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Dirigida por | |||
| David Dobkin | |||
Créditos del guión(WGA) | ||
| Dan Fogelman | (screenplay) | |
| Jessie Nelson | (story) and | |
| Dan Fogelman | (story) | |
Producida por | |||
| David Dobkin | .... | producer | |
| Paul Hitchcock | .... | executive producer | |
| Jessie Nelson | .... | producer | |
| Joel Silver | .... | producer | |
| Vince Vaughn | .... | co-producer | |
Música original por | |||
| Christophe Beck | |||
Fotografía por | |||
| Remi Adefarasin | (director of photography) | ||
Montaje por | |||
| Mark Livolsi | |||
Casting | |||
| Lisa Beach | |||
| Jina Jay | |||
| Sarah Katzman | |||
Diseño de producción por | |||
| Allan Cameron | |||
Dirección artística | |||
| Gary Baugh | |||
| Alex Cameron | |||
| Giles Masters | (supervising art director) | ||
| Mike Stallion | |||
Decorados | |||
| Erin Boyd | (as Erin Gould) | ||
| Daniel B. Clancy | |||
| Richard Roberts | |||
Diseño de vestuario por | |||
| Anna B. Sheppard | (as Anna Sheppard) | ||
Departamento de maquillaje | |||
| Roz Abery | .... | special makeup effects artist | |
| Sophia Burnage | .... | makeup artist | |
| Jayne Buxton | .... | hair stylist | |
| Jayne Buxton | .... | makeup artist | |
| Judy Chin | .... | makeup artist: Chicago | |
| Julie Dartnell | .... | hair stylist | |
| Julie Dartnell | .... | makeup artist | |
| Louise Day | .... | special makeup effects artist | |
| Dugan | .... | hair stylist: Chicago | |
| Claire Green | .... | special makeup effects artist | |
| Duncan Jarman | .... | special makeup effects artist | |
| Jennifer Latour | .... | special effects makeup artist | |
| Aimee Lippert-Bastien | .... | makeup artist: Chicago (as Aimeé Lippert) | |
| Mandy Lyons | .... | hair stylist: Chicago | |
| Dominic Mango | .... | hair department head: Chicago | |
| Helen Marchfield | .... | makeup artist: Chicago | |
| Ross Martucci | .... | assistant special makeup effects artist: Chicago | |
| Tony Mirante | .... | hair stylist: Chicago (as Anthony Mirante) | |
| Suzi Ostos | .... | makeup department head: Chicago | |
| Cheryl Pickenback | .... | hair stylist: Chicago (as Cheryl Pickenpack) | |
| Robin Pritchard | .... | special makeup effects artist | |
| Karen Purvis | .... | special makeup effects artist | |
| Morag Ross | .... | makeup artist: Vince Vaughn | |
| Neal Scanlan | .... | special makeup effects artist | |
| Maralyn Sherman | .... | hair stylist | |
| Maralyn Sherman | .... | makeup artist | |
| Colin Shulver | .... | special makeup effects artist | |
| Thomas Terhaar | .... | hair stylist: Chicago (as Thomas C. Terhaar) | |
| Tristan Versluis | .... | special makeup effects artist | |
| Lisa Westcott | .... | hair designer | |
| Lisa Westcott | .... | makeup designer | |
| Josh Weston | .... | special makeup effects artist (as Joshua Weston) | |
| Amanda Ward | .... | special makeup effects artist (uncredited) | |
Dirección de producción | |||
| Demetra Diamantopoulos | .... | unit production manager | |
| Bill Draper | .... | executive in charge of production | |
| Steve Harding | .... | unit production manager | |
| Lil Heyman | .... | production manager | |
| Marianne Jenkins | .... | post-production supervisor UK | |
| Gavin Milligan | .... | unit manager | |
| Michael Murray | .... | production manager: Cardington | |
| Andrea Wertheim | .... | post-production supervisor | |
Departamento de Arte | |||
| Myke Adams | .... | art department intern | |
| Alex Aitkin | .... | plasterer | |
| Martin Asbury | .... | storyboard artist | |
| David Balfour | .... | property master | |
| Denise Ball | .... | draughtsman | |
| Ray Barrett | .... | construction manager | |
| Jason Breitzman | .... | assistant graphic designer | |
