| Fotos (ver todos los 40 | slideshow) | Videos (see all 3) |
| Sun. July 12 | 7:30 AM | SHOW |
| Queen Latifah | ... | Narrator | |
| listado alfabético del resto del reparto: | |||
| Katrina Agate | ... | Kid in End Credits | |
| Zain Ali | ... | Kid in End Credits | |
| Preston Bailey | ... | Kid in End Credits | |
| Kwesi Boakye | ... | Kid in End Credits | |
| Michael Huang | ... | Kid in End Credits | |
| Sierra Marcoux | ... | Kid in End Credits | |
| Dante Pastula | ... | Kid in End Credits | |
| Peyton Pearson | ... | Kid in End Credits | |
| Isabella Peschardt | ... | Kid in End Credits | |
| Christina Robinson | ... | Kid in End Credits | |
| Lili Sepe | ... | Kid in End Credits | |
| Ke'ala Valencia | ... | Kid in End Credits | |
Dirigida por | |||
| Adam Ravetch | |||
| Sarah Robertson | |||
Créditos del guión(WGA) | ||
| Linda Woolverton | (narration) and | |
| Mose Richards | (narration) and | |
| Kristin Gore | (narration) | |
Producida por | |||
| Katie Bauer | .... | associate producer | |
| Kattie Evans | .... | co-producer | |
| Tim Kelly | .... | executive producer | |
| Adam Leipzig | .... | producer | |
| John Bard Manulis | .... | executive producer | |
| Kevin McCarey | .... | executive producer | |
| Chris Miller | .... | co-producer | |
| Chris Miller | .... | post-production producer: Visionbox Media Group | |
| Michael Rosenfeld | .... | executive producer | |
| Keenan Smart | .... | producer | |
Música original por | |||
| Joby Talbot | |||
Fotografía por | |||
| Adam Ravetch | |||
Montaje por | |||
| Beth Spiegel | |||
Dirección de producción | |||
| Marc Ambrose | .... | production manager | |
| Marc Ambrose | .... | production supervisor | |
| Bill Newcomb | .... | post-production supervisor | |
Departamento de sonido | |||
| Steve Kinsey | .... | sound mix technician | |
| Darrin Mann | .... | foley mixer | |
| Richard Taylor | .... | supervising sound editor | |
Visual Effects | |||
| Mandy Arnold | .... | digital effects artist | |
| Donnie Creighton | .... | digital intermediate producer | |
| Ryan Helsley | .... | digital intermediate producer | |
| Vincent Lavares | .... | data manager: Laser Pacific | |
| Michael Morreale | .... | executive producer: Amalgamated Pixels | |
| Phillip Palousek | .... | visual effects coordinator | |
| Matt Sell | .... | digital artist | |
| Mai Suzuki | .... | digital restoration artist | |
| Rainy Venne | .... | digital compositor | |
Departamento de Animación | |||
| Gary Hebert | .... | title animator | |
Departamento de Edición | |||
| Kenny Becker | .... | color timer | |
| Mia Goldman | .... | editorial consultant | |
| Ryan Helsley | .... | digital intermediate producer | |
| Frank McGrath | .... | assistant editor | |
| Mike Sowa | .... | digital intermediate color timer | |
| Eric Stran | .... | assistant editor | |
| Cory Taylor | .... | second editor | |
| Pauline von Moos | .... | assistant editor | |
Departamento de Música | |||
| Christopher Austin | .... | orchestrator | |
| Tom Calderaro | .... | orchestrator | |
| Ralph Sall | .... | executive music producer | |
| Ralph Sall | .... | soundtrack album producer | |
| Jim Schultz | .... | additional music editor | |
| Artem Vassiliev | .... | orchestrator | |
| Alice Wood | .... | music editor | |
| Gina Zimmitti | .... | orchestra contractor | |
Otros miembros del equipo | |||
| Dean Galanis | .... | production assistant | |
| Pamela B. Green | .... | main title producer | |
| Heather Holty | .... | digital laboratory project manager | |
| Jesse Kobayashi | .... | digital laboratory project manager | |
| Jill Léger | .... | senior research consultant | |
| Randy Weiss | .... | production executive: Visionbox Media Group | |
Gracias | |||
| Frank Marshall | .... | thanks | |
|
|
|
|
|
| Doctor Dolittle | La marche de l'empereur | The Island at the Top of the World | Happy Feet | It's Tough to Be a Bird |
|
IMDb Calificación de los usuarios:
|
IMDb Calificación de los usuarios:
|
IMDb Calificación de los usuarios:
|
IMDb Calificación de los usuarios:
|
IMDb Calificación de los usuarios:
|
| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Documental section | IMDb USA section | Add this title to MyMovies |
I say this movie is manipulative only because it seems to promise one thing and deliver another. I rented it because I thought my 4 year old daughter would enjoy what seemed to be the promise of one of those cutesy, kiddie-oriented movies featuring baby animals having fun adventures together. The truth is that she wasn't really enthralled by it, and while there are some baby animals in this (mostly a polar bear and a walrus) the "adventures" related really have more to do with the struggle of the animals to adapt to the changing ice conditions in the Arctic being caused by global warming. I have no problem with the message - I think the fight against global warming is extremely important. I just had a bit of a reaction against what I thought was the not entirely honest description of the movie's purpose.
Having said that, as a nature movie I thought this was not bad (although it has more to say to adults than to 4 year olds.) Narrated by Queen Latifah, and made in co-operation with the National Geographic Society, it's has some things in common with the Antarctic adventure "March Of The Penguins" (although it's not as good). As you would expect from National Geographic, the photography is brilliant, and a wide variety of animals are featured (in addition to the polar bears and walruses, there are arctic foxes, beluga whales, orcas, narwhaals, terns and gulls and possibly a few I'm forgetting.) The message isn't subtle; it gets through very clearly - the Arctic is warming up! - and it's true that you do find yourself drawn into the animals' lives and rooting for them through their struggles. I appreciated that the film anded on a fairly positive note, as the arctic life cycle continued, with what had been the baby animals becoming mothers to new babies.
Manipulation aside, the film is family-friendly and, as I noted, very well photographed, but in the end it didn't accomplish what I had hoped - which was to truly entertain a 4 year old.