| Fotos (ver todos los 16 | slideshow) | Videos (see all 3) |
Dirigida por | |||
| Shari Springer Berman | |||
| Robert Pulcini | |||
Créditos del guión(WGA) | ||
| Shari Springer Berman | (screenplay) & | |
| Robert Pulcini | (screenplay) | |
| Emma McLaughlin | (novel) & | |
| Nicola Kraus | (novel) | |
Producida por | |||
| Gary Binkow | .... | co-producer | |
| Kelly Carmichael | .... | executive producer | |
| Richard N. Gladstein | .... | producer | |
| Matt Landon | .... | co-producer (as Matthew Landon) | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
| Dany Wolf | .... | producer | |
Música original por | |||
| Mark Suozzo | |||
Fotografía por | |||
| Terry Stacey | (director of photography) | ||
Montaje por | |||
| Robert Pulcini | |||
Casting | |||
| Ann Goulder | |||
Diseño de producción por | |||
| Mark Ricker | |||
Dirección artística | |||
| Ben Barraud | |||
Decorados | |||
| Andrew Baseman | |||
Diseño de vestuario por | |||
| Michael Wilkinson | |||
Departamento de maquillaje | |||
| Bert Reo Anderson | .... | hair stylist | |
| Nathan J. Busch II | .... | hair stylist (as Nathan Busch) | |
| Gina Eppolito | .... | manicurist | |
| Cindy Gardner | .... | key makeup artist | |
| Mindy Hall | .... | makeup department head | |
| Michael Kriston | .... | hair department head | |
| Barbara Olvera | .... | hair stylist: Ms. Johansson | |
| Ashunta Sheriff | .... | makeup artist: Ms. Keys (as Ashunta R. Sheriff) | |
| Heba Thorisdottir | .... | makeup artist: Ms. Johansson | |
| Joseph Whitmeyer | .... | hair stylist | |
Dirección de producción | |||
| Michele Giordano | .... | assistant unit production manager | |
| Michael Jackman | .... | executive in charge of post-production | |
| Stuart Macphee | .... | post-production supervisor | |
| Nadine F. Wilson | .... | production supervisor | |
| Dany Wolf | .... | unit production manager | |
Departamento de Arte | |||
| Glen Aldous | .... | camera scenic artist | |
| James C. Allen | .... | key carpenter | |
| William J. Canfield | .... | set dresser | |
| Carmen Cardenas | .... | art department production assistant | |
| John J. Ciccimarro | .... | key carpenter | |
| Amy Fritz | .... | art department coordinator | |
| Alexander Garzero | .... | scenic shopman | |
| Joseph Garzero | .... | charge scenic | |
| Edward R. Geller | .... | construction grip | |
| Kelly Hemenway | .... | lead graphic designer | |
| Nicholas Hill | .... | greensman | |
| Gavin A. Holmes | .... | carpenter | |
| Ann Miller | .... | property master | |
| Jessica Panuccio | .... | set dresser | |
| Robert Pyzocha | .... | assistant art director | |
| Blythe R.D. Quinlan | .... | assistant art director | |
| Pierre Rovira | .... | construction coordinator | |
| Ari David Schwartz | .... | on-set dresser | |
| Duke Scoppa | .... | third props | |
| Mark Paul Selemon | .... | greensperson | |
| Sidaya Sherwood | .... | clearance and research | |
| Dick Tice | .... | lead man | |
| Ginny Walsh | .... | assistant property master | |
| Kate Yatsko | .... | assistant set decorator | |
Departamento de sonido | |||
| Michael Barry | .... | sound re-recording mixer | |
| Ron Bochar | .... | sound re-recording mixer | |
| Allan Byer | .... | production sound mixer | |
| David Corcoran | .... | apprentice sound editor | |
| Marko A. Costanzo | .... | foley artist | |
| Lee Dichter | .... | sound re-recording mixer | |
| John Gutierrez | .... | cable runner | |
| Ruth Hernandez | .... | adr editor | |
| Harry Higgins | .... | sound re-recordist | |
| Eric Hirsch | .... | sound re-recordist | |
| George A. Lara | .... | foley mixer | |
| Marissa Littlefield | .... | adr editor | |
| Branka Mrkic | .... | dialogue editor (as Branka Mrkic-Tana) | |
| Isabella Palmieri | .... | adr loop group | |
| Paul Pouthier | .... | second boom operator | |
| Nicholas Renbeck | .... | sound re-recording mixer | |
| Nicholas Renbeck | .... | supervising sound editor | |
| Steve F.B. Smith | .... | sound consultant: dolby (as Steve Smith) | |
| Lidia Tamplenizza | .... | assistant sound editor | |
| Steven Visscher | .... | supervising foley editor | |
| Alfredo Viteri | .... | boom operator | |
| Allan Zaleski | .... | sound effects editor | |
| Dustin DuPilka | .... | apprentice sound editor (uncredited) | |
Efectos especiales | |||
| Fred Buchholz | .... | pyrotechnician | |
Visual Effects | |||