| Chris Buchinsky | .... | storyboard artist | |
| Rob Cameron | .... | assistant set decorator | |
| David J. Chamerski | .... | property master | |
| Richard Cheal | .... | propmaker | |
| Tanja Deshida | .... | buyer | |
| Andrew Dyer | .... | stagehand | |
| Jack Dyer | .... | construction buyer | |
| Penelope Franco | .... | art department coordinator: VSX | |
| Seth Gass | .... | art department assistant | |
| Thomas J. Glynn | .... | on-set dresser | |
| Bruce Gordon | .... | head sculptor | |
| Collin Grant | .... | storyboard artist | |
| Kristin Hanson | .... | graphic artist: Chicago | |
| Kevin Harris | .... | assistant construction manager | |
| Mark Hedges | .... | dressing prop daily | |
| Robert Hill | .... | supervising prop dresser | |
| Kyle Holden | .... | set dresser | |
| Patricia Johnson | .... | assistant art director | |
| Mary Mackenzie | .... | graphic artist | |
| Jim Magdaleno | .... | storyboard artist | |
| Tony Marks | .... | carpenter | |
| Stephen McGregor | .... | chargehand carpenter | |
| Simon McGuire | .... | concept artist | |
| Kelly Neary | .... | property coordinator | |
| Heather Noble | .... | art department coordinator | |
| Sara Nudelman | .... | art coordinator: Chicago | |
| Troy Osman | .... | construction foreman | |
| Tyler Osman | .... | construction coordinator | |
| Kerry Sanders | .... | set designer: Chicago | |
| Ericka N. Shane | .... | construction estimator: Chicago | |
| Clare Sharples | .... | props | |
| Aaron Sims | .... | concept artist | |
| Glenn Stevens | .... | stand-by construction | |
| Larry Szymanowski | .... | on-set scenic | |
| Anna Thomas | .... | art department assistant trainee: FT2 | |
| Jason Torbett | .... | stand-by property master | |
| Scott Troha | .... | leadman: Chicago | |
| Norman Walshe | .... | concept artist | |
| John Wells | .... | location property master | |
| Kho Wong | .... | set decorating coordinator | |
| Dorrie Young | .... | art department assistant | |
| Rachel Cutler | .... | petty cash buyer (uncredited) | |
| Phil Ellman | .... | set dresser (uncredited) | |
| Jack Garwood | .... | stand-by prop: second unit (uncredited) | |
Visual Effects | |||
| Paolo Acri | .... | digital compositor: MPC | |
| Axel Akesson | .... | lead lighting technical director: Cinesite | |
| Sav Akyüz | .... | digital matte painter: Rainmaker | |
| Sav Akyüz | .... | visual effects editor: Rainmaker | |
| Paul Alexiou | .... | visual effects film editorial: MPC | |
| Terence Alvares | .... | digital compositor | |
| Christopher Antoniou | .... | visual effects | |
| Zoran Arizanovic | .... | Houdini effects artist: Cinesite | |
| Oliver Armstrong | .... | roto artist | |
| Myles Asseter | .... | visual effects | |
| Kate Auld | .... | digital compositor | |
| Erika Bach | .... | 3D scanning assistant coordinator | |
| Andrew Baggarley | .... | lighting technical director | |
| Richard Bain | .... | visual effects: Bain VFX, London | |
| Richard Baker | .... | senior compositor: MPC | |
| Kamilla Bak | .... | digital compositor | |
| Susanne Becker | .... | digital compositor: Rainmaker | |
| Nick Bedford | .... | digital effects coordinator: Peerless Camera Company | |
| Lizzie Bentley | .... | digital matte artist: Rainmaker UK | |
| Alex Bicknell | .... | visual effects supervisor | |
| Paul Birkett | .... | lead rotoscope artist: Cinesite | |
| Mawusime Blewuada | .... | data operator | |
| Michelle Blok | .... | previsualization artist: Nvizage | |
| Julian Blom | .... | roto/prep coordinator | |
| Martin Body | .... | lead rotoscope artist | |
| Rick Boyle | .... | rigging: Cinesite | |
| Nadav Brill | .... | lead cloth technical director: MPC | |
| Kelly Bruce | .... | compositor | |
