| Fotos (ver todos los 12 | slideshow) | Videos (see all 8) |
| Wed. July 15 | 8:00 AM | MAX |
| Joshua Jackson | ... | Benjamin Shaw | |
| Rachael Taylor | ... | Jane Shaw | |
| Megumi Okina | ... | Megumi Tanaka | |
| David Denman | ... | Bruno | |
| John Hensley | ... | Adam | |
| Maya Hazen | ... | Seiko Nakamura | |
| James Kyson Lee | ... | Ritsuo | |
| Yoshiko Miyazaki | ... | Akiko | |
| Kei Yamamoto | ... | Murase | |
| Daisy Betts | ... | Natasha | |
| Adrienne Pickering | ... | Megan | |
| Pascal Morineau | ... | Wedding Photographer | |
| Masaki Ota | ... | Police Officer #1 | |
| Heideru Tatsuo | ... | Police Officer #2 | |
| Eri Otoguro | ... | Yoko | |
| Rina Matsuki | ... | TGK Receptionist | |
| Tomotaka Kanzaki | ... | Client #1 | |
| Jun Yakushiji | ... | Client #2 | |
| Emi Tamura | ... | Emi | |
| Polina Kononova | ... | Studio Model #1 | |
| Yulia Ryzhova | ... | Studio Model #2 | |
| Mika Kinose | ... | Office Lady | |
| Masakazu Nagakura | ... | Pachinko Parlor Employee | |
| Shinji Furukawa | ... | Pachinko Parlor Customer | |
| Maria Takagi | ... | Waitress at Japanese Restaurant | |
| Akihido Ando | ... | Restaurant Manager | |
| Alessandra | ... | Model #1 | |
| Katrina B. | ... | Model #2 | |
| Tanya Allen | ... | Model #3 (as Tanya) | |
| Takao Toji | ... | Tokyo Doctor | |
| Shizuka Fujimoto | ... | Tokyo Exam Room Nurse | |
| Yutaka Mishima | ... | Ghost Magazine Layout Designer | |
| Maiko Asano | ... | Mother on Train | |
| Rei Sato | ... | Boy on Train | |
| Homare Hasegawa | ... | Passenger on Train | |
| Kei Hirosawa | ... | Passenger on Train | |
| Michiyo Kaneko | ... | Passenger on Train | |
| Koichi Kase | ... | Passenger on Train | |
| Yasuke Kawarada | ... | Passenger on Train | |
| Ayuko Koyama | ... | Passenger on Train | |
| Konomi Moriyama | ... | Passenger on Train | |
| Akira Sato | ... | Passenger on Train | |
| Miyoko Yamaguchi | ... | Passenger on Train | |
| Runa Kozuki | ... | Girl in Park (as Runa Kozuka) | |
| Natsuki | ... | TGK Female Staff | |
| Akihiro Shimomura | ... | Megumi's Father | |
| Gen Takatsuka | ... | Monk | |
| Natalia Tsvetkova | ... | Brooklyn Nurse | |
| listado alfabético del resto del reparto: | |||
| Masami Kosaka | ... | Japanese Man (uncredited) | |
| Rana Morrison | ... | Wedding guest (uncredited) | |
Dirigida por | |||
| Masayuki Ochiai | |||
Créditos del guión(WGA) | ||
| Luke Dawson | (screenplay) | |
| Banjong Pisanthanakun | (2004 movie) uncredited & | |
| Sopon Sukdapisit | (2004 movie) uncredited & | |
| Parkpoom Wongpoom | (2004 movie) uncredited | |
Música original por | |||
| Nathan Barr | |||
Fotografía por | |||
| Katsumi Yanagijima | (director of photography) | ||
Montaje por | |||
| Timothy Alverson | (as Tim Alverson) | ||
| Michael N. Knue | |||
Casting | |||
| Donna Isaacson | |||
| Christian Kaplan | |||
Diseño de producción por | |||
| Norifumi Ataka | |||
Decorados | |||
| Fumiaki Suzaka | |||
Departamento de maquillaje | |||
| Rick Findlater | .... | hair designer | |
| Rick Findlater | .... | makeup designer | |
| Georgia Lockhart-Adams | .... | hair stylist | |
| Fumi Takeshita | .... | key hair stylist: Japan | |
| Fumi Takeshita | .... | key makeup artist: Japan | |
Dirección de producción | |||
| Brady Vant Hull | .... | production supervisor: second unit, Tokyo | |
Ayudante de dirección | |||
| Ed Licht | .... | first assistant director | |
| Amy Wilkins | .... | second assistant director | |
Departamento de sonido | |||
| David Betancourt | .... | foley mixer | |
| James Bolt | .... | sound re-recording mixer | |
| Smokey Cloud | .... | first assistant sound editor | |
| Ronny Cox | .... | adr mixer (as Ron Cox) | |
| Dawn Fintor | .... | foley artist | |
| Alan Freedman | .... | adr mixer | |
| David Grimaldi | .... | sound effects editor | |
| Scott A. Jennings | .... | sound effects editor | |
| Masato Komatsu | .... | sound mixer | |
| Cliff Latimer | .... | adr editor | |
| Timothy E. Lauber | .... | adr recordist (as Tim Lauber) | |
| David Lucarelli | .... | adr mixer | |
| Chuck Michael | .... | sound designer | |
