| Tracy Brabin | ... | Gaynor | |
| Mohammed Rafique | ... | Naseema's Father | |
| listado alfabético del resto del reparto: | |||
| Miriam Ali | ... | Naseema's Mother | |
| Dean Andrews | ... | Derek | |
| Samina Awan | ... | Naseema | |
| Liam Barr | ... | Sean's Mate | |
| Liam Boyle | ... | Steve | |
| Nichola Burley | ... | Michelle | |
| Tom Hudson | ... | Adam | |
| Ryan Leslie | ... | Sean | |
| Matthew McNulty | ... | Shane (as Michael McNulty) | |
| Peter O'Connor | ... | Pete | |
| Wasim Zakir | ... | Yousif (as Was Zakir) | |
Dirigida por | |||
| Dominic Savage | |||
Créditos del guión(en orden alfabético) | ||
| Dominic Savage | writer | |
Producida por | |||
| Ruth Caleb | .... | executive producer | |
| Robert Jones | .... | executive producer | |
| Neris Thomas | .... | producer | |
| David M. Thompson | .... | executive producer | |
Música original por | |||
| Rupert Gregson-Williams | |||
Fotografía por | |||
| Barry Ackroyd | |||
Montaje por | |||
| Nicolas Gaster | |||
| David G. Hill | |||
Casting | |||
| David Shaw | |||
Dirección artística | |||
| Sami Khan | |||
Diseño de vestuario por | |||
| Justine Luxton | |||
Departamento de maquillaje | |||
| Sarah Simons | .... | makeup designer | |
Dirección de producción | |||
| Polly Duval | .... | post-production supervisor | |
| Claire Newton | .... | unit manager | |
Ayudante de dirección | |||
| Phil Booth | .... | second assistant director | |
| Guy Heeley | .... | first assistant director | |
| Vicky Marks | .... | third assistant director | |
Departamento de Arte | |||
| Duane Marshall | .... | stand-by art director | |
Departamento de sonido | |||
| Ray Beckett | .... | sound | |
| Richard Davey | .... | sound re-recording mixer | |
| Anthony Faust | .... | adr mixer | |
| Jack Gillies | .... | sound effects editor | |
| Vincent Hazard | .... | adr editor | |
| Vincent Hazard | .... | dialogue editor | |
| Jessie Taylor | .... | assistant sound re-recording mixer | |
Visual Effects | |||
| Anthony Wonsoff | .... | title designer | |
Especialistas | |||
| Peter Pedrero | .... | fight double | |
Cámara y Departamento Eléctrico | |||
| Oliver Driscoll | .... | clapper loader | |
| Lee Howarth | .... | rigger | |
| Carl Hudson | .... | focus puller | |
| David Lee | .... | camera trainee | |
Departamento de Edición | |||
| Kim Gaster | .... | first assistant editor | |
| Matthew Streatfield | .... | assistant editor | |
Departamento de Música | |||
| Tony Clarke | .... | musician: guitar (uncredited) | |
Otros miembros del equipo | |||
| Ian Ellis | .... | assistant location manager | |
| Aaron Farrell | .... | assistant coordinator | |
| Charlotte Keating | .... | production assistant | |
| Mona Qureshi | .... | development executive | |
| Charlie Somers | .... | location manager | |
| Faye Ward | .... | assistant to producer | |
| Sheena Wichary | .... | production coordinator | |
Gracias | |||
| Juliette Howell | .... | thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| help | animangaspirit-1 |
| I live in Blackburn | nic7045 |
| Zahra | Staceyiyee |
| Nichola Burley (Warning:plot spoiler) | yp76 |
| montage | lokabear23 |
| LOVED it. | ely16691 |
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| Out of Control | When I Was 12 | Born Equal | Nice Girl | Dive |
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Drama section | IMDb UK section | Add this title to MyMovies |
I saw this film at the 2006 Palm Springs International Film Festival and this film was well attended and received by the audiences there. Dominic Savage comes out with a pretty strong film for his directorial big screen debut in a film he also wrote. It's a reworking of an old theme of two people from different cultures falling in love and the inevitable problems they face when cultures clash but this is rendered well and reflects the very real misconceptions and prejudices of a modern city in the UK. The film has a real raw gritty look and has some of the feel of a modern West Side Story in it's Romeo & Juliet tension and a modern American Graffiti in it's capturing of kids with cars in a contemporary cruise-scene environment. The ending was a little weak but I would rate it a 6.5 of a scale of 10 and recommend it.