| Stuart Bullen | .... | digital compositor | |
| Andrew Bunday | .... | render engineer | |
| Luke Butler | .... | roto/prep: MPC | |
| Naomi Butler | .... | roto/prep artist | |
| Kevin Campbell | .... | technical manager | |
| Jon Capleton | .... | matchmove supervisor | |
| Scott Chambers | .... | digital compositor | |
| Adrian Chan | .... | modeler | |
| Georgios Cherouvim | .... | effects technical director: MPC | |
| Thomas Clary | .... | visual effects producer: Digital Dream | |
| Grant Connor | .... | Inferno artist | |
| Kingsley Cook | .... | visual effects assistant coordinator: Warner Bros | |
| Gemma Cooper | .... | digital artist | |
| Stephen Coren | .... | CG artist: Rainmaker UK | |
| Frank Coronado | .... | storyboard artist | |
| Ed Cross | .... | visual effects editor: MPC | |
| Mark Curtis | .... | compositing supervisor | |
| Nick D'Aguiar | .... | digital compositor: Machine FX | |
| Adam Davis | .... | crowd simulation technical artist | |
| Luan Davis | .... | compositor | |
| Graham Day | .... | roto/prep artist: MPC | |
| Christopher DeFaria | .... | visual effects executive | |
| Jorge del Valle | .... | character rigger | |
| Keith Devlin | .... | senior compositor: Machine FX | |
| Sylvan Dieckmann | .... | research & development | |
| Sylvan Dieckmann | .... | shading supervisor: mray | |
| Feliciano di Giorgio | .... | senior compositor | |
| John Paul Docherty | .... | visual effects supervisor: Peerless | |
| Michael Dohne | .... | digital compositor: MPC | |
| Clare Johanna Downie | .... | administrator: Peerless | |
| Clare Johanna Downie | .... | post-production assistant: Peerless | |
| Nick Drew | .... | visual effects production manager: Rainmaker UK | |
| Catherine Duncan | .... | visual effects producer: Cinesite | |
| Yasmine El-Ghamrawy | .... | digital compositor | |
| Erik Ellefsen | .... | character technical director: Cinesite | |
| Jane Ellis | .... | visual effects coordinator | |
| Michael Elson | .... | executive producer: MPC | |
| Stephen Elson | .... | visual effects producer | |
| Valentina Ercolani | .... | character technical director: MPC | |
| Ian Fallon | .... | render wrangler: MPC | |
| Bruno Fernandes | .... | digital compositor: Machine FX | |
| Laura Fitzpatrick | .... | administrator: Peerless | |
| Andrew Fletcher | .... | digital compositor: MPC | |
| Joss Flores | .... | digital compositor | |
| Matt Foster | .... | roto/prep Artist: Cinesite | |
| James Furlong | .... | texture artist: The Moving Picture Company | |
| Ron Ganbar | .... | digital compositor | |
| Adam Gascoyne | .... | visual effects supervisor: Rainmaker UK | |
| Philippe Gaulier | .... | texture artist | |
| Mikael Genachte-Lebail | .... | digital artist: MPC | |
| Clement Gerard | .... | lighting artist | |
| Ben Gillingham-Sutton | .... | digital paint and rotoscope artist | |
| Lucinda Glenn | .... | asset department manager: MPC | |
| Richard Gomes | .... | digital effects artist | |
| Lisa Gonzalez | .... | modeller: MPC | |
| Dianne Gordon | .... | data operations manager | |
| Elysia Greening | .... | digital compositor: Baseblack | |
| Turlo Griffin | .... | digital matte painter | |
| Jem Grimshaw | .... | lighting technical director | |
| Vinnakota Gupta | .... | 3D pipeline technical director: Cinesite | |
| Crystal Hadcroft | .... | rotoscope artist: Peerless | |
| Faraz Hameed | .... | previsualization artist/animator: Nvizage | |
| Jonathan Harris | .... | digital compositor: Rainmaker UK | |
| Mark Harrison | .... | CG artist | |
| Nic Hatch | .... | previs supervisor: Nvizage | |
| Penny Hayler | .... | matchmove coordinator: MPC | |
| Penny Hayler | .... | roto/prep: MPC | |
| Sandro Henriques | .... | digital compositor: cinesite | |
