| Fotos (ver todos los 91 | slideshow) | Videos (see all 11) |
Dirigida por | |||
| Susanne Bier | |||
Créditos del guión(WGA) | ||
| Allan Loeb | (written by) | |
Producida por | |||
| Pippa Harris | .... | executive producer | |
| Barbara Kelly | .... | co-producer | |
| Allan Loeb | .... | executive producer | |
| Sam Mendes | .... | producer | |
| Sam Mercer | .... | producer | |
Música original por | |||
| Johan Söderqvist | (score by) | ||
Fotografía por | |||
| Tom Stern | (director of photography) | ||
Montaje por | |||
| Pernille Bech Christensen | |||
| Bruce Cannon | |||
Casting | |||
| Debra Zane | |||
| Heike Brandstatter | (uncredited) | ||
| Coreen Mayrs | (uncredited) | ||
Diseño de producción por | |||
| Richard Sherman | |||
Dirección artística | |||
| Geoff Wallace | |||
Decorados | |||
| Dominique Fauquet-Lemaitre | |||
Diseño de vestuario por | |||
| Karen L. Matthews | (as Karen Matthews) | ||
Departamento de maquillaje | |||
| Ian C. Ballard | .... | key hair stylist (as Ian Ballard) | |
| Rick Glassman | .... | dental special effects: Mr. Del Toro (as Rick Glassman, D.D.S.) | |
| Norma Hill-Patton | .... | makeup artist: Ms. Berry | |
| Connie Parker | .... | key makeup artist | |
| Jessica Rain | .... | assistant hair stylist | |
| Gail Rowell-Ryan | .... | hair stylist: Mr. Del Toro (as Gail Ryan) | |
| Debra Wiebe | .... | hair stylist: Ms. Berry | |
| C.J. Wills | .... | assistant makeup artist | |
Dirección de producción | |||
| Abby Callahan | .... | post-production supervisor (as Abigail Callahan) | |
| Barbara Kelly | .... | unit production manager | |
| Paul A. Levin | .... | post-production supervisor (as Paul Levin) | |
Departamento de Arte | |||
| Don Anderson | .... | property buyer | |
| Victoria Balharry | .... | graphic artist | |
| Derek Bobroff | .... | on-set painter | |
| Raul Casillas | .... | lead set dresser | |
| Anthony Chruszcz | .... | set dresser | |
| Graham Coutts | .... | property master | |
| Jennifer Donaldson | .... | assistant art director (as Jenny Donaldson) | |
| Keith Esch | .... | paint foreperson | |
| Larry Gonsalves | .... | set dresser | |
| Gillian Goodman | .... | assistant property master (as Gill Goodman) | |
| Jim Green | .... | chief greensperson | |
| Alan Hemsworth | .... | lead greensperson | |
| Scott Holburn | .... | set dresser | |
| Randal Holden | .... | construction foreperson (as Randal James Holden) | |
| Sheri Hunter-Locke | .... | assistant set decorator | |
| Leonardo Lara | .... | on-set dresser | |
| Shannon McFarlane | .... | set dresser | |
| Chris Thompson | .... | construction coordinator | |
| Mario Tomas-Niedworok | .... | paint coordinator (uncredited) | |
Efectos especiales | |||
| Alex Burdett | .... | special effects coordinator | |
| Adam Tayler | .... | special effects technician | |
| Kai Hirvonen | .... | special effects assistant (uncredited) | |
Visual Effects | |||
| Danny Albano | .... | digital compositor: Technicolor Digital Services | |
| Mary E. Manning | .... | pre-visualization artist: Illusion Arts | |
| Erin L. Nelson | .... | digital restoration | |
| Wilson Tang | .... | digital restoration | |
Especialistas | |||
| James Bamford | .... | stunts | |
| Simon Burnett | .... | stunts | |
| Jon Kralt | .... | stunt coordinator | |
| Gerald Paetz | .... | stunts | |
| Wade Simmons | .... | stunts | |
Cámara y Departamento Eléctrico | |||
| Sandes Ashe | .... | first assistant photographer | |
| Tony Derkach | .... | dolly grip operator | |
| Glen A. Dickson | .... | camera operator (as Glen Dickson) | |
| Gareth Farfan | .... | on-set rigger | |
| Rod Feldmeier | .... | chief rigging technician | |
| Jeremy Giles | .... | grip | |
| Doane Gregory | .... | still photographer | |
| Sean M. Harding | .... | first assistant photographer (as Sean Harding) | |
| Carl Jensen | .... | second company grip | |
| Andrei Jercan | .... | camera trainee | |
| Dave Joshi | .... | video coordinator | |
| Saubrie Mohamed | .... | assistant chief lighting technician (as Saubrie Said Mohamed) | |
| Kevin O'Leary | .... | generator operator | |
