Inside Man (2006)

Calificación de los usuarios:

7.7/10   

Director:

Spike Lee

Guionista (WGA):

Russell Gewirtz (written by)

Fecha de Lanzamiento:

24 marzo 2006 (USA)

Género:

Crimen | Drama | Suspenso

Frase comercial:

It looked like the perfect bank robbery. But you can't judge a crime by its cover.

Plot:

A cop has to talk down a bank robber after the criminal's perfect heist spirals into a hostage situation.

Plot Keywords:

Bank | Hostage | Detective | Negotiation | Manhattan

Premios:

5 wins & 7 nominations

Comentarios de los usuarios:

High time the academy gives Spike Lee some respect!

US TV Schedule:

Sat. July 11	8:00 PM	BET
Sun. July 12	5:00 PM	BET

Reparto

Denzel Washington	...	Detective Keith Frazier
Clive Owen	...	Dalton Russell
Jodie Foster	...	Madeleine White
Christopher Plummer	...	Arthur Case
Willem Dafoe	...	Captain John Darius
Chiwetel Ejiofor	...	Detective Bill Mitchell
Carlos Andrés Gómez	...	Steve
Kim Director	...	Stevie
James Ransone	...	Steve-O
Bernie Rachelle	...	Chaim (as Bernard Rachelle)
Peter Gerety	...	Captain Coughlin
Victor Colicchio	...	Sergeant Collins
Cassandra Freeman	...	Sylvia
Peter Frechette	...	Peter Hammond
Gerry Vichi	...	Herman Gluck

También conocida como:

El plan perfecto (Argentina) [es]
Plan oculto (Spain) [es]

MPAA:

Rated R for language and some violent images.

Duración:

129 min | Turkey:116 min (TV version)

País:

USA

Idioma:

Inglés | Albanian

Color:

Color

Relación de Aspecto:

2.35 : 1

Sonido:

DTS | Dolby Digital | SDDS

Clasificación:

USA:R | Ireland:15A | UK:15 | Germany:12 | Australia:MA | Netherlands:12 | Iceland:16 | South Korea:15 | Finland:K-15 | Hong Kong:IIB | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | Denmark:11 | Brazil:14 | Argentina:13 | Portugal:M/12 | Malaysia:18PL | Malaysia:U (edited version) | Sweden:11 | Hungary:16 | Italy:T | Canada:14A (Alberta/British Columbia/Manitoba/Nova Scotia/Ontario) | Singapore:NC-16 (re-rating) | Singapore:PG (cut) | Mexico:B15

Locaciones de Filmación:

New York City, New York, USA

Compañía:

Universal Pictures

Trivialidades:

This movie is based on a bank heist that occurred on January 13, 2006 in Acassuso, Argentina. The robbers used toy guns, no violence, and even ordered pizza like in the movie.

Errores:

Errores en Geografía: When the NYPD ESU is initially setting up around the bank at 20 Exchange Place, Manhattan, FDNY Engine 332 arrives on the scene. FDNY Engine Company 332 is based in Brooklyn, on Bradford St., not Manhattan.

Citas:

[first lines]
Dalton Russell: My name is Dalton Russell. Pay strict attention to what I say because I choose my words carefully and I never repeat myself. I've told you my name: that's the Who. The Where could most readily be described as a prison cell. But there's a vast difference between being stuck in a tiny cell and being in prison...

Conexiones de Película:

References Dog Day Afternoon (1975)

Banda de Sonido:

Chaiyya Chaiyya - Bollywood Joint

High time the academy gives Spike Lee some respect!

Whether I was into the subject or not, there's always a filmmaker at work in a Spike Lee film... he's one moviemaker who never loses sight of being a filmmaker first and foremost, and he's absolutely outdone himself with INSIDE MAN, a taut thriller which avoids the colloquialism that alienated mainstream audiences from some of his earlier work.

If you've seen the trailer or heard anything about this pic, you have been misled. Everything I heard left me feeling like yeah, OK, I'm going for Denzel. Denzel vs. Clive Owen will be interesting.

From the first shots and opening credits, you are submerged in artistic vision, and a finely honed piece of work the likes of which I haven't seen in years. I'd almost give this one a ten.. and I don't hand out tens freely. I do not want to spoil this. You have to walk in cold, and let this film grab you by the short and curlies.

This is one film where there isn't a spare frame or wasted cheap shot. Every zinger zings, and there are laughs too, laughs at merciful intervals to break the tension and remind an audience on the edges of its seats that movie-going's supposed to be entertaining, dammit. The cinematography is brilliant, and the music is fantastic - true cinematic score, true genius. I can't praise this one enough.

Christopher Plummer is superb, in what is (perhaps coincidentally) an ironic bit of casting. Jodie Foster rises to a challenging persona with aplomb and ease, and my only complaint of the entire exercise is that her character's name 'Madeline White' is perhaps a little cliché. Beyond that, there isn't a filmmaker alive who brings New York to the screen with anything approximating Spike Lee's vision.

It seems there hasn't been a lot of junket for this one, and that Spike Lee's presence has been downplayed... as if the studio downplayed the fact that this is a Spike Lee film slightly, until the word was out that this film is over and beyond what an audience might already expect from one of his films.

So... let me just say.. man o man this is a cinematic mind-blowing amazing one and a half hours... it's brilliant, tight, funny, articulate, intense, and high time the academy gives Spike Lee some respect.