castillon | |
| Stéphane Butet | ... | Kernokian | |
| Jean-Pierre Becker | ... | Voisinet | |
| Jean-Michel Noirey | ... | Roubaud | |
| Grégory Gadebois | ... | Bordenave (as Gregory Gadebois) | |
| Alain Fromager | ... | Langlois | |
| Mathias Mlekuz | ... | Cazalas | |
| Marie-Armelle Deguy | ... | Professeur Mathalon | |
| Jean-Philippe Puymartin | ... | Brezillon | |
| Lana Ettinger | ... | Marianne Bardou | |
| Florence Muller | ... | Maryse | |
| Raphaël Poulain | ... | Blanchet | |
| Jean-Marie Juan | ... | Massena | |
| Éric Périssé | ... | Gauthier (as Eric Perissé) | |
| Fabio Tonello | ... | Damas enfant | |
| Daniel Kenigsberg | ... | Bertin | |
| Esther Sironneau | ... | Isabelle | |
| Arnaud Maillard | ... | Frédéric | |
| Laurent Richard | ... | Homme '16' | |
| Marc Robert | ... | Estalère | |
| Emmanuel Vottero | ... | Marmot | |
| Gregory Montel | ... | Journaliste 2 (as Grégory Montel) | |
| Grégoire Taulère | ... | Journaliste 3 | |
| Sophie Le Tellier | ... | Journaliste AFP | |
| Frédéric Jardin | ... | Heller-Devile | |
| Norbert Haberlick | ... | Policier immeuble | |
| Roméo Escala | ... | Photographe | |
| Victoria Beauval | ... | Adèle | |
| Marie Parouty | ... | Femme 1 | |
| Emma-Louise Marsal | ... | Lucie | |
| Myriam Moszko | ... | Concierge | |
| Jacques Collard | ... | Gardien Marianne | |
| Cécile Sanz de Alba | ... | Femme flic | |
| Geneviève Rey-Penchenat | ... | Madame Marmot (as Geneviève Penchenat) | |
| Serpentine Teyssier | ... | Bibliothécaire | |
| Satya Dusaugey | ... | Ami Damas 1 | |
| Justin Blanckaert | ... | Ami Damas 2 | |
| Garance Le Guillermic | ... | Lucie Danglard | |
| Nicolas Balourdet | ... | Cédric Danglard | |
| Pierre Balourdet | ... | Matthieu Danglard | |
| Titouan Laporte | ... | Victor Danglard | |
| Alexandre Chielens | ... | Lucas Danglard | |
| listado alfabético del resto del reparto: | |||
| Laurent Rochard | |||
| Eric Soubelet | ... | Un inspecteur | |
Dirigida por | |||
| Régis Wargnier | |||
Créditos del guión(en orden alfabético) | ||
| Ariane Fert | adaptation | |
| Ariane Fert | scenario | |
| Harriet Marin | adaptation | |
| Harriet Marin | scenario | |
| Julien Rappeneau | adaptation | |
| Julien Rappeneau | scenario | |
| Lawrence Shore | adaptation | |
| Lawrence Shore | scenario | |
| Fred Vargas | novel "Pars vite et reviens tard" | |
| Régis Wargnier | adaptation | |
| Régis Wargnier | scenario | |
Producida por | |||
| Grégory Barrey | .... | assistant producer | |
| Cyril Colbeau-Justin | .... | producer | |
| Jean-Baptiste Dupont | .... | producer | |
| Nina Heyns | .... | line producer: South Africa | |
Música original por | |||
| Patrick Doyle | |||
Fotografía por | |||
| Laurent Dailland | |||
Montaje por | |||
| Yann Malcor | |||
Casting | |||
| Pierre-Jacques Bénichou | |||
Diseño de producción por | |||
| Olivier Radot | |||
Diseño de vestuario por | |||
| Elisabeth Rousseau | |||
Departamento de maquillaje | |||
| Patrick Girault | .... | key hair stylist | |
| Liliane Rametta | .... | makeup artist | |
Dirección de producción | |||
| Jean-Charles Berlan | .... | assistant unit manager | |
| Edouard Decker | .... | assistant unit manager | |
| David Giordano | .... | production manager | |
| Valentin Jacob | .... | trainee unit manager | |
| David Massicot | .... | assistant unit manager | |
Departamento de Arte | |||
| Tristan Girault | .... | property master | |
Departamento de sonido | |||
| James McWilliam | .... | programmer | |
| Hubert Persat | .... | assistant sound editor | |
| Stephane Rabeau | .... | assistant sound editor | |
| Guillaume Sciama | .... | sound mixer | |
Efectos especiales | |||
| Olivier Afonso | .... | special effects makeup | |
| Guillaume Castagné | .... | special effects makeup | |
| Philippe Hubin | .... | special effects supervisor | |
| Frédéric Lainé | .... | special effects makeup | |
| Jean-Christophe Magnaud | .... | special effects coordinator | |
Visual Effects | |||
| Servadio Adrien | .... | digital artist | |
| Benjamin Ageorges | .... | digital artist | |
| Stephane Bidault | .... | visual effects supervisor | |
| Nicolas Delbecq | .... | digital artist | |
| Jean-Antoine Lacolle | .... | digital artist | |
Especialistas | |||
| Virginie Arnaud | .... | stunts | |
| Christian Bergner | .... | stunts | |
| Vincent Bersoulle | .... | stunts | |
| Sybille Blouin | .... | stunts | |
| Michel Bouis | .... | stunts | |
| William Cagnard | .... | stunts | |
| Gilles Conseil | .... | stunt coordinator | |
| Sylvain Gabet | .... | stunts | |
| David Genty | .... | stunts | |
| Jean Girard | .... | stunts | |
| Alain Grellier | .... | stunts | |
| Pascal Guégan | .... | stunts | |
| Philippe Guégan | .... | stunts | |
| Jean-Benoit Guillon | .... | stunts | |
| Alain Guillot | .... | stunts | |
| David Julienne | .... | stunts | |
| Michel Julienne | .... | stunts | |
| Pascal Lavanchy | .... | stunts | |
