| Photos (see all 46 | slideshow) | Videos (see all 14 videos ) |
Dirigida por | |||
| Jason Reitman | |||
Créditos del guión(WGA) | ||
| Diablo Cody | (written by) | |
Producida por | |||
| Joseph Drake | .... | executive producer (as Joe Drake) | |
| Daniel Dubiecki | .... | executive producer | |
| Lianne Halfon | .... | producer | |
| Nathan Kahane | .... | executive producer | |
| Kelli Konop | .... | co-producer | |
| John Malkovich | .... | producer | |
| Jim Miller | .... | co-producer | |
| Mason Novick | .... | producer | |
| Russell Smith | .... | producer | |
| Brad Van Arragon | .... | co-producer | |
Música original por | |||
| Matt Messina | (as Mateo Messina) | ||
Fotografía por | |||
| Eric Steelberg | (director of photography) | ||
Montaje por | |||
| Dana E. Glauberman | |||
Casting | |||
| Kara Lipson | |||
| Mindy Marin | |||
Diseño de producción por | |||
| Steve Saklad | |||
Dirección artística | |||
| Michael Diner | |||
| Catherine Schroer | |||
Decorados | |||
| Shane Vieau | |||
Diseño de vestuario por | |||
| Monique Prudhomme | |||
Departamento de maquillaje | |||
| Sandy Cooper | .... | makeup artist | |
| Victoria Down | .... | key makeup artist | |
| Monica Huppert | .... | makeup artist | |
| Sherry Linder-Gygli | .... | key hair stylist (as Sherry Gygli) | |
| Ann Pala | .... | makeup artist: J. Garner | |
| Robert A. Pandini | .... | hair stylist (as Robert Pandini) | |
| Lance Webb | .... | special makeup effects artist | |
Dirección de producción | |||
| Jack Schuster | .... | post-production supervisor | |
| Michael Williams | .... | unit production manager | |
Ayudante de dirección | |||
| Chad Belair | .... | third assistant director | |
| Jason Blumenfeld | .... | first assistant director | |
| Josy Capkun | .... | key second assistant director | |
| Gary Hawes | .... | second second assistant director | |
| John McKeown | .... | assistant director: additional photography | |
Art Department | |||
| John Beatty | .... | construction coordinator | |
| Alex Cram | .... | property master | |
| Doug Currie | .... | head paint coordinator | |
| Paul Arthur Hartman | .... | set dresser | |
| Michael Jovanovski | .... | lead dresser | |
| Dusty Kelly | .... | lead painter | |
| Bryan Korenberg | .... | property master | |
| Dale Menzies | .... | carpenter | |
| Melissa Olson | .... | assistant decorator | |
| Kevin Tomecek | .... | lead carpenter | |
| Lori West | .... | art department coordinator | |
Departamento de sonido | |||
| Barney Cabral | .... | supervising sound editor | |
| Rickley W. Dumm | .... | sound effects editor | |
| Richard Dwan Jr. | .... | supervising dialogue editor | |
| David Hingorany | .... | sound mix engineer | |
| J. Stanley Johnston | .... | sound re-recording mixer | |
| Michael Kreple | .... | foley mixer | |
| James Kusan | .... | sound | |
| Nick Neutra | .... | foley supervisor | |
| Rick Owens | .... | foley artist | |
| Ken S. Polk | .... | sound re-recording mixer | |
| Perry Robertson | .... | supervising sound editor | |
| Scott Sanders | .... | sound re-recording mixer | |
| Scott Sanders | .... | supervising sound designer | |
| Gabriel J. Serrano | .... | sound recordist | |
| Eric Thompson | .... | adr mixer | |
| Tony Wyman | .... | boom operator | |
| Kevin Zimmerman | .... | assistant sound editor | |
Efectos especiales | |||
| Michael Bolan | .... | special effects assistant | |
| Rory Cutler | .... | special effects foreman | |
| Ian Korver | .... | special effects technician | |
| Ken Reynolds | .... | special effects assistant | |
| John Sleep | .... | special effects coordinator | |
| Attila Vaski | .... | special effects technician | |
Visual Effects | |||
| Patrick Clancey | .... | digital opticals | |
| Brandon Flyte | .... | digital effects artist | |
| Ken Locsmandi | .... | digital compositor | |
| Danita Slaughter | .... | digital opticals editor | |
Especialistas | |||
| Scott J. Ateah | .... | stunt coordinator (as Scott Ateah) | |
Camera and Electrical Department | |||
| Dave Askey | .... | key grip | |
| John Clothier | .... | camera operator | |
| Ken Decker | .... | generator operator | |
| John Dekker | .... | gaffer | |
| Doane Gregory | .... | still photographer | |
| Patrick Hogue | .... | film loader | |
| Randy A. Jablonka | .... | lighting technician | |
| Simon Jori | .... | first assistant camera: "b" camera | |
| David W. Leblanc | .... | lighting technician | |
| Ian R.C. Levine | .... | second assistant camera: "b" camera | |