| Jason Raschke | .... | second company grip | |
| Jean-Marc Saldini | .... | second assistant photographer | |
| Pawel Sedzimir | .... | assistant chief lighting technician | |
| Bryce Shaw | .... | dolly grip | |
| Morten Søborg | .... | camera operator (as Morten Soborg) | |
| Bill Stefandis | .... | grip (as Bill Stefanidis) | |
| Owen Taylor | .... | chief lighting technician | |
| Tony Thorpe | .... | grip | |
| John Westerlaken | .... | first company grip | |
| Tyler Woeste | .... | second assistant photographer (as Tyler L. Woeste) | |
| Ian Seabrook | .... | underwater camera operator (uncredited) | |
| Leon Serginson | .... | leadman grip (uncredited) | |
Departamento de reparto | |||
| Andrea Brown | .... | background casting | |
| Leslee Feldman | .... | casting executive | |
| Tiffany Mak | .... | casting assistant | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting | |
| Leah Nelson | .... | casting assistant | |
| Trica Thompson | .... | casting assistant | |
| Tannis Vallely | .... | casting associate | |
| Adam Cook | .... | casting assistant (uncredited) | |
Departamento de vestuario | |||
| Marnie Ander | .... | costumer | |
| Steve Holloway | .... | costume supervisor | |
| Jana MacDonald | .... | assistant costume designer (as Jana Rayne MacDonald) | |
Departamento de Edición | |||
| Jill Bogdanowicz | .... | digital intermediate colorist: Technicolor Digital Intermediate | |
| Gary Burritt | .... | negative cutter | |
| Rasmus Gitz | .... | assistant editor (as Rasmus Gitz-Johansen) | |
| Shaun Paul Gordon | .... | post-production coordinator (as Shaun Gordon) | |
| Julia Iriarte | .... | editing production assistant | |
| Bruce Lomet | .... | digital intermediate producer: Technicolor Digital Intermediate | |
| Julia Nessling-Douglas | .... | digital intermediate producer: Technicolor Digital Intermediate (as Julia Nessling) | |
| Francis Power | .... | post-production coordinator | |
| Carrie Puchkoff | .... | assistant editor | |
| Steve Sheridan | .... | color timer | |
| Shelly Theaker | .... | assistant editor | |
| Everette Webber | .... | digital intermediate editor: Technicolor Digital Intermediate (as Everette Jbob Webber) | |
| Justin Bourret | .... | first assistant editor (uncredited) | |
| Thor Roos | .... | colorist: dailies (uncredited) | |
Departamento de Música | |||
| David Richard Campbell | .... | conductor (as David Campbell) | |
| David Richard Campbell | .... | score arranger (as David Campbell) | |
| John Carbonara | .... | assistant music editor | |
| Troy Halderson | .... | score recordist | |
| Susan Jacobs | .... | music supervisor | |
| Anibal Kerpel | .... | score co-producer | |
| Anibal Kerpel | .... | score recordist | |
| Wolfram Koessel | .... | contractor | |
| Suzana Peric | .... | music editor (as Suzana Períc) | |
| Bettie Ross | .... | supervising music copyist | |
| Gustavo Santaolalla | .... | composer: themes | |
| Gustavo Santaolalla | .... | performer: ronroco and guitars | |
Departamento de Transporte | |||
| Jake Callihoo | .... | transportation coordinator (as Jake Calihoo) | |
| Dean Rama | .... | transportation captain | |
| Fred Stephens | .... | transportation co-captain | |
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
I think a lot of people are skipping "Things We Lost In The Fire" because they think it is going to be depressing. While the film is definitely sad, it is not depressing because it is about coping and surviving in the face of tragedy. It is one of the best films of the year.
Halle Berry and Benicio Del Toro give amazing performances and it is unfortunate that there are not more films that take advantage of their talents. I bet Halle Berry would not make so many bad films if she were given more scripts like this. The photography and directing are first rate.
If you have enough interest in this movie to be reading this review, you need to run out and see "Things We Lost In The Fire." This is a film about the things that matter most in life. It will lose much of it's impact on video, so you need to see it on the big screen while you can.