Laitakaupungin valot (2006)

Calificación de los usuarios:

6.9/10   

Director:

Aki Kaurismäki

Guionista:

Aki Kaurismäki (writer)

Fecha de Lanzamiento:

3 febrero 2006 (Finland)

Género:

Crimen | Drama

Plot:

In Helsinki, a lonely night watchman is caught up in a series of misadventures with a femme fatale and a crooked businessman.

Plot Keywords:

Night Watchman | Femme Fatale | Jewels | Burglary | Big City

Premios:

3 wins & 6 nominations

Comentarios de los usuarios:

Kaurismäki's sympathies lie with the common people

Reparto

Janne Hyytiäinen	...	Koistinen
Maria Järvenhelmi	...	Mirja
Maria Heiskanen	...	Aila
Ilkka Koivula	...	Lindholm
Sergei Doudko	...	Russian
Andrei Gennadiev	...	Russian
Arturas Pozdniakovas	...	Russian
Matti Onnismaa	...	Shift Manager
Sulevi Peltola	...	Foreman
Antti Reini	...	Security Guard
Neka Haapanen	...	Security Guard
Santtu Karvonen	...	Security Guard
Sesa Lehto	...	Security Guard
Jukka Rautiainen	...	Security Guard
Jukka Salmi	...	Security Guard

También conocida como:

Lights in the Dusk (Canada: English title) (festival title) (International: English title) (USA) (festival title)
Les lumières du faubourg (France)
Lichter der Vorstadt (Alemania)
Ljus i skymningen (Finland: Swedish title)
Yövartija (Finland) (working title)
Luces al atardecer (Argentina) (Spain) (Uruguay) [es]

Duración:

78 min

País:

Finland | Alemania | France

Idioma:

Final | Ruso

Color:

Color

Relación de Aspecto:

1.85 : 1

Sonido:

Dolby Digital

Clasificación:

Finland:K-7 | Sweden:7 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | Germany:6 | Argentina:Atp | Portugal:M/16 | South Korea:12

Locaciones de Filmación:

Helsinki, Finland

Compañía:

Sputnik

Trivialidades:

Suomen Filmikamari, which selects the Finnish candidate for Academy Awards Best Foreign-Language Picture, had already chosen Laitakaupungin valot in September 2006, but in October 2006 Aki Kaurismäki informed them that he did not want his film considered for that competition. This also meant that there was no Finnish entry in the Academy Awards pre-selection.

Citas:

Shift Manager: And what was your name?
Koistinen: Koistinen. Just like before.

Conexiones de Película:

References Varjoja paratiisissa (1986)

Banda de Sonido:

Tosca

Kaurismäki's sympathies lie with the common people

I saw this film at the Toronto International Film Festival. This is the third film in Kaurismäki's "Helsinki Trilogy" (the others are Drifting Clouds (1996) and The Man Without a Past (2002)) While I haven't seen the first, this film shares many thematic and formal elements with the second film, and I enjoyed it just as much.

Koistinen is a lonely security guard who is ignored by his co-workers; that is, when he's not being teased by them. His life is soon turned upside down by a femme fatale, with heartbreaking results. Despite the grim-sounding plot, the film is full of the director's trademark deadpan humour. And I'm in awe of how he can make the film just radiate love despite the mannered acting and awkward staging. Perhaps it has to do with the warmth of the lighting and the colour palette, as well as the use of nostalgic music and art direction. Whatever it is, from the first frame, you know the director loves this sad sack and wants us to love him too.

The films of the Helsinki Trilogy all deal with people on the margins, and it's clear that Kaurismäki's sympathies lie with the common people and not with those whose success or power has dehumanized them. He is a true humanist, and his "heroes" all bear their sufferings stoically; in fact, they quite literally personify a "never-say-die" attitude, and that makes them admirable. Their hangdog expressions may make us pity them, but it's their core of inner strength that makes us love them.