| Fotos (ver todos los 10 | slideshow) | Videos (see all 11) |
| Toni Collette | ... | Donna D. Logand | |
| Robin Williams | ... | Gabriel Noone | |
| Joe Morton | ... | Ashe | |
| Bobby Cannavale | ... | Jess | |
| Rory Culkin | ... | Pete D. Logand | |
| Sandra Oh | ... | Anna | |
| Rodrigo Lopresti | ... | Young Man at Party | |
| John Cullum | ... | Pap Noone | |
| Lisa Emery | ... | Darlie Noone | |
| Guenia Lemos | ... | Female Neighbor | |
| Marcia Haufrecht | ... | Pant Suited Woman (as Marcia Halfrecht) | |
| Nick Gregory | ... | Flight Attendant | |
| Ed Jewett | ... | Mail Clerk | |
| Becky Ann Baker | ... | Waitress | |
| Billy Vann | ... | Taxi Driver | |
| E.J. Carroll | ... | Hospital Security Guard | |
| James Stankunas | ... | Boy in Hospital | |
| Marceline Hugot | ... | Nurse | |
| Joel Garland | ... | Officer (as Joel Marsh Garland) | |
| Hal Robinson | ... | Male Friend #1 | |
| Keith Reddin | ... | Male Friend #2 | |
| Meg Gibson | ... | Female Friend | |
| Maryann Plunkett | ... | Alice (Female Realtor) | |
| Mark Jacoby | ... | Male Realtor (scenes deleted) | |
| Kelly | ... | German Shepherd Dog | |
| Riley | ... | Hugo |
Dirigida por | |||
| Patrick Stettner | |||
Créditos del guión(WGA) | ||
| Armistead Maupin | (screenplay) & | |
| Terry Anderson | (screenplay) and | |
| Patrick Stettner | (screenplay) | |
| Armistead Maupin | (novel) | |
Producida por | |||
| Terry Anderson | .... | executive producer | |
| Wouter Barendrecht | .... | co-producer | |
| Daniel Feiner | .... | co-executive producer | |
| Jill Footlick | .... | producer | |
| John Hart | .... | producer (as John N. Hart Jr.) | |
| Michael Hogan | .... | executive producer | |
| Caroline Kaplan | .... | executive producer | |
| Robert Kessel | .... | producer | |
| Armistead Maupin | .... | executive producer | |
| Jonathan Sehring | .... | executive producer | |
| Jeff Sharp | .... | producer (as Jeffrey Sharp) | |
| Michael J. Werner | .... | co-producer | |
| Brett Williams | .... | associate producer | |
| Nina Wolarsky | .... | associate producer | |
| Jamie H. Zelermyer | .... | line producer | |
Música original por | |||
| Peter Nashel | |||
Fotografía por | |||
| Lisa Rinzler | (director of photography) | ||
Montaje por | |||
| Andy Keir | |||
Casting | |||
| Kerry Barden | |||
| Billy Hopkins | |||
| Suzanne Smith | (as Suzanne Crowley) | ||
Diseño de producción por | |||
| Michael Shaw | |||
Dirección artística | |||
| Eva Radke | |||
Decorados | |||
| Rich Devine | (as Richard Devine) | ||
Diseño de vestuario por | |||
| Marina Draghici | |||
Departamento de maquillaje | |||
| Cheri Minns | .... | hair stylist: Mr. Williams | |
| Cheri Minns | .... | makeup artist: Mr. Williams | |
| Evelyne Noraz | .... | key makeup artist | |
| Jeffrey Rebelo | .... | key hair stylist | |
Dirección de producción | |||
| David Bausch | .... | unit production manager | |
| Sean Cooney | .... | post-production executive | |
| Christopher Kenneally | .... | post-production supervisor (as Chris Kenneally) | |
| Seth I. Shire | .... | additional post-production supervisor (as Seth Shire) | |
Ayudante de dirección | |||
| Carrie Fix | .... | first assistant director | |
| Lauren Guilmartin | .... | second assistant director (as Lauren Kells Guilmartin) | |
| Justin Ritson | .... | second second assistant director | |
Departamento de Arte | |||
| Rise Abramson | .... | scenic artist | |
| Jill Alexander | .... | property master | |
| Jeremy L. Balon | .... | on-set dresser | |
| James Bednark | .... | art department production assistant | |
| Krzysztof J. Bratun | .... | scenic artist (as Krzysztof Bratun) | |
| Peter Bundrick | .... | head carpenter | |
| Anna Butwell | .... | additional props | |