| Danny Albano | .... | visual effects: Technicolor Digital Services | |
| John Alex | .... | technical director | |
| Ron Ames | .... | visual effects: The Basement | |
| John J. Budion | .... | compositor: RhinoFX (as John Budion) | |
| John J. Budion | .... | flame artist: RhinoFX | |
| Elena Casanova | .... | visual effects coordinator: RhinoFX | |
| Leslie Chung | .... | digital effects artist | |
| Leslie Chung | .... | roto artist | |
| Rodrigo de la Parra | .... | compositor: RhinoFX | |
| Sean Devereaux | .... | senior compositor: Rhinofx | |
| Chris DiFiore | .... | compositing supervisor: RhinoFX | |
| Brian Di Noto | .... | modeler: RhinoFX | |
| Harry Dorrington | .... | visual effects supervisor | |
| Mitchell Ferm | .... | visual effects associate producer: Rhinofx | |
| Joe Gawler | .... | digital intermediate colorist | |
| Camille Geier | .... | executive producer: RhinoFX | |
| Adam Gerstel | .... | visual effects: The Basement | |
| Jude Gorjanc | .... | first assistant director: visual effects unit | |
| Kirstin Hall | .... | digital matte & roto artist: RhinoFX | |
| Christopher M.K. Hill | .... | digital artist | |
| Jill E. Hughes | .... | visual effects producer: RhinoFX (as Jill Hughes) | |
| Nitant Karnik | .... | compositor: RhinoFX | |
| P. Jasmine Katatikarn | .... | technical director: RhinoFX | |
| Dan Kelly | .... | senior flame artist | |
| Ali Kocar | .... | digital matte & roto artist: RhinoFX | |
| Stephen Lawes | .... | main title designer | |
| Stephen Lawes | .... | visual effects: The Basement | |
| Robert Legato | .... | visual effects consultant (as Rob Legato) | |
| Shahar Levavi | .... | animator: RhinoFX | |
| Karin Levinson | .... | production executive: RhinoFX | |
| Arman Matin | .... | visual effects supervisor: RhinoFX | |
| Hector Mejia | .... | systems engineer: RhinoFX | |
| Jennifer Middleton | .... | visual effects coordinator: New Deal Studios Inc | |
| Bogdan Mihajlovic | .... | lead technical director: RhinoFX | |
| Christopher Moore | .... | technical director | |
| Amy Paskow | .... | assistant Flame artist: RhinoFX | |
| Amy Paskow | .... | compositor: RhinoFX | |
| Gary S. Rake | .... | second assistant director: visual effects unit | |
| Jim Rider | .... | Flame artist | |
| Natasha Saenko | .... | digital prodcuction supervisor: RhinoFX | |
| Susanne Scharping | .... | compositor: RhinoFX | |
| Brendan Smith | .... | digital matte & roto artist: RhinoFX | |
| Sohee Sohn | .... | digital matte & roto artist: RhinoFX | |
| Marc Steinberg | .... | visual effects editor: RhinoFX | |
| Paul Tsung | .... | systems engineer: RhinoFX | |
| Michael P. Whipple | .... | digital intermediate engineer | |
| Scott Winston | .... | matchmover | |
| Ji Hyun Yoon | .... | visual effects | |
| Chris R. Green | .... | matte painter (uncredited) | |
| Chris LeDoux | .... | digital compositor (uncredited) | |
Especialistas | |||
| G.A. Aguilar | .... | stunt coordinator (as George Aguilar) | |
| Jill Brown | .... | stunt performer | |
| Bob Colletti | .... | stunt rigger | |
| Blaise Corrigan | .... | stunts | |
| William Cote | .... | stunt rigger | |
| Jeffrey Lee Gibson | .... | stunts | |
| Pete Klein | .... | stunt rigger | |
| Samantha MacIvor | .... | stunt double | |
| Samantha MacIvor | .... | stunt double: Scarlett Johansson | |
| Ian Mclaughlin | .... | stunt rigger | |
| Judi Lewis Ockler | .... | stunt double | |
| Stephen A. Pope | .... | stunt rigger | |
| Steve Stafford | .... | stunt pilot | |
| Aaron Vexler | .... | stunt rigger | |
Departamento de reparto | |||
| Dann Fink | .... | adr voice casting | |
| Kevin Kuffa | .... | casting assistant | |
| Jennifer Sabel | .... | extras casting associate | |
| Grant Wilfley | .... | extras casting | |
Departamento de vestuario | |||
| Denise Andres | .... | costumer | |
| Stephanie Biear | .... | seamstress | |
| David Davenport | .... | wardrobe supervisor | |
| Cameron Folan | .... | costume production assistant | |
| Catherine George | .... | assistant costume designer | |
| Amy Habacker | .... | costumer | |
| Rebecca Hofherr | .... | costume buyer | |
| Jennifer Ingram | .... | costumer | |
| Maggie Lee-Burdorff | .... | costume assistant | |
| Debbie Lucas | .... | seamstress | |
| Mary Jo McGrath | .... | second wardrobe supervisor | |
| David Paulin | .... | costume ager/dyer | |
| Kate Quinlan | .... | costumer: Ms. Johansson | |