| Gregory Loffredo | .... | stunt double | |
| Gregory Loffredo | .... | stunts | |
| Christophe Marsaud | .... | stunts (as Christopher Marsaud) | |
| Patrick Médioni | .... | stunts | |
| Philippe Morel | .... | stunts | |
| Sébastien Seveau | .... | stunts | |
Cámara y Departamento Eléctrico | |||
| Ashley Bond | .... | first assistant camera | |
| Julien Cottret | .... | grip | |
| Marie Decourt | .... | second assistant camera | |
| Gil Fontbonne | .... | key grip | |
| Arnaud Gervet | .... | second assistant camera | |
| Arnaud Gervet | .... | video assistant | |
| Bruno Glasberg | .... | electrician | |
| Stuart Howell | .... | Steadicam operator | |
| Stuart Howell | .... | camera operator: "a" camera | |
| Eléonore Huisse | .... | additional assistant camera | |
| Océane Lavergne | .... | first assistant camera | |
| Maud Lemaistre | .... | additional first assistant camera | |
| Théo Louis Jean | .... | grip | |
| Farès Messaoud | .... | additional video assistant | |
| Pascal Pajaud | .... | gaffer | |
| Thierry Ramanana | .... | grip | |
| Etienne Saldés | .... | key grip | |
Departamento de reparto | |||
| Marc Robert | .... | casting assistant | |
Departamento de vestuario | |||
| Darion Hing | .... | costume designer: South Africa | |
Departamento de Edición | |||
| Nicolas Criqui | .... | digital conformation | |
| Hugues Darmois | .... | post-production coordinator | |
| Yseult Huret | .... | assistant editor | |
| Isabelle Julien | .... | color timer | |
| Frederic Jupin | .... | lustre editor | |
| Philippe Reinaudo | .... | digital intermediate technical director | |
Departamento de Música | |||
| James Bellamy | .... | music editor | |
| Lucy Evans | .... | assistant music producer | |
| Jake Jackson | .... | music recording mixer | |
| Maggie Rodford | .... | music producer: Air-Edel | |
| James Shearman | .... | orchestrator | |
Otros miembros del equipo | |||
| Delphine Berroyer | .... | production secretary | |
| Frédéric Cauvy | .... | weapons advisor | |
| Jean-Baptiste Jay | .... | flight head technician | |
| Romeo Julien | .... | avid conformation | |
| Bernard Vander Donckt | .... | production administrator | |
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| Basic Instinct | Body Double | Marie Galante | La sirène rouge | Making the Headlines |
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Crimen section | IMDb France section | Add this title to MyMovies |
There are tons of movies based on books. Some are good, some are fine, and some are bad. As someone who read most of Fred Vargas's novels, I was quite disappointed by this movie adaptation of "Pars vite et reviens tard". There are too many plot and character changes, but, most importantly, the movie fails to seize the spirit of the novel - which effectively turns it in a bland and unoriginal police thriller.
At its core, "Pars vite et reviens tard" (translated as "Have mercy on us all" in English) is a not-so-traditional police thriller in which we follow Commissaire Jean-Baptiste Adamsberg as he tries to catch a mysterious murderer who makes it seem as if the plague kills his victims. The general storyline is followed in the movie, but most of the finer points have been modified; arguably to make the story more accessible to people who haven't read the book. Indeed, there are lots of details in the book and it would be impossible to include everything. Still, they made some very odd changes that somewhat disturbs the flow and character development.
In the same line of thought, the casting came in as a surprise. The much missed Michel Serrault delivers erudite Decambrais pretty well, but others are blatantly different (both in physical appearance and personality) than their book counterparts (Danglard, Adamsberg's sidekick, was particularly botched in my opinion: even calling him a foil is giving him too much credit). For the most part, I found the acting to be generally bland and uninspiring.
Of course, it's impossible for a movie to be made as a carbon copy of a book (and then, such a thing could turn out bad). Minor edits to the plot line and the look of the actors are things that can be forgiven, at least up to a certain point. What really kills the movie in my opinion is how it turns the unique style of Vargas's writing in a run-of-the-mill thriller. Before being about a police officer who runs after a bad guy, Vargas's novels are about the psychological depth of her characters, particularly Adamsberg. In the movie, Adamsberg is a bland cop whose distinguishing feature is his need of a woman at night to be able to make progress in the case.
Overall, "Pars vite et reviens tard" is a disappointing movie for those who read the book. For others, it could pass as a decent police thriller, although the average acting and flow issues make it less interesting. I would warn those people though not to judge Vargas's novels on this adaptation, as it would be a big mistake.