| Fotos (ver todos los 16 | slideshow) |
| Marina Hands | ... | Constance | |
| Jean-Louis Coullo'ch | ... | Parkin (as Jean-Louis Coulloc'h) | |
| Hippolyte Girardot | ... | Clifford | |
| Hélène Alexandridis | ... | Mrs. Bolton | |
| Hélène Fillières | ... | Hilda | |
| Bernard Verley | ... | Le père de Constance | |
| Sava Lolov | ... | Tommy Dukes | |
| Jean-Baptiste Montagut | ... | Harry Winterslow | |
| Fanny Deleuze | ... | Tante Eva | |
| Michel Vincent | ... | Marshall | |
| Colette Philippe | ... | Mrs. Marshall | |
| Christelle Hes | ... | Kate | |
| Jade Bouchard | ... | La jeune bonne | |
| Joël Vandael | ... | Field, le chauffeur | |
| Jacques De Bock | ... | Le médecin (as Jacques de Bock) | |
| Jean-Claude Leclère | ... | Winter | |
| Ninon Brétécher | ... | Emma Flint | |
| Léopold Cannon | ... | Bébé Flint | |
| Jade Greil | ... | Bébé Flint | |
| Anne Benoît | ... | La mercière | |
| Nathalie Eno | ... | La cliente à la mercière | |
| William Atkinson | ... | Un mineur | |
| Jean-Baptiste de Laubier | ... | Duncan Forbes | |
| Jean-Michel Vovk | ... | Albert Adam | |
| Marina-Aymée Philippe | ... | Bertha Parkin | |
| listado alfabético del resto del reparto: | |||
| Russel Amos | ... | Mineur | |
| Tony Boots | ... | Mineur | |
| David Bourges | ... | Mineur | |
| Gilles Faurie | ... | Mineur | |
| Matt Gibson | ... | Mineur | |
| Tom Gibson | ... | Mineur | |
| Koby Golisman | ... | Mineur | |
| Chris Green | ... | Mineur | |
| Craig Lewis | ... | Mineur | |
| Keith Merson | ... | Mineur | |
| Jackie Mounetas | ... | Mineur | |
| Terry Mountford | ... | Mineur | |
| Richard Smith | ... | Mineur | |
| Tommy Templey | ... | Mineur | |
| Trevor Tyas | ... | Mineur | |
| David Wilks | ... | Mineur | |
Dirigida por | |||
| Pascale Ferran | |||
Créditos del guión(en orden alfabético) | ||
| Roger Bohbot | writer | |
| Pascale Ferran | writer | |
| D.H. Lawrence | novel | |
| Pierre Trividic | dialogue | |
Producida por | |||
| Kristina Larsen | .... | co-producer | |
| Gilles Sandoz | .... | producer | |
Música original por | |||
| Béatrice Thiriet | |||
Fotografía por | |||
| Julien Hirsch | |||
Montaje por | |||
| Yann Dedet | |||
| Mathilde Muyard | |||
Casting | |||
| Richard Rousseau | |||
| Sarah Teper | |||
Diseño de producción por | |||
| François-Renaud Labarthe | |||
Diseño de vestuario por | |||
| Marie-Claude Altot | |||
Departamento de maquillaje | |||
| Luk Van Cleemput | .... | hair designer | |
| Danièle Vuarin | .... | key makeup artist | |
Dirección de producción | |||
| Olivier Guerbois | .... | production manager | |
| Yann Jouannic | .... | unit manager trainee | |
| Luc Tissot | .... | unit production manager | |
Ayudante de dirección | |||
| Barbara Canale | .... | second second assistant director | |
| Renaud Fely | .... | second assistant director | |
| Gabriele Roux | .... | first assistant director | |
Departamento de Arte | |||
| Vincent Amiel | .... | construction coordinator | |
| Valérie Faynot | .... | first assistant art director | |
| Craig Price | .... | property master | |
| Fanny Stauff | .... | second assistant production designer | |
Departamento de sonido | |||
| Sandie Bompar | .... | dialogue editor | |
| Pascal Chauvin | .... | foley artist | |
| Jean-Jacques Ferran | .... | sound | |
| Jean-Pierre Laforce | .... | sound mixer | |
| Sylvain Malbrant | .... | assistant sound editor | |
| Fred Mays | .... | post-synchronization | |
| Nicolas Moreau | .... | sound editor | |
| Emmanuelle Villard | .... | assistant sound | |
Departamento de vestuario | |||
| Sylvie Régnier | .... | wardrobe: England | |
| Claire Tong | .... | assistant costumer | |
Departamento de Edición | |||
| Sandie Bompar | .... | assistant editor | |
| Aurélie Laumont | .... | color timer | |
| Pascal Massonneau | .... | color timer | |
Departamento de Música | |||
| Adam Klemens | .... | conductor | |
| Petr Pycha | .... | orchestra contractor | |
| Béatrice Thiriet | .... | music producer | |
| Béatrice Thiriet | .... | orchestrator | |
| John Timperley | .... | music mixer | |
Otros miembros del equipo | |||
| Christophe Besnard | .... | assistant to producer | |
| Lydia Bigard | .... | script supervisor | |
| Tatiana Bouchain | .... | production secretary | |
| Nathalie Depose | .... | location assistant manager | |
| Renaud Fely | .... | location scout | |
| Renaud Fely | .... | second team director | |
| Yann Jouannic | .... | rush runner | |
| Sandrine Vitali | .... | production administrator | |
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| Gone with the Wind | Big Fish | The Unbearable Lightness of Being | The Notebook | Le scaphandre et le papillon |
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Drama section | IMDb Belgium section | Add this title to MyMovies |
The movie was real as the book. A good book lives on the reader's mind. A good movie does the same. Lady Chatterly was long, not really easy to consume. It was ,however, worth looking in. Except the theme of the movie seemed a little outdated. Female sexual liberation is old as Madonna. The rebellion against male dominance, or the bourgeois society had gone so long, now we do not really see discussing socialism over the dinner table. Except its message (Someone might argue it as if there was nothing new in the story, what was the point of movie making. I totally agree, but it is an enjoyable movie at its own rights.) The camera take an honest look on human & nature. Too real as the flesh in the movie, nothing was altered to exaggerate aesthetically in the movie. All too real. The movie starts slowly as Chatterly's mind and life until it starting to shape (A very slow transition). Then finally she starting to live her own life. It is predictable but consumable. the movie has its own charm as the female leader. Openly naive but innocently guilty. The ending was weak but bearable. If you enjoyed Jane Campion's movies, which were funk, this one is classic, more like a piece of Schuman. Warning you that if you are not going to enjoy D.H Lawrence's lengthy book of female liberation, don't buy a ticket. You would fall a sleep. It goes nearly 3 hours. If you are, however, a fan of Lawrence, then it is an enjoyable piece. Indeed, the charm of the movie, is coming after. Just like a good literature, would lives on your mind. I loved it in a rainy Saturday afternoon.