| Fotos (ver todos los 22 | slideshow) | Videos (see all 4) |
| Belén Rueda | ... | Laura | |
| Fernando Cayo | ... | Carlos | |
| Roger Príncep | ... | Simón | |
| Mabel Rivera | ... | Pilar | |
| Montserrat Carulla | ... | Benigna | |
| Andrés Gertrúdix | ... | Enrique | |
| Edgar Vivar | ... | Prof. Leo Bálaban | |
| Óscar Casas | ... | Tomás | |
| Mireia Renau | ... | Laura niña | |
| Georgina Avellaneda | ... | Rita | |
| Carla Gordillo | ... | Martín | |
| Alejandro Camps | ... | Víctor | |
| Carmen López | ... | Alicia | |
| Óscar Lara | ... | Guillermo | |
| Geraldine Chaplin | ... | Aurora | |
| Enric Arquimbau | ... | Jefe Grupo Terapia | |
| Blanca Martínez | ... | Mujer Grupo Terapia | |
| Carol Suárez | ... | Benigna joven | |
| Isabel Friera | ... | Antonia cuidadora | |
| Fernando Marrot | ... | Doctor | |
| Jordi Cardus | ... | Niño ciego | |
| Pedro Morales | ... | Padre 2 |
Dirigida por | |||
| Juan Antonio Bayona | (as J.A. Bayona) | ||
Créditos del guión(en orden alfabético) | ||
| Sergio G. Sánchez | screenplay | |
Producida por | |||
| Belén Atienza | .... | line producer | |
| Álvaro Augustín | .... | producer | |
| Sandra Hermida | .... | line producer | |
| Elena Manrique | .... | line producer | |
| Joaquín Padró | .... | producer | |
| Mar Targarona | .... | producer | |
| Guillermo del Toro | .... | producer | |
Música original por | |||
| Fernando Velázquez | |||
Fotografía por | |||
| Óscar Faura | |||
Montaje por | |||
| Elena Ruiz | |||
Casting | |||
| Geli Albaladejo | |||
Diseño de producción por | |||
| Josep Rosell | |||
Dirección artística | |||
| Iñigo Navarro | |||
Decorados | |||
| Iñigo Navarro | |||
Diseño de vestuario por | |||
| Maria Reyes | |||
Departamento de maquillaje | |||
| Itziar Arrieta | .... | hair stylist | |
| Lola López | .... | makeup artist | |
| David Martí | .... | special makeup effects artist | |
| Montse Ribé | .... | special makeup effects artist | |
Dirección de producción | |||
| Sandra Hermida | .... | production manager | |
| Asen Kanchev | .... | music production manager | |
| Marta Sánchez | .... | production manager | |
Departamento de Arte | |||
| Pau Albin | .... | set dresser | |
| Sol Caramilloni | .... | set dresser | |
| Paula de la Fuente | .... | set designer | |
| Blanca Francoli | .... | set designer | |
Departamento de sonido | |||
| Jordi Bosch | .... | sound effects editor | |
| Juan Carlos Cid | .... | sound consultant: DTS | |
| Virgilio Martínez | .... | mixing assistant | |
| Xavier Mas | .... | dialogue editor (as Xavi Mas) | |
| Xavier Mas | .... | sound recordist (as Xavi Mas) | |
| Yvonne Miralles | .... | recording operator | |
| Marc Orts | .... | sound mixer | |
| Jaime Puig | .... | stereo sound consultant: Dolby | |
| Filippo Restelli | .... | boom operator | |
| Jordi Ribas | .... | sound edit assistant (as Jordi Riba) | |
| Oriol Tarragó | .... | sound designer | |
| Oriol Tarragó | .... | sound post-production supervisor | |
| Edgar Vidal | .... | sound effects designer | |
| Kiku Vidal | .... | sound effects technician | |
Efectos especiales | |||
| Xavi Bastida | .... | special effects makeup | |
| Lluís Castells | .... | special effects | |
| Anthony S. Ciccarelli | .... | special effects technician | |
| Pau Costa | .... | special effects technician | |
| Ismael Ferrer | .... | special effects makeup | |
| Raquel Guirro | .... | special effects makeup | |
| Javier Jal | .... | special effects technician | |
| Enric Masip | .... | special effects technician | |
| Jordi Morera | .... | special effects makeup: DDT SFX | |
| Joan Mosull | .... | special effects technician | |
| Pablo Perona Navarro | .... | special effects makeup (as Pablo Perona) | |
| Josep Olivé | .... | special effects technician | |
| Juan Serrano | .... | special effects makeup | |
Visual Effects | |||
| Jesús Luque | .... | visual effects | |
| Quico Noizeux | .... | digital compositor | |
| Sandra Picher | .... | visual effects coordinator | |
| Lucas Pigliacampo | .... | digital artist | |
| Lucas Pigliacampo | .... | digital compositor | |
| Jordi San Agustín | .... | visual effects supervisor | |
Especialistas | |||
| Marina de Mendialdúa | .... | stunts | |
| Laura Dursi | .... | stunt double | |
| Marian Elshove | .... | stunts | |
| Desirée Guirao | .... | stunt double | |
| Antonio Higueruelo | .... | stunt coordinator | |