| Gabu Camilo | .... | additional props | |
| Steve Cascarelli | .... | set dresser | |
| Dominick Cocuzzo | .... | key construction grip (as Dominick Coluzzo) | |
| William Depaolo | .... | scenic artist (as Bill DePaolo) | |
| Katy Dilkes | .... | scenic artist | |
| Isaac Gabaeff | .... | additional props | |
| Emily Gaunt | .... | charge scenic | |
| Willie Groom | .... | shop man | |
| Richard Hebrank | .... | construction coordinator | |
| T.W. John House | .... | construction grip | |
| Robert Keller | .... | carpenter (as Bob Keller) | |
| Katie Kemsley | .... | camera scenic artist | |
| Terrell Long | .... | art production assistant | |
| Erin Manigault | .... | dresser | |
| Elizabeth Minot | .... | additional set dresser (as Elizabeth D. Minot) | |
| Julio Palma | .... | set dresser | |
| Paul Pitalo | .... | set dresser | |
| Joseph Proscia | .... | leadman | |
| Kevin L. Raper | .... | graphic designer (as Kevin Raper) | |
| Kyle Salvatore | .... | set dresser | |
| Malinda Savio | .... | art intern | |
| Jill Stern | .... | scenic artist | |
| Sylvia Trapanese | .... | foreman | |
| Jonathan Unger | .... | assistant property master | |
| Brianne Zulauf | .... | product placement | |
| Justin Rosen | .... | set dresser (uncredited) | |
| Heather Wellik | .... | art department production assistant (uncredited) | |
Departamento de sonido | |||
| Joseph Adorisio II | .... | sound | |
| Leslie Bloom | .... | foley artist | |
| Laura Civiello | .... | dialogue editor | |
| Marko A. Costanzo | .... | foley artist | |
| Dan Edelstein | .... | additional sound editor | |
| Eugene Gearty | .... | supervising sound editor | |
| Anguibe Guindo | .... | boom operator | |
| Paul Hsu | .... | sound re-recording mixer | |
| George A. Lara | .... | foley editor | |
| Marissa Littlefield | .... | adr editor | |
| Eytan Mirsky | .... | additional assistant sound editor | |
| Paul Pouthier | .... | second boom operator | |
| Sara Stern | .... | post sound intern | |
| Noah Timan | .... | sound mixer (as Noah Vivekanand Titman) | |
| Larry Wineland | .... | assistant sound editor | |
| Phil Jeffers | .... | adr recordist (uncredited) | |
Especialistas | |||
| Bill Anagnos | .... | stunt driver (as Billy Anagnos) | |
| Jeffrey Lee Gibson | .... | stunt double: Gabriel (as Jeff Gibson) | |
| Janet Paparazzo | .... | stunt double: Donna | |
| Manny Siverio | .... | stunt coordinator | |
Departamento de reparto | |||
| Paul Schnee | .... | casting associate | |
| Ashley Springer | .... | casting assistant | |
| David M. Waldron | .... | background casting associate (as David Waldron) | |
| Luis Garcia | .... | casting assistant (uncredited) | |
Departamento de vestuario | |||
| Arlynn Abseck | .... | assistant wardrobe supervisor | |
| Ariel Bowman | .... | costume department assistant | |
| Amanda Ford | .... | assistant costume designer | |
| Jacqueline Jones | .... | costume intern | |
| Roseann Milano | .... | wardrobe supervisor | |
| Robin Sprance | .... | costume department assistant | |
| Mikaela Wohl | .... | costume intern (as Kaela Wohl) | |
Departamento de Edición | |||
| Steve Calalang | .... | mastering colorist | |
| Chris Gennarelli | .... | dailies colorist | |
| Allyson C. Johnson | .... | additional editor | |
| Misako Shimizu | .... | assistant editor | |
| David A. Smith | .... | additional assistant editor | |
Departamento de Música | |||
| Linda Cohen | .... | music supervisor | |
| Brian Deming | .... | score mixer | |
| Andy Farber | .... | conductor | |
| Andy Farber | .... | orchestrator | |
| Lawrence Manchester | .... | score recordist | |
| Tony Volante | .... | score mixer | |
Departamento de Transporte | |||
| Bobby Alberga | .... | driver (as Robert T. Alberga) | |