Departamento de Edición | |||
| Dana Bloder | .... | digital intermediate producer | |
| Brian Boyd | .... | colorist: high-definition | |
| Brandon Bussinger | .... | colorist: high-definition | |
| Chi Yoon Chung | .... | assistant editor | |
| Don Ciana | .... | color timer | |
| Andreas Fehrle | .... | editorial assistant | |
| Joe Gawler | .... | digital intermediate colorist | |
| Brooks Larsen | .... | second assistant editor | |
| Zach Meadow | .... | colorist: high-definition | |
| Michelle Morris | .... | dailies project manager | |
| Fabio Sanchez | .... | colorist: dailies | |
| Zachary A. Schwartz | .... | post-production assistant | |
| Joe Violante | .... | dailies advisor (as Joey Violante) | |
| Shelly Westerman | .... | additional editor | |
Departamento de Música | |||
| Christine Bergren | .... | music legal and clearance | |
| James Seymour Brett | .... | composer: additional music | |
| James Seymour Brett | .... | orchestrator (as James Brett) | |
| Chris Cozens | .... | auricle operator | |
| John M. Davis | .... | music editor | |
| Robert Elhai | .... | orchestrator | |
| Irwin Fisch | .... | music programmer | |
| Irwin Fisch | .... | orchestrator | |
| Isobel Griffiths | .... | orchestra contractor | |
| Sonny Kompanek | .... | orchestrator | |
| Rachel Levy | .... | executive in charge of music | |
| Perry Montague Mason | .... | orchestra leader (as Perry Montague-Mason) | |
| Dean Parker | .... | assistant to composer | |
| Shawn Pelton | .... | music programmer | |
| Misha Piatigorsky | .... | additional score recordist | |
| Randall Poster | .... | music supervisor | |
| Simon Rhodes | .... | music recordist | |
| Simon Rhodes | .... | music scoring mixer | |
| Philip Rothman | .... | orchestrator | |
| Ted Spencer | .... | additional score recordist | |
| Jill Streeter | .... | music preparation (as Jill Streater) | |
| Mark Suozzo | .... | conductor | |
| Mark Suozzo | .... | music programmer | |
| Mark Suozzo | .... | orchestrator | |
| Mark Suozzo | .... | score producer | |
| Charlotte Trinder | .... | assistant orchestra contractor | |
| Robin Urdang | .... | music clearances | |
| E. Gedney Webb | .... | music editor | |
Departamento de Transporte | |||
| Mike Easter | .... | transportation co-captain | |
| Bobby Marsh | .... | driver co-captain | |
| John 'Detroit' White | .... | transportation | |
Gracias | |||
| John Benthal | .... | very special thanks | |
| Paul Brennan | .... | very special thanks | |
| Julie Cohen | .... | very special thanks | |
| Kevin Kuhn | .... | very special thanks | |
| Tori Metzger | .... | very special thanks | |
| Meryl Poster | .... | very special thanks | |
| Paul Pulcini | .... | very special thanks | |
| Geri Robin | .... | thanks | |
| Steven I. Tay | .... | thanks | |
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Comedia section | IMDb USA section | Add this title to MyMovies |
THE NANNY DIAIRIES is a saccharine and annoying comedy that tries to incorporate touches of whimsical fantasy that don't really work. The film stars Scarlett Johansson as Annie Braddock (Why are female movie characters always named Annie, not Ann? I've never known an Ann in my life who likes to be called Annie), a recent college graduate who stumbles into a job as a Nanny for the child of an unhappy, upwardly mobile couple residing on Manhattan's lower east side. The predictable story finds Annie initially hating the position but soon unable to leave because she doesn't want to leave the child alone with his dysfunctional parents. The film suffers from pedestrian direction and a screenplay that tries WAY too hard to be cute and smart, most notably Annie's obnoxious Carrie Bradshaw-like narration that really grates on the nerves. Johansson's lifeless performance in the starring role doesn't help either...the camera loves Johansson but this is performance completely devoid of anything resembling comic timing. Johansson looks embarrassed just being involved in this debacle. The supporting cast is first rate though...Laura Linney's crisp performance as the boy's mother is perfection as is Tony Winner Donna Murphy's turn as Annie's mother and Grammy winner Alicia Keys as Annie's best friend. It cannot be denied that Nicholas Art is adorable as Annie's young charge and hunky Chris Evans is wasted as a romantic interest. It's SEX AND THE CITY meets MARY POPPINS and it just doesn't work.