| Chuck Michael | .... | sound re-recording mixer | |
| Chuck Michael | .... | supervising sound editor | |
| Nash Michael | .... | foley editor | |
| Chris Navarro | .... | adr mixer | |
| Eliza Pollack Zebert | .... | supervising dialogue editor | |
| Charleen Richards | .... | adr mixer (as Charleen Richards-Steeves) | |
| Alicia Stevenson | .... | foley artist | |
Efectos especiales | |||
| Jidekazu Kishiura | .... | special effects coordinator | |
Visual Effects | |||
| Andrea Caretta | .... | digital lighting and compositing artist | |
| Thomas F. Ford IV | .... | visual effects producer: New Regency/Twentieth Century Fox | |
| Bonnie Kanner | .... | visual effects executive producer: Pixel Magic | |
| George Macri | .... | visual effects producer: Pixel Magic | |
| Hajime Matsumoto | .... | visual effect supervisor: Big-X | |
| Ray McIntyre Jr. | .... | visual effects supervisor: Pixel Magic | |
| Josh Mossotti | .... | visual effects artist | |
| Reid Paul | .... | senior digital effects supervisor: Pixel Magic | |
| Neal Sopata | .... | digital artist | |
| Bob Wiatr | .... | digital effects compositor: Pacific Title | |
Especialistas | |||
| Shunsuke Gondo | .... | stunts | |
| Nami Hanada | .... | stunts | |
| Shinji Noro | .... | stunts | |
Cámara y Departamento Eléctrico | |||
| Michael FitzMaurice | .... | aerial director of photography: Tokyo | |
| Bill Kaye | .... | still photographer | |
| Yoshimi Watabe | .... | chief lighting technician | |
| Katsuyuki Yanagisawa | .... | key grip | |
Departamento de reparto | |||
| Caitlin McKenna-Wilkinson | .... | adr voice casting | |
Departamento de vestuario | |||
| Stevie Sterman | .... | costume assistant | |
Departamento de Edición | |||
| Gary Burritt | .... | negative cutter | |
| Gilbert Carreras | .... | lab color timer | |
| Mel Friedman | .... | first assistant editor | |
| Yoshie Ishiguro | .... | first assistant editor | |
Departamento de Música | |||
| Christine Bergren | .... | music legal and clearance | |
| Audrey DeRoche | .... | score supervisor (as Audrey deRoche) | |
| Dave Jordan | .... | music supervisor | |
| Lise Richardson | .... | music editor | |
| Damon Tedesco | .... | score mixer | |
| Rebekah Touma | .... | music coordinator | |
| Jojo Villanueva | .... | music supervisor | |
Otros miembros del equipo | |||
| Richard Guay | .... | production consultant | |
| Hideaki Jimbo | .... | production coordinator | |
| Kelly Kiernan | .... | production executive | |
| Rana Morrison | .... | location assistance | |
| Natsuko Nezu | .... | production accountant | |
| Frédéric North | .... | camera helicopter pilot: Tokyo | |
| Kazuko Shingyoku | .... | script supervisor | |
| Bryan Smiley | .... | assistant: Arnon Milchan | |
| Chiaki Yanagimoto | .... | assistant: Mr. Ochiai | |
| Kazumi Nakamura | .... | adr voice (uncredited) | |
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| Shutter | The Ring | Basic Instinct | Lo strano vizio della Signora Wardh | City of Shoulders and Noses |
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Horror section | IMDb USA section | Add this title to MyMovies |
The attempt for this movie was a valiant one... but it failed none the less. They tried so hard to sum up J-Horror movies into one movie that didn't scare you, leave you in suspense, or even guessing. At one point I asked my girlfriend to wake me up when it got good. Had I actually gone to sleep and had her wake me up when it was good... she would've woken me up at the credits. The cinematography was great, but that was probably the only good thing about the movie. You see a side to Japan most movies don't show you, NOT the hustle and bustle of Tokyo, but the side parks, the small houses outside the main cities, the apartments, etc. The movie left nothing to the imagination, you knew what was happening the entire time. There was no point in the movie where I was scared... I didn't even jump. All in all this movie was terrible, don't waste your money on it, watch something else instead... like moss growing, or mentally challenged kids trying to pick up small objects, ANYTHING but this movie.