| Keith Bunce | .... | driver | |
| Charlie Fay | .... | driver | |
| Michael Fennimore | .... | transportation captain (as Mike Fennimore) | |
| Parrish McLean | .... | driver: cast | |
| John Riggins | .... | driver | |
| Matt Schneider | .... | driver: cast | |
| Gabe Turiello | .... | driver | |
Gracias | |||
| Laura Linney | .... | thanks | |
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| The Devil Wears Prada | The Hours | Mysterious Skin | The Lost Language of Cranes | Single White Female |
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Misterio section | IMDb USA section | Add this title to MyMovies |
When it comes to movies I can be pretty picky, and I'll complain about anything and everything that is done wrong. While every movie has its flaws, The Night Listener had an exceptionally low count.
If you read the last review (it was hard, since half of it was written in caps and it contained no actual information about the movie), you may have been led to believe that this movie was not too well done. Unfortunately, if you read more than 3 lines into that same review, you discovered the poster's reason for disdain: he/she does not like the fact that the director is gay (or that the production team smokes crack...apparently).
So, despite the fact that I have never written a review before, I thought this movie deserved one based on its merits, not the sexual orientation of its director. Let's go over a quick checklist first: 1. Great plot? Absolutely. I won't give a shred of it away, but the plot is highly compelling and definitely not what one would expect based on the commercials. This is a thriller, not a horror, and it should be approached as such. The story really will amaze you, even more so because it's true (and the plot did stay quite faithful to the actual events).
2. Wonderful Acting? Oh Yes. Robin Williams long ago broke free from the chains of the comedy type-cast, and he has since flourished in serious roles for which many people would have wrote him off just a decade ago. He once again achieves high form in his role in The Night Listener, playing a radio host who becomes increasingly troubled by and entangled in a case of...well, I'll let you see for yourself.
3. Excellent direction? Certainly. Now, unlike the other poster to which I referred, I actually know something about direction. I've been sutdying the art of direction at school now for 3 years. Of course I really don't think that makes a lick of difference (the only thing that matters is if YOU like the direction), but I thought I should simply establish once again that I'm basing my opinions here on something both substantial and relevant...for example: not the sexual orientation of the director (or the alleged drug habits of the production team, LOL).
Patrick Stettner's direction was moody and dark, and he allowed the angles and lighting to help create those so-sought-after feelings of "tension and release" rather than the messy, fast-paced camera-work and quick cuts we're so often subjected to today. Some people can truly show you a story through their camera, while other's feel as if they have to make the story with the camera. I really appreciate when someone these days has the courage to just use the camera as its supposed to be utilized, which is as an eyeball through which we all see.
4. Lighting, cinematography, and editing? Great all around. I've already wrote so much, and I could go on about these last three things for another ten paragraphs, so I'll just wrap it up.
In short, go see this movie. Don't listen to people who have alterior motives for trashing it, especially if they're so stupid that they unknowingly reveal that motive 1/4 of the way through their post. Enjoy the show! -Ben