| Afif Heukeshoven | .... | lead matchmove artist | |
| Grant Hewlett | .... | senior technical director: lighting | |
| Jeremy Hey | .... | digital compositor | |
| Matt Hicks | .... | CG supervisor: MPC | |
| Alex Hislop | .... | matchmove artist | |
| Kay Hoddy | .... | junior compositor | |
| Andrew Hogden | .... | roto/prep artist | |
| Ian Holland | .... | inferno artist: Peerless Camera Company | |
| Oliver Hollis | .... | motion capture actor | |
| Vlad Holst | .... | environments technical director | |
| Uel Hormann | .... | visual effects supervisor: MPC | |
| Ryan Hutchings | .... | visual effects | |
| Michael Illingworth | .... | visual effects | |
| Jonna Isotalus | .... | roto/prep artist: MPC | |
| Zave Jackson | .... | digital compositor | |
| Suzanne Jandu | .... | digital compositor | |
| Helen Johnson | .... | roto/prep artist | |
| Marc Jones | .... | matchmove artist: MPC | |
| Owen Jones | .... | lead matchmove artist | |
| Timothy P. Jones | .... | digital imaging | |
| Marc Jouveneau | .... | digital compositor | |
| Matt Kasmir | .... | lead compositor | |
| Peng Ke | .... | matchmove Artist: MPC | |
| Peng Ke | .... | prep/paint artist | |
| Elaine Kieran | .... | software research and development: MPC | |
| Andrew Kingston | .... | systems administrator | |
| Diane Kingston | .... | digital effects producer | |
| Seth Kleinberg | .... | compositor: main and end titles | |
| Arek Komorowski | .... | digital compositor | |
| Dean Koonjul | .... | lead compositor: Rainmaker UK | |
| Andrew Koutsou | .... | visual effects on-set match mover | |
| Debbie Langford | .... | mocap/crowd layout: MPC, London | |
| Douglas Larmour | .... | digital compositor | |
| Lorenzo Lavatelli | .... | effects technical director: MPC | |
| Tim Ledbury | .... | digital matte painting | |
| Adrian Lee | .... | data operative/render wrangler: Cinesite | |
| Fabio Leporelli | .... | sequence lead | |
| Sean Lewkiw | .... | CG technical head: Rainmaker UK | |
| Bjorn Liljequist | .... | senior lighting technical director | |
| Richard Little | .... | supervisor | |
| John Lockwood | .... | visual effects supervisor: Machine | |
| Keir Longden | .... | motion tracker: Cinesite | |
| Andrew Loschin | .... | assistant visual effects editor | |
| Nelson Lowry | .... | digital art director | |
| Adam Lucas | .... | rigging supervisor: Cinesite | |
| Angela Magrath | .... | character technical director | |
| Julian Mann | .... | digital compositor | |
| Howard Margolius | .... | visual effects technical director: MPC | |
| Luke Massingberd | .... | rotoscope artist | |
| Javad Matoorian-Pour | .... | roto/prep artist | |
| Timothy McCallum | .... | character supervisor | |
| Andrew McDonald | .... | head of modeling: MPC | |
| Marlin McGlone | .... | data operative | |
| Erin McGookin | .... | digital intermediate producer | |
| Paul McWilliams | .... | digital artist | |
| Matt Middleton | .... | sequence lead | |
| Thomas Middleton | .... | rotoscope artist: Cinesite | |
| Standish Millennas | .... | visual effects coordinator: Machine | |
| László Molnár | .... | texture artist: MPC | |
| Giuseppe Motta | .... | technical director: lighting | |
| David Antonin Mucci | .... | supervising lighting technical director | |
| Ryan Mullany | .... | roto/paint lead | |
| Jonathan Neill | .... | CG supervisor: Cinesite | |
| Guy Nesfield | .... | rotoscope artist | |
| Leila Nicotera | .... | matchmove artist | |
| Roma O'Connor | .... | visual effects executive producer: Rainmaker UK | |
| Shannon Leigh Olds | .... | visual effects editor | |
| Jonathan Opgenhaffen | .... | lead CG artist/matte painter: Rainmaker UK | |
| Alban Orlhiac | .... | head of texture: MPC | |
