The basic premise of "Three" is unimaginative but potentially interesting: for reasons that are initially unclear, a theology student is targeted by a psychopath (the "Riddle Killer") who forces him to confront the dark corners of his past. As those close to him start to die, the only people who stand by our hero are his longtime female friend and a police psychologist whose brother was one of said murderer's victims.
This film drags the viewer through a series of pedestrian chases, shootouts, and assorted close calls for our heroic trio before reaching a fairly predictable climax. Other, better, films ("Saw", "Flatliners", "Never Talk to Strangers", "Fear", the list is truly endless) have covered this ground before and done so with far more originality, imagination, and style. The direction is by-the-numbers, and the cast are competent but lack charisma. It is no surprise that this dud vanished from theaters. It is puzzling that anyone thought it a good idea (tax write-off?) to make this film in the first place.
This film drags the viewer through a series of pedestrian chases, shootouts, and assorted close calls for our heroic trio before reaching a fairly predictable climax. Other, better, films ("Saw", "Flatliners", "Never Talk to Strangers", "Fear", the list is truly endless) have covered this ground before and done so with far more originality, imagination, and style. The direction is by-the-numbers, and the cast are competent but lack charisma. It is no surprise that this dud vanished from theaters. It is puzzling that anyone thought it a good idea (tax write-off?) to make this film in the first place.