| David Lourie | .... | first assistant camera: "b" camera | |
| Dean Morin | .... | second assistant camera | |
| Vince Phillips | .... | grip | |
| Stewart Whelan | .... | first assistant camera | |
Casting Department | |||
| Heike Brandstatter | .... | casting: Canada | |
| Coreen Mayrs | .... | casting: Canada | |
| Trica Thompson | .... | casting coordinator: Canada | |
| Tiffany Mak | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Maria Bradley | .... | costumer: J. Garner | |
| Christine Coutts | .... | assistant costume designer | |
| Lise Hache | .... | set costumer | |
Editorial Department | |||
| Omar Hassan-Reep | .... | post-production assistant | |
Music Department | |||
| Peter Afterman | .... | music supervisor | |
| Jason Faulkner | .... | guitar teacher | |
| Oren Hadar | .... | score mixer | |
| Hodges | .... | guitar teacher | |
| Alison Litton | .... | music coordinator | |
| Nick South | .... | music editor | |
| Margaret Yen | .... | music supervisor | |
| Scotty Crane | .... | music engineer (uncredited) | |
Transportation Department | |||
| Clif Kosterman | .... | transportation coordinator | |
Otros miembros del equipo | |||
| Cosmas Paul Bolger Jr. | .... | special effect producer | |
| Claudia Costa | .... | assistant to producers | |
| Claudia Costa | .... | production assistant to assistant director | |
| Peter Cummings | .... | clearance/product placement coordinator | |
| Shelly Darden | .... | assistant: Mr. Mudd (as Shelley Darden) | |
| Helen Estabrook | .... | assistant: Mr. Dubiecki | |
| Helen Estabrook | .... | assistant: Mr. Reitman | |
| Kyle Fried | .... | assistant: Mr. Mudd | |
| Evan Godfrey | .... | assistant: Mr. Reitman | |
| Omar Hassan-Reep | .... | production assistant | |
| Soo Hugh | .... | assistant: Mr. Drake | |
| Krista Kelloway | .... | assistant to co-producers | |
| Sue Levens | .... | production accountant | |
| Ryan Mains | .... | assistant location manager: re-shoots | |
| Christopher McDonell | .... | location scout | |
| Emily Millard | .... | assistant: Ms. Garner | |
| Shaun Moskie | .... | key production assistant | |
| Holly Pinder | .... | key production assistant | |
| Matthew Reis | .... | assistant: Mr. Novick (as Matt Reis) | |
| Lawra Robertson | .... | assistant to producers | |
| Neil Robertson | .... | location manager | |
| John T.L. Tang | .... | production assistant | |
| Chris Thoma | .... | assistant location manager | |
| Jeff Warden | .... | production assistant | |
| Trevor Westerhoff | .... | production coordinator | |
Thanks | |||
| Ethan Berger | .... | thanks | |
| David Choe | .... | thanks | |
| Melissa Havard | .... | thanks | |
| Angie Hensley | .... | thanks | |
| Eddie Lin | .... | thanks | |
| Tara McPherson | .... | thanks | |
| Eleanor O'Connor | .... | thanks | |
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| Full cast and crew | Company credits | External reviews |
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Am I the only person who saw through the superficiality of this film. Every single scene was so contrived it made viewing it almost unbearable. The writer and director have clearly gone all out to convince an unsuspecting if not gullible audience that this is a hip, quirky, Indy film by filling every moment with some soft guitar music, "cool" dialogue and rather inventive and original clothing styles. But the result is like a meal ruined by too much seasoning. It's just too overpowering, Juno tries too hard. Who in their right mind keeps a pipe in their mouth just for the sake of it? What kind of self suspecting teenage boy wears stupidly short gold shorts? These characters are so false, so unconvincing that the notion of this film winning best screenplay is pretty ridiculous and even undermines the Oscars themselves. I think the film benefited from being swept up in the pre-Oscars hype, people wanted an outsider to contend with the big boys at the Academy Awards. Ergo Juno gets a large dollop of media attention and lots of people get swept up in the hype, wrongly believing this to be some sort of contemporary masterpiece. Well its not plain and simple. If you are thinking of seeing this film, don't bother. If you have seen this film go and watch Garden State or a Wes Anderson film, or anything by the Coen Brothers or Tarrantino. Many of these films are slightly quirky and offbeat with very real and conversational dialogue, but it is all executed in a purposeful and realistic way. Its not just quirkiness for the sake of it.