| Juan Antonio López | .... | stunts | |
| Sergio G. Sánchez | .... | stunt double | |
| Marta Vilajoana | .... | stunt double | |
Cámara y Departamento Eléctrico | |||
| Albert Carreras | .... | camera operator | |
| Francesc Carreras | .... | first assistant camera | |
| Beatriz Delgado | .... | assistant camera | |
| Juan Carlos Gorriz | .... | first assistant camera | |
| Gonzalez Leonardo Javier | .... | key grip | |
| Roger Martínez | .... | additional first assistant camera | |
| Pablo Montesinos | .... | video assist | |
| Ferran Rial | .... | still photographer | |
| Bet Rourich | .... | cinematographer: second unit | |
Departamento de reparto | |||
| Cristina Baeza | .... | casting assistant | |
Departamento de vestuario | |||
| Adolfo Domínguez | .... | wardrobe: Fernando Cayo | |
| Desirée Guirao | .... | costume assistant | |
| Aurora Pedredo | .... | tailor | |
Departamento de Edición | |||
| Quique Cañadas | .... | digital intermediate colorist | |
| Guillermo De La Cal | .... | first assistant editor | |
| Jorge Ortiz Yus | .... | colorist: dailies | |
| Laura Sanchez | .... | digital intermediate editor | |
| Marga Villalonga | .... | digital intermediate coordinator | |
Departamento de Música | |||
| Félix Divar | .... | musician: percussion | |
| Juan Antonio Ros | .... | music producer (as Juanan Ros) | |
Otros miembros del equipo | |||
| Glòria Blanes | .... | script supervisor | |
| Núria Costa | .... | press | |
| Goyo Gamez | .... | first production assistant | |
| Laura Jou | .... | child acting coach | |
| Kike Maíllo | .... | script supervisor | |
| George Nicholis | .... | film publicist | |
| Sergio G. Sánchez | .... | making-of | |
| Trini Solano | .... | press | |
| Francesc Talavera | .... | making-of | |
| Sonia Uría | .... | press | |
Gracias | |||
| Dolors Arena | .... | thanks | |
| Inés Barber | .... | thanks | |
| Ángeles Blanco | .... | thanks | |
| Christian Moyès | .... | thanks | |
| Maribel Robles | .... | thanks | |
| Juanjo Sáez | .... | thanks | |
| Pere Torrebadella | .... | thanks | |
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| City of Shoulders and Noses | The Others | The Legend of Hell House | El espinazo del diablo | Stir of Echoes |
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Horror section | IMDb Mexico section | Add this title to MyMovies |
Laura returns with her family to the orphanage she grew up in as a child, she reopens it for handicapped children and all is going to plan until her son starts communicating with an invisible friend.......
Directed by Juan Antonio Bayona & produced by Guillermo del Toro, this Spanish picture is a delightful antidote to the ream of gore for gore sake movies flooding the market on a seemingly daily basis. This is not a horror movie as such, this is one of those pictures that oozes old fashioned values as regards telling a grand old ghost story with mysterious undertones. The setting is perfect, the orphanage of the piece is a ghostly monolithic structure that has all those perfectly shadowy rooms that are hiding secrets, expansive gardens perfectly framed in aura by Bayona's willingness to let the setting be an integral part of the story. The story is a creepy one, and there is always an added air of unease when children are the focal point of the piece in question, and sure enough this central concept of troubled children and troubled childhoods gets the maximum amount of emotion from the viewing public.
It's hard to write anymore than i have without delving deeper into the story and it's significant turn of events, suffice to say i feel this is a wonderful creepy, and at times beautiful, film that prospective viewers would be better off going into devoid of any prior knowledge. Belén Rueda plays Laura and it's a marvellous performance from her, full of emotion and guts, she carries the film with skillful ease. Bayona directs carefully, and it's evident that he is benefiting from the guiding hands of his gifted producer, but his marker is here and i'll be keeping an eye out for future efforts from the young Spaniard.
A smashingly engaging film that is in the vein of Robert Wise's The Haunting & Alejandro Amenábar's The Others, so if you like real well told ghost stories that unhinge rather than shock you, get in the queue because Orfanato, El is a real pleasure.
9/10