| Tahir Palali | .... | matchmove artist: MPC | |
| John Palmer | .... | digital film bureau manager: scanning | |
| Stephane Paris | .... | modeling supervisor: Cinesite | |
| Simon Payne | .... | CG clothing technical director | |
| Claire Pegorier | .... | digital effects artist | |
| Claire Pegorier | .... | head cloth artist: MPC | |
| Venetia Penna | .... | roto/prep artist | |
| Nicolas Petit | .... | technical director: lighting | |
| Andy Pinson | .... | rotoscope artist | |
| Rob Pizzey | .... | digital colourist | |
| George Plakides | .... | lighting technical director: MPC | |
| Corinne Pooler | .... | executive visual effects producer: Digital Dream | |
| Jerry Pooler | .... | visual effects supervisor: Digital Dream | |
| Tristan Porter | .... | digital compositor: Baseblack | |
| Ingo Putze | .... | lead matte painter: Cinesite | |
| Janet Quen | .... | senior Inferno artist | |
| Andrew Ramirez | .... | visual effects editor | |
| Edward Randolph | .... | visual effects coordinator: Baseblack | |
| Ollie Rankin | .... | crowd sim lead | |
| Sagar Rathod | .... | previsualization artist/animator: Nvizage | |
| Adrian Ratley | .... | match mover | |
| Nicholas David Reed | .... | visual effects camera technical director | |
| Tom Reed | .... | head of rigging: MPC | |
| Michael Ridgwell | .... | digital artist | |
| Mark Robben | .... | digital compositor | |
| Sascha Robitzki | .... | crowd sim lead: MPC | |
| Duncan Robson | .... | motion editor: MPC | |
| Paul Round | .... | Head of 2D: Peerless | |
| Sam Rowan | .... | modeller | |
| Allison Rutland | .... | digital artist: MPC | |
| Olivier Ryard | .... | digital compositor | |
| Florian Salanova | .... | lighting technical director: MPC | |
| Pierre Salazar | .... | modeler | |
| Nobuteru Sasagawa | .... | digital artist | |
| Laurel Schneider | .... | visual effects producer: Rainmaker UK | |
| Markus Schneider | .... | digital compositor | |
| Michele Sciolette | .... | digital compositor: Cinesite | |
| Liz Scully | .... | senior lighting technical director: MPC | |
| Bruno Simões | .... | crowd layout technical director: MPC | |
| Laurel A. Smith | .... | senior texture painter | |
| Tammy Smith | .... | roto/prep artist: MPC | |
| Sally Spencer | .... | visual effects producer | |
| Simon Stanley-Clamp | .... | visual effects supervisor: Cinesite | |
| Adrian Steel | .... | lead render wrangler | |
| Rainer Stolle | .... | digital environment artist: Rainmaker UK | |
| David Stopford | .... | effects technical director | |
| Sheldon Stopsack | .... | lighting technical director: MPC | |
| Steve Street | .... | visual effects supervisor: Machine | |
| Bill Sturgeon | .... | visual effects coordinator | |
| Peter Szewczyk | .... | digital background artist | |
| Neil Szymanski | .... | data operative | |
| Giuseppe Tagliavini | .... | digital compositor: MPC | |
| Aaron Taylor | .... | data wrangler: MPC | |
| Scott Taylor | .... | digital compositor: MPC | |
| Vilmos Thernesz | .... | digital compositor: Machine FX | |
| Andrew Myles Thompson | .... | matchmove Artist: MPC | |
| Ashley Tilley | .... | modeller | |
| Shahin Toosi | .... | senior paint/prep and roto artist | |
| Tom Truscott | .... | digital compositor | |
| Can Tuncer | .... | senior modeller: Cinesite | |
| Gert Van Dermeersch | .... | digital compositor | |
| John Van Hoey Smith | .... | digital compositor | |
| Fani Vassiadi | .... | roto/prep artist: MPC | |
| Paul Vorsman | .... | compositor | |
| Holger Voss | .... | senior creature technical director: Cinesite | |
| Adam Walker | .... | modeller | |
| Ian Ward | .... | digital effects artist | |
| Thom Wickes | .... | render/data wrangler: Cinesite | |
| Trevor Wide | .... | texture artist | |
| Gina Willis | .... | visual effects coordinator: Warner Bros. | |
| Robert A. Willis | .... | visual effects coordinator | |
| Angie Wills | .... | visual effects producer: Cinesite | |
| Chris Wilson | .... | 3D lighting artist: MPC | |
| Chris Wilson | .... | render wrangler: MPC | |
| Blake Winder | .... | digital compositor: Machine FX | |
| Arthur Windus | .... | visual effects producer | |
| Oliver Winwood | .... | assistant digital resource manager: MPC | |
| Kim Worrall | .... | digital compositor | |
| Anna Yamazoe | .... | matchmove Artist: MPC | |
| Aviv Yaron | .... | digital artist: Cinesite | |
| Joyce Young | .... | lighting technical director | |
| Dan Zelcs | .... | character technical director: MPC | |
| Keith Barton | .... | technical support: Cinesite (uncredited) | |
| Hayley Collins | .... | roto/prep artist: MPC (uncredited) | |
| Martyn Drake | .... | systems: MPC (uncredited) | |
| Ed Hall | .... | coordinator: Peerless Camera Company (uncredited) | |
| Sarah MacKenzie | .... | administrator (uncredited) | |
| Tony Man | .... | digital compositor (uncredited) | |
| Tim Pruce | .... | digital effects artist: Peerless (uncredited) | |
| Florian Schuck | .... | digital compositor (uncredited) | |
| Jonathan Sykes | .... | data operative/render wrangler: Cinesite (uncredited) | |
| Nicola Valsamakis | .... | administration: peerless camera company (uncredited) | |
| Melissa Widup | .... | roto artist: Escape Studios/MPC (uncredited) | |
Departamento de Animación | |||
| Terence Bannon | .... | previs artist | |
| Francesco Canonico | .... | animator | |
| Jason Ivimey | .... | senior animator | |
Departamento de reparto | |||
| Dixie Chassay | .... | casting associate | |
| Judy Cook | .... | additional casting | |
| Barbara Harris | .... | adr voice casting | |
| Lindsay Heller | .... | extras casting assistant | |
| Kelly Valentine Hendry | .... | casting: children, UK | |
| Robin Hudson | .... | casting assistant | |
| Clare Morris | .... | extras casting associate | |
| Joan Philo | .... | extras casting | |
| Margo J. Zuffante | .... | extras casting assistant | |
Departamento de vestuario | |||
| Daryl Bristow | .... | wardrobe supervisor | |
| Patrick Caulfield | .... | costumer | |
| Jane Clive | .... | assistant costume designer | |
| Samantha Cousins | .... | costume maker | |
| Rebecca Cunningham | .... | wardrobe assistant | |
| Elena D'Cruze-Reynolds | .... | costume assistant | |
| Marco De Magalhaes | .... | costume assistant | |
| Alix Hester | .... | costumer: Vince Vaughn | |
| Tom Hornsby | .... | second unit wardrobe master | |
| Finn Lee | .... | costume stand-by (as Lee Croucher) | |
| Ann Maskrey | .... | costumes | |
| Sukari McGill | .... | costumer | |
| Sarah Moore | .... | chief costume breakdown artist | |
| Steve O'Sullivan | .... | costume assistant | |
| Peter Paul | .... | wardrobe master | |
| Jeannie Vanko | .... | costumer | |
| David Whiteing | .... | costumer: Paul Giamatti | |
| Michelle Wickland | .... | crowd wardrobe mistress | |
| Celia Yau | .... | costume buyer | |
Departamento de Edición | |||
| Sheryl Benko | .... | post-production coordinator | |
| Salvatore Catanzaro | .... | on-line editor | |
| Jim Eberle | .... | on-line editor | |
| Elliott Eisman | .... | editorial production assistant | |
| Rob Gordon | .... | senior digital film editor | |
| Adam Gough | .... | editorial trainee | |
| Danya Joseph | .... | assistant editor | |
| David Matusek | .... | assistant editor (as Dave Matusek) | |
| Julie Monroe | .... | additional editor | |
| Missy Papageorge | .... | digital intermediate producer | |
| Erik Rogers | .... | digital intermediate producer | |
| Jane Winkles | .... | assistant editor | |
| Todd Zongker | .... | first assistant editor | |
| Chris DeLaGuardia | .... | color timer (uncredited) | |
Departamento de Música | |||
| Tony Blondal | .... | orchestrator | |
| Stephen Coleman | .... | music programmer | |
| Dan DiPrima | .... | music editor | |
| Oliver Hug | .... | assistant music editor | |
| Alastair King | .... | conductor | |
| Jake Monaco | .... | score coordinator | |
| Jake Parker | .... | orchestrator | |
| Gary K. Thomas | .... | orchestrator | |
| John Ashton Thomas | .... | orchestrator | |
| Erica Weis | .... | music editor | |
Departamento de Transporte | |||
| Guy Bostock | .... | action vehicle coordinator | |
| Michael R. Cairo | .... | driver | |
| Alan Canty | .... | unit driver | |
| Brian C. Pawlowski | .... | transportation manager | |
| Colin Simmons | .... | unit driver | |
| Lol Smith | .... | driver: actor | |
| Gerry Turner | .... | transportation coordinator | |
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| The Santa Clause | Elf | Home Alone | Click | Trading Places |
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Comedia section | IMDb USA section | Add this title to MyMovies |
"Fred Claus" somehow avoids becoming this year's "The Santa Clause" by at least having a bit more amusing moments than that Tim Allen starrer, but it doesn't mean that it's got enough going for it that's worth a trip to the theater.
As holiday movies go, it's contrived and sentimental. But actually, that could be the least of one's concern as "Fred Claus," boasting of having David Dobkin ("Shanghai Knights," "The Wedding Crashers") at the helm, contains virtually nary a genuinely funny moment as it clumsily treads the line between a boorish Vince Vaughn vehicle and a fuzzy Christmas film. In the end, it amounts to not much of both. And with a cast that comprises of Paul Giamatti, Kevin Spacey, Rachel Weisz, and Kathy Bates, all the more it leaves one disappointed.
Vaughn plays Fred, Nick's (Giamatti) older and estranged brother, who once upon a time, left him and their parents (Bates and Trevor Peacock) after having had enough of enduring his parents' favoritism of his younger sibling. Nick grows up to be Santa Claus (and as the voice-over tells us, time freezes on you and your family when you become a saint), while Fred becomes a Yuletide-jaded repo man in Chicago who's having a hard time remembering his girlfriend Wanda's (Weisz) birthday.
He runs in trouble with the law and had to call his younger brother (who eerily looks at least a decade older than him) to bail him out of jail. Nick agrees but only if Fred agrees to help out on the toy-wrapping business up in the North Pole. Fred reluctantly agrees but his cynicism clashes with Santa and the elves' perpetually cheery nature, even as an efficiency expert (Spacey) is checking on the toy factory operations, only too happy to have the whole Arctic operations shut down if things fail.
The film, as said, does have its moments, but the padded running length stretches them thin across its duration. In between are piles of Christmas film clichés that were handled better in, say, "Elf" and the attempts at sentimentality are as endearing as last year's fruitcake.
Vaugn, as usual, brings on his coarse charm to the table, but the neutered script of Dan Fogelman keeps him from REALLY doing his thing. Giamatti, underneath the bad fat suit, brings a jolly old charm to his iconic character, but unfortunately, has to play second fiddle to Fred. Spacey brings his game face, but his turns usually end as unfunnily vapid.
Ultimately, "Fred Claus" becomes a forgettable film that falls below what those involved in it deserve. Sure, there are worse ways to start the season at the cinema, but there are certainly far better ways.