| Fotos (ver todos los 7 | slideshow) | Videos |
| César Troncoso | ... | Beto | |
| Virginia Méndez | ... | Carmen | |
| Mario Silva | ... | Valvulina | |
| Virginia Ruiz | ... | Silvia | |
| Nelson Lence | ... | Meleyo | |
| Henry De Leon | ... | Nacente | |
| Jose Arce | ... | Tica | |
| Rosario Dos Santos | ... | Teresa | |
| Hugo Blandamuro | ... | Tartamudo |
Dirigida por | |||
| César Charlone | |||
| Enrique Fernández | |||
Créditos del guión(en orden alfabético) | ||
| César Charlone | writer | |
| Enrique Fernández | writer | |
Música original por | |||
| Gabriel Casacuberta | |||
| Luciano Supervielle | |||
Fotografía por | |||
| César Charlone | |||
Montaje por | |||
| Gustavo Giani | |||
Casting | |||
| Bruno Aldecosea | |||
Diseño de producción por | |||
| Inés Olmedo | |||
Dirección artística | |||
| Inés Olmedo | |||
Decorados | |||
| Omar Alaniz | |||
| Daniel Fernandez | |||
| Diego Mendez | |||
Diseño de vestuario por | |||
| Alejandra Rosasco | |||
Departamento de maquillaje | |||
| Claudia González | .... | key makeup artist | |
| Estela Vallegra | .... | makeup artist | |
Dirección de producción | |||
| Sergio De León | .... | unit production manager | |
| Diego Ferrando Mazzotti | .... | assistant production manager | |
| Mirtha Molina | .... | production manager | |
| Gustavo Ribeiro | .... | post-production manager | |
| Carlos Vecchi | .... | post-production supervisor | |
Departamento de Arte | |||
| Rodrigo Borda | .... | assistant art director | |
| Daniel Fernandez | .... | props | |
| Mariana Pereyra | .... | assistant art director | |
Departamento de sonido | |||
| Pablo Benedetto | .... | boom operator | |
| Daniel Márquez | .... | sound director | |
| Nicolás Scaduto | .... | foley editor | |
Visual Effects | |||
| Marcelo Ferreira PeeJay | .... | digital effects artist | |
| Rogério Marinho | .... | visual effects | |
| Robson Sartori | .... | visual effects coordinator | |
| Karina Vanes | .... | post-production coordinator | |
| Andre Waller | .... | visual effects supervisor | |
| Mariana Zdravca | .... | post production coordinator | |
Departamento de reparto | |||
| Santiago Turell | .... | casting assistant | |
Departamento de vestuario | |||
| Ana Dominguez | .... | wardrobe assistant | |
| Adriana Levin | .... | wardrobe assistant | |
Departamento de Edición | |||
| Alex Ferreira Barreiro | .... | assistant editor | |
| Anne-Sophie Bion | .... | digital conformation | |
| Mauricio Osaki | .... | assistant editor | |
| Sergio Pasqualino | .... | colorist | |
Departamento de Transporte | |||
| Sonia Acosta | .... | transportation | |
Otros miembros del equipo | |||
| Andrés Alaniz | .... | general administrator | |
Gracias | |||
| Sarah Golding | .... | thanks | |
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| O Caminho das Nuvens | Nunta muta | Machuca | Europa Europa | Maria Full of Grace |
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Drama section | IMDb Uruguay section | Add this title to MyMovies |
If you are looking for effects, heroes and such, don't watch it. If you watch movies as a thread of facts, or scenes, you'll never understand a movie like this. But if you open your mind enough to understand what poverty does to the characters; their broken dreams, their lack of material goods, their lack of education, food, etc., and read carefully each one of the subtle (and not so subtle sometimes) messages about honesty, friendship and family values, and how strong those values can be, you'll find you are watching a little jewel; surprisingly, non-pro actors almost outperform pro actors, thus making a very fresh and simple film, very natural. A message goes to church: it seems church doesn't care about poor people but only when is good marketing; feeding kids in poor countries (just an example, not related with the film) may be of great impact, but getting involved with problems and faith of people seems not to be important at all. That doesn't means stop feeding kids; that means not making a display of richness each time a country is visited, cause seems that the church laughs at people's poverty and suffering. I guess that's why so many of us in Uruguay believe in god, but doesn't trust the church as an institution anymore. Press credibility is at stake too. My personal opinion from now on: the message is clear.. the flame of values is still alive. Don't let it die, cause only values will keep